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In the art work of the Nigerian sculptor and painter Toni Ndikanwu modern ideas are combined and expressed through uli traditional symbols in an unconventional and unusually lineal formation.

"Deep In Thought"

"Waiting"

"Lexicon"

 

"Big City Blues"

 

 

 
 

His pseudo realism is not a slavish photographic reproduction or imitation of his subject matter,  but rather an energetic relationship with his subject, from a critical point of view based on his sensibilities, emotions, thoughts and experiences.

 

"Massai Girls"

 

"Thirst"

  

"Duet With Flute"

 

 

 
 

"Maskhead and Other Stories"

 Obviously there is a heavy leaning on his African roots which is ever present and consistent as typified in the works.  

"Maskhead"
 

"Totem Spectacle"

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