2000-2001 BlueBonnet Book Reviews

  1. Aliki, William. Shakespeare and the Globe.

  2. Bonners, Susan. Silver Balloon.

  3. Burleigh, Robert. Home Run: The story of Babe Ruth.

  4. Coleman, Evelyn. Riches of Oseola McCarty.

  5. Corpi, Lucha. Where Fireflies Dance.

  6. Cullen, Lynn. Mightiest Heart.

  7. DePaola, Tomie. 26 Fairmount Avenue.

  8. Fleischman, Paul. Weslandia.

  9. Fletcher, Ralph. Flying Solo.

  10. Willis-Holt, Kimberly. Mister and Me.

  11. Igus, Toyomi. I See the Rhythm.

  12. Jenkins, Steve. Top of the World.: Climbing Mount Everest.

  13. Kehret, Peg. Shelter Dogs, Amazing Stories of Adopted Strays.

  14. Lourie, Peter. Rio Grande: From the Rocky Mountains to the Gulf of Mexico.

  15. McCully, Emily. An Outlaw Thanksgiving.

  16. Wells, Rosemary. Mary on Horseback: Three Mountain Stories.

  17. Montgomery, Sy. Snake Scientist. 

  18. Ryan, Pam Munoz. riding Freedom.

  19. Stevens, Janet and Crummel, Susan S. Cook-A-Doodle-Doo.

  20. Weeks, Sarah. Regular Guy.

 

 

1.   Aliki. William Shakespeare and the Globe

From Booklist ,, June 1, 1999
Aliki takes on an ambitious project and completes it with a pervasive sense of history and fine sense of style. Her obvious love of Shakespeare and his theater shines through in the warmth of the presentation as well as her meticulous attention to illustrative detail. The many scenes of life in Elizabethan England will be absorbing to children, but some of Aliki's most sensitive work can be seen in her miniature portraits of key historical figures. Quotations from the plays appear throughout the book, in the front matter, in the margins, and as an unofficial epilogue. These short phrases bring Shakespeare's voice to the book, and the text itself demonstrates a good sense of what to include and exclude as it details what is known and surmised about the writer's life. Framing the central story is the tale of Sam Wanamaker (1919^-1993), an actor and director whose ambition was to rebuild the Globe. Thus, the book goes beyond Shakespeare himself to introduce the team of people who worked, researched, raised money, and built a replica of the Globe, where performances bring the playwright's words to life in something very like their original setting. Students looking for an introduction to Shakespeare and his playhouse will find this an excellent starting place. Carolyn Phelan
Copyright© 1999, American Library Association. All rights reserved

From Kirkus Reviews
PLB 0-06-027821-8 For Aliki (Marianthe's Story, 1998, etc.), the story of the Globe Theatre is a tale of two men: Shakespeare, who made it famous, and Sam Wanamaker, the driving force behind its modern rebuilding. Decorating margins with verbal and floral garlands, Aliki creates a cascade of landscapes, crowd scenes, diminutive portraits, and sequential views, all done with her trademark warmth and delicacy of line, allowing viewers to glimpse Elizabethan life and theater, historical sites that still stand, and the raising of the new Globe near the ashes of the old. She finishes with a play list, and a generous helping of Shakespearean coinages. Though the level of information doesn't reach that of Diane Stanley's Bard of Avon (1992), this makes a serviceable introduction to Shakespeare's times while creating a link between those times and the present; further tempt young readers for whom the play's the thing with Marcia Williams's Tales From Shakespeare (1998). (Picture book/nonfiction. 7-10) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.


2.   Bonners, Susan. Silver Balloon

School Library Journal
"A wonderful intergenerational story."


3.  Burleigh, Robert. Home Run: The story of Babe Ruth.

From Booklist ,August 19, 1998
Gr. 3^-6, younger for reading aloud. In this picture book for older readers, Burleigh uses poetry to introduce the legendary George Herman "Babe" Ruth. His brief poem celebrates Babe's love for the game and his amazing swing before taking readers and listeners through one at-bat and one mighty home run. Wimmer's large, realistic illustrations, done in oil paint on canvas, capture not only the essence of the man on the field but also his adoring fans. On each recto page, Wimmer has included a reproduction of the back of a baseball card, which provides lots of information--how Babe got his name, his life off the field ("I swing big--and I live big, too"), and the ways in which he changed the game. The type on the cards, which are authentic in size, is very small, but that's the only drawback to this beautiful book, which will have baseball fans of many ages cheering for Babe Ruth all over again. A wonderful selection to share across generations. Helen Rosenberg
Copyright© 1998, American Library Association. All rights reserved


