The gallery resembles nothing more than a two story white cube set in the middle of downtown. Two alleys run down the side to a parking lot in the rear. There is only one set of doors open to the public, in the front. The front doors are double locked and are guarded by a state of the art security system. There is a roll-up door at the rear that serves as a service door for equipment, large art, and other massive objects. This too is wired into the security system. There are no windows, although there are a number of skylights that can be shut mechanically.
The lobby is done in an art deco style in shades of white, olive green, and gold. There is a large desk next to the doors which is home to many pamplets about the gallery. On each side of the lobby are metal spiral staircases that lead up to a catwalk that leads around the gallery.
Across from the front doors are double doors that lead into the gallery. These also lock and are wired to a separate security system.
The floors, ceiling, and walls of the inner room are tiled in white. The floor curves upward in selected corners to create benches. There are portable partitions separating a number of different works.
On the left side of the gallery is a small door that could be considered a broom closet, did it not have "Fire Escape" written above it. However, if one continues forward through the first escape door, they will find themselves in the side alley. If one turns to the left before the exit, another door is visible, one that leads down one floor to the resident artist quarters and Sandra's room.
At the bottom of the stairs are six doors.
The first on the left is resident's kitchen and living room. It has a stove, oven, unstocked fridge, table, TV, four chairs, and a print of Heironimous Bosch's "Temptation of Saint Anthony" hung on the wall. The second and third door on the left are artist's quarters. The third on the left, across from Sandra's room, is Bunny's room.
The first door on the right is the resident artist's bathroom. It is clean and is very much in keeping with the Gallery's overall aesthetic. The second room on the right is another artist's quarters. The third room on the right is Sandra's bedroom. Although she very much prefers cleanliness and order, she can't seem to keep her room in order. Her walls are painted to look like a forest, but the effect is merely stifling. The floor is littered with papers of various sorts... newspapers, parking tickets, Sandra's misguided treatises on Kindred history, and a number of translated texts on Golconda, the Inconnu, and the mythical Salubri. Her bed is pure white, which is unfortunate, as there are crimson "tear" stains on her pillow. If inspected closely, one can see a bullet hole in the ceiling.