| updates :: |
| 06.02.02
All areas updated.
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| quote :: |
| "There's not a pair of eyewear that can stop the glare
Of the Duke, overexposed in photo shoots" - Eye On The Gold Chain
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| quicklinks :: |
| Ugly Duckling Official
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What can anyone write about Andy, Dizzy and Young Einstein that hasn't already been read? To those who've come to see Ugly Duckling as the new millennium's hip hop prototype, to expect multi-platinum album after hit movie after smash television appearance... well, nothing. But for those of us who dwell in a less utopian reality than those 20 or 30,000 devotees, Ugly Duckling's 'Journey To Anywhere' is simply a fine debut full length due out soon on XL Recordings. Worthy though it may be of such accolades and expectations, it's likely to take the slow and steady route to world domination. Seriously, we're talking months, possibly even a year.
Fewer still are familiar with the Ducks' humble beginnings. Ugly Duckling had the questionable fortune of forming in late 1993, at the height of the "G-Funk" era. As the gangsta stylings bred in UD's native Long Beach conquered the country, Andy, Dizzy and Young Einstein set off a battle of a distinctly different sort: a four-year struggle to get anyone to listen to their music. (It was also during this period that Einstein hit the crates with Long Beach beat-digging collective the Drum Majors, Andy toiled in a bookstore and Dizzy made some money, shall we say, "off the books.") In 1997, they released the independent 12" single "Fresh Mode," which actually put the Duckling on the underground hip hop map (and funded the purchase of Young Einstein's "dookie" gold rope). 'Fresh Mode' also landed Ugly Duckling a deal with 1500 Records one year later.
The group's debut EP, also called 'Fresh Mode', followed in 1999, meeting with voluminous critical acclaim. But a sheaf of good reviews and a quarter won't get you a cup of coffee, if you know what I'm sayin'... Undaunted, the group did no less than three UK/Euro tours and two in the U.S., building a loyal cult following (especially in the UK, where Wall Of Sound's Bad Magic imprint issued 'Fresh Mode' to a particularly enthusiastic response). Ugly Duckling fans responded to the trio's positive and melodic old-school approach to hip-hop. Those who had given up on this music - or who had never been interested or aware of it in the first place - connected with UD's accessibility to anyone willing to listen, regardless of background... or rep. The Ducks met many of these soon-to-be fans on the road in the early days, sharing stages with the Roots, Kool Keith, Black Eyed Peas, Del The Funky Homosapien and Jurassic 5, to name a few. It was during this period of traveling and playing that Ugly Duckling gained not only new fans, but experience, exposure and determination.
'Journey To Anywhere' is Ugly Duckling's first full-length album release, its songs reflecting the "Journey" that preceded its creation. "I Did It Like That" and "Friday Night" recount years of paying dues and learning about hip-hop music ("When my brother laughed and my dad said it was a fad/I went into my room with a pen and a pad"), while "Introduckling" and "Rock On Top" address their international travels ("I heard they bootleg our record in the UK/That's okay, we rock on top like a toupee").
However, 'Journey To Anywhere' is not by any means strictly autobiographical. The title track alone features cameos from Hong Kong Phooey, the Groovy Ghoulies and Pippi Longstocking, while "Pick-Up Lines" lambastes any number of stereotypical would-be ladies' men to hilarious effect. Then there's "A Little Samba," one of the most amusing send-ups of hip hop braggadocio on record.
"We want to make this artform fun again because it has become so mean and nasty," Andy explains. "It's not even about the music anymore. It's about trying to shock listeners into buying a CD and we'd like to change that." Perhaps he's on to something 'Journey To Anywhere' could well be a touchstone along the route to a new era of hip-hop, one which is currently nurturing the emergence of interesting and creative new forces-not to mention the resurgence of classic artists and styles from rap's early days. If so, thank you Ugly Duckling... or at least good luck.
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