4.   Coleman, Evelyn. Riches of Oseola McCarty

From Kirkus Reviews , December 1, 1998
Coleman (To Be a Drum, p. 264, etc.) writes with feeling of an African-American woman whose work ethic proved inspiring. At the age of five Oseola (Ola) McCarty moved to Hattiesburg, Mississippi with her grandmother and aunt. Both the women worked hard every day, and Ola was taught to do all the things they did, from making soap, to washing the clothes by hand on a washboard, to heating the irons on the stove to press the stubborn wrinkles out of the damp garments and linens. For their backbreaking work, which started at seven in the morning and lasted until late at night, Ola and her grandmother were paid 50 cents a bundleas much as a customer could tie into a bedsheet. Still, Ola learned that it was important to save as much as she could every week in a bank account. A lifetime later, at 87, Ola had to quit working for health reasons, but wondered what to do with the considerable amount of money she had saved; she decided to give most of what she hadwell over $150,000to the University of Southern Mississippi for a scholarship fund, which was named for her. The action brought her fame and many awards, but Ola remained the frugal person she had always been. The story, illustrated with black-and-white woodcut-like prints, is full of wisdom and quiet courage; readers will be drawn to the simplicity of the habits that led to Ola's riches. A small, fine book. (Biography. 7-10) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.


 

5.   Corpi, Lucha. Where Fireflies Dance

 

From Booklist , January 1, 1998
Ages 5^-9. Like a grandmother telling stories to her grandchildren, the author recalls part of her childhood in a small town in Mexico, spinning her tale in a delicate thread of anecdotes. She recalls how, together with her brother, Victor, she explored the spooky, deserted house of local hero Juan Sebastian, hearing later from her grandmother that Sebastian followed his "destiny" to fight and die in the Mexican Revolution. She also remembers sitting outside the cantina with her brother, waiting for favorite songs on the jukebox, and listening to stories and songs in their cozy home, contemplating what their own destinies might be. Bold, cheery illustrations will help attract readers to the unusually sophisticated (though still accessible) text, which appears on the page in both English and Spanish. Susan Dove Lempke
Copyright© 1998, American Library Association. All rights reserved

From Kirkus Reviews , July 15, 1997
The CIP data calls this bilingual tale fiction, but Corpi's afterword places the story ``where imagination and memory blend.'' She recalls a night during her childhood, in the small Mexican town of J ltipan, when she and her older brother, Victor, explored a ruined house, once home of the revolutionary fighter Juan Sebasti n. Learning his story from her grandmother, Corpi was introduced to the idea of personal destiny and was inspired to seek her own. That destiny led her away from J ltipan to California, but the final page tells of her singing and telling stories to her own son, just as she was sung to as a child. It's a wonderful evocation of the early experiences and family love that give a child both roots and wings, but the Spanish version of the text is often more vivid than the English. On the first page, ``las luci‚rnagas danzaban al ritmo del viento nocturno'' (literally, ``the fireflies danced to the rhythm of the night wind''), is rendered prosaically as ``fireflies danced in the night air.'' In the intensely tropical-colored paintings, cats are purple, memories are turquoise, and a many-hued bus announces that its destination is ``El Mundo'' (``The World''). Fireflies and a number of photographs (presumably of Corpi's family) figure into the illustrations, each of which has a uniquely appropriate border. (Picture book. 6-9) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.


6.   Cullen, Lynn. Mightiest Heart

Book Description
Who can resist a story about a dog who so loved his master that he gave up his life? This exquisitely illustrated tale, based on the legend of Llywelyn, a thirteenth-century Welsh prince, and his loyal hound, Gelert, will keep young readers and listeners spellbound. Laurel Long joins the ranks of today's premier illustrators in her debut, adding incredible power to Lynn Cullen's spare but emotionally charged text. Each picture is like a precious treasure, revealing painstaking attention to detail, breathtaking color, and characters whose mutual love transcends the pages of this marvelous book. The Mightiest Heart is sure to be one of the best gifts to give young readers this fall. Lynn Cullen, author of several popular middle-grade novels, researched this story in Wales, where a monument to Gelert still stands. Laurel Long makes an outstanding debut as a picture book illustrator.


7.    DePaola, Tomie. 26 Fairmont Avenue

From Booklist , , August 19, 1999
In an attractive chapter book, dePaola describes the year before his family moved from an apartment into their new home on Fairmount Avenue. Starting with a vivid account of the hurricane of 1938, he recalls an unfortunate but funny episode with a laxative, disappointment with "Mr. Walt Disney's Snow White," and his first day of kindergarten. Everything is seen through the eyes of five-year-old Tomi as construction problems arise with the new house: "My mom kept crying. My dad kept using more and more bad words." Reminiscent of Clyde Robert Bulla's appealing chapter books, the colloquial narrative gently meanders, introducing family, friends, and neighbors, noting holidays, anticipating moving day. Black-and-white sketches add a decorative touch and will draw children into the story. In an appended note, dePaola explains why and how he wrote this memoir and promises more. With this charming first installment, the series is off to an auspicious start. Linda Perkins
Copyright© 1999, American Library Association. All rights reserved

From Kirkus Reviews
The legions of fans who over the years have enjoyed dePaola's autobiographical picture books will welcome this longer gathering of reminiscences. Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938. Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (`` `When do we learn to read?' I asked. `Oh, we don't learn how to read in kindergarten. We learn to read next year, in first grade.' `Fine,' I said. `I'll be back next year.' And I walked right out of school.''), recalls holidays, and explains his indignation when the plot of Disney's ``Snow White'' doesn't match the story he knows. Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well. (Autobiography. 7-9) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.


 

8.   Fleischman, Paul. Weslandia

 

Wearing purple sneakers and a bemused expression, Wesley knows he's an outcast: he dislikes pizza, soda, and football, and fleeing his tormentors is ``the only sport he was good at.'' When he learns that each civilization has its own staple food crop, he takes as his summer project turning over a plot of ground in the back yard, and seeds brought by the wind begin to grow. Wesley can't find the plants in any book, but the fruit and the juice are delicious, as are the tubers on the roots. He makes a hat from the bark and a robe from the inner fibers, and sells the seed oil to his former enemies as a suntan lotion/mosquito repellent. It isn't long before he's moved out to the yard, and invents an alphabet and a whole raft of sports for the place he calls Weslandia. In sumptuously detailed illustrations, Hawkes has vividly imagined Fleischman's puckish text, capturing both the blandness of Wesley's suburban surroundings and then the fabulous encroachment of the rainforest-like vegetation of his green and growing place. Children will be swept up in Wesley's vision, and have a fine time visiting Weslandia. An alphabet appears on the endpapers. (Picture book. 5-9) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.


 

9. Fletcher, Ralph. Flying Solo

 

From Booklist , August 19, 1998
Gr. 5^-8. What happens when a sixth-grade class is left unsupervised for a whole day? One might imagine that anything but learning would occur. But when a class usually led by a gifted teacher is left to its own devices, something unusual happens: when the substitute teacher fails to show, the children in Mr. Fabiano's class decide to run the day according to the strict but enjoyable routine ingrained in them by their creative, beloved teacher. Rest assured Fletcher's characters aren't goody-goodies. Rather, they are coconspirators as a countdown clock builds the tension: Will they make it through the day without being found out? As they go through their rote exercises, the kids gain self-assurance and self-reliance. They also come to terms with their feelings of guilt, grief, and sorrow about a classmate who died six months earlier. Fletcher expertly balances a wide variety of emotions, giving readers a story that is by turns sad, poignant, and funny, and, little by little, realistic portraits of the complicated kids emerge. There's no Lord of the Flies anarchy in this thoughtful, absorbing novel, which has a story that will linger long after the book is closed. Kathleen Squires
Copyright© 1998, American Library Association. All rights reserved  

 


 

10.   Holt, Kimberly W. Mister and Me

Book Description
When Leroy Redfield starts taking her momma dancing, Jolene won't call him anything but Mister. Without a name, he can't really be a whole person to her. The last thing she wants is somebody coming along trying to fill the space her daddy left when he died. But then Jolene learns that big, loud Mister wants to marry Momma, and when she gets the chance to hurt him, she acts. What will Momma do when she finds out? And will she marry Mister anyway? Kimberly Willis Holt has written a poignant, humorous story about change and acceptance, and a little girl who ultimately gives name to what she wants most.

 


 

11.  Igus, Toyomi. I See the Rhythm

From Booklist , February 15, 1998
Gr. 5^-8. Igus' prose poems and Wood's evocative paintings combine to give a succinct overview of African American music. A useful time line sets the social context, and brief paragraphs describe the various types of music, from African origins and slave songs through ragtime; the blues; big band, bebop, and cool jazz; gospel; rhythm and blues; and the contemporary sounds of rock, hip-hop, and rap. Igus effectively uses snippets from song lyrics to communicate both a feel for the music itself and a sense of how the various styles played to the emotions of the musicians and their fans ("From the basements to the rooftops, / I see the cool tones of modern jazz / escape the city heat"). Wood's paintings are equally suggestive. Mixing modernist and primitive styles and using color nicely to communicate musical style and tone, her art not only complements the text but vivifies it. Audience may be a problem: the supportive text is too sophisticated for younger readers to grasp themselves, and the format may alienate some older readers. Perhaps best used in a junior-high classroom with audio accompaniment, this striking book, in the hands of a creative teacher or librarian, could give kids a feeling for the majesty, creativity, and continuity of African American music. Bill Ott
Copyright© 1998, American Library Association. All rights reserved

From Kirkus Reviews , April 15, 1998
The collaborators on Going Back Home (1997) return with a stunning history of African-American music. They begin 500 years ago, on the African continent, chronicle the slave trade, and document the work songs and spirituals of American slaves. The blues, ragtime, jazz, gospel, R&B, rock, funk, rap, and hip hop all come under scrutiny in free-verse poems that incorporate lyrics about and the rhythms of every style. In addition, Igus has added a brief description of each musical movement and a terrific timeline noting highlights of African-American historyboth musical and more general informationwhich roots the whole book in a broader context. Wood's vibrant paintings are based in historical detail, and resonate with emotion. The color choices, postures of the figures, as well as the expressions on their faces, reflect various aspects of African-American music; the pictures broadcast joy, innovation, and exuberance in the face of systematic oppression. A child hidden in each scene adds a nice piece of personality for readers to interpret. Stylish and lively design pulls it all together into an absorbing, attractive package. (Picture book. 7-9) -- Copyright ©1998, 

 


 

12.   Jenkins, Steve. Top of the World.: Climbing Mount Everest

From Booklist , April 1, 1999
Gr. 3^-5. The author-artist who gave us Biggest, Strongest, Fastest (1995) and What Do You Do When Something Wants to Eat You (1997) turns his attention to a slightly older audience in a picture book that takes readers on an armchair tour up the tallest peak on Earth. In preparation for the trek, Jenkins presents some background on Everest (including a brief comment on the ecological nightmare tourism has caused) and on some of the people who have scaled it. There's also a double-page spread devoted to climbing equipment. Then it's up to the top, complete with descriptions of some of the things climbers may see en route and some insight into how the cold and altitude will affect their bodies. Jenkins' papercut illustrations are extraordinary--feathery light to catch the effect of fog radiating off the mountains, mottled and striated to replicate rocky plateaus, pebbled to look like ice flowers. The typeface is sometimes uncomfortably small, and words occasionally disappear into the strongly colored backgrounds, but this is still a very attractive book, with plenty of substance for curious children. Stephanie Zvirin
Copyright© 1999, American Library Association. All rights reserved

From Kirkus Reviews
A breathtaking picture-book account of a climb to the top of Mount Everest. Jenkins (Hottest, Coldest, Highest, Deepest, 1998, etc.) documents each step of the way with vivid crushed-paper and cut-paper collages that will rivet viewers. He begins with a world map that shows the Himalayas, recounts efforts to measure the peaks, describes early expeditions, and includes the successful climbs of Sir Edmund Hillary and Tenzing Norgay in 1953, and Rheinhold Messner in 1980. Next, Jenkins illustrates the necessary gear for modern mountain-climbing, and describes the journey itself, beginning in Kathmandu, Nepal, the 100-mile trek to the base of Mount Everest, then step-by-step, up the mountain to the summit. At each step, the striking collages extend the information of the text and capture the majesty of the mountain. Visually arresting and inspiring. (Picture book. 8-12) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.


 

13.   Kehret, Peg. Shelter Dogs, Amazing Stories of Adopted Strays

From Booklist , May 1, 1999
Animal lovers will enjoy these eight short stories about shelter dogs going on to do great things. Among the dogs featured are Tracker, who was adopted by an animal trainer and has starred in TV commercials and movies; Ivan, who was trained by a hearing-impaired woman and ended up saving the lives of both the woman and her daughter when the fire alarm sounded; and amazing Bridgett, who can predict an epileptic seizure up to 20 minutes before it actually happens. A black-and-white photo of the dog and its owner begins each story, and a short section on a related topic (such as fire prevention) ends the segment. Kids will find the heroics appealing, but the book's greatest achievement may be its potential for increasing adoptions from shelters. Lauren Peterson
Copyright© 1999, American Library Association. All rights reserved

From Kirkus Reviews
An amiable collection of short anecdotes about unwanted dogs who were dumped at animal shelters by their owners; Kehret (Small Steps, 1996, etc.) tells of eight strays who were subsequently adopted and accomplished great things. Tracker, who ``began life unwanted and unloved, as do far too many puppies,'' went on to become a movie star. Kirby's owner died and snapped and snarled at everyone; he was about to be euthanatized when a shelter worker said softly, ``Hey, Kirby. Want to go for a walk?'' and the dog's personality changed; he recognized the invitation and forever after was a loving dog. Joey was trained as a ``service dog'' by her owner, who has multiple sclerosis; Joey performs such tasks as picking up dropped items, opening doors and cupboards, and helping her owner's mobility. The most amazing story dog is Bridgette, who was able to predict, by picking up ``subtle shifts in body odor and electromagnetic fields,'' when someone was going to have a seizure. This allowed her owner to lay down before a seizure. The hoards of dog-lovers out there will not find these incidents astonishing, but vindication, so there's a ready audience to cry over and gasp at the tale behind every dog. (b&w photos, notes) (Nonfiction. 10-14) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.


 

14.   Lourie, Peter. Rio Grande: From the Rocky Mountains to the Gulf of Mexico.

From Kirkus Reviews , February 1, 1999
Lourie, following the format of his previous photo-essays (Yukon River, 1992, etc.), traces the route of the Rio Grande, third longest river in the US, from its origin high in the Colorado mountains, 1,885 miles to the Gulf of Mexico. Along the way, historic and contemporary photographs tell of people and events past and present. The first-person narrative makes the past come alive; under discussion are ranchers, miners, and outlaws such as Billy the Kid and Pancho Villa. Lourie visits Taos Pueblos, describes the petroglyphs carved in the rocks, rafts, and camps along the shores, stops at a ghost town flooded when the Falcon Dam was created, interviews border patron officers, and ends at the azure waters of the gulf. Throughout the narrative runs an accomplished combination of history, geography, archaeology, and ecology. (Nonfiction. 10-12) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

 


 

15.   McCully, Emily. An Outlaw Thanksgiving.

 

From Booklist , September 1, 1998
Gr. 2^-5. Based on a true incident in the 1890s West, when Butch Cassidy and his outlaws threw a lavish Thanksgiving banquet for the ranching community that was their favorite outlaw hideout, McCully imagines it from the point of view of a child who lands up at the party as an unexpected guest. Clara and her uptight mother are on a railway journey from New York State to meet up with Clara's father and make a new life in California when their train is stopped by a huge snowstorm. They accept a fellow passenger's invitation to ride with him on a sled to his "family's" Thanksgiving dinner in Brown's Hole, Utah. When they get there, Clara recognizes that their host is the outlaw from the wanted posters. McCully's exciting watercolor paintings show the adventure of the railroad journey when immigrants and roughnecks were crowded together with elegant travelers. Then there is the wildness of the snowstorm that transforms the prairie and, finally, the boisterous Thanksgiving party, where Clara joins the feast and dances the polka with the famous, charming outlaw. Hazel Rochman
Copyright© 1998, American Library Association. All rights reserved


 

16.   Wells, Rosemary. Mary on Horseback: Three Mountain Stories.

From Booklist , September 1, 1998
Gr. 3^-6. Three very poignant vignettes bring to life the true story of Mary Breckenridge, the unforgettable founder of the Frontier Nursing Service, which since 1925 has provided medical service to rural Appalachian Kentucky. Through the voice of a child whose father has been severely injured in a logging accident, the reader is introduced to the poverty-stricken conditions of the mountain people and to Mary, who after suffering great losses herself turned her grief into positive action, trekking around on horseback to deliver much needed help to these people. The next story is told by a nurse who came to help Mary and found herself immediately dispensing precious diphtheria serum to the children of the woods. The last story is told by a child who, after being grief stricken into silence by the death of her mother, eventually finds her voice through helping Mary and the other nurses. These are not happy stories, yet the hope that this incredible woman provided for all those she touched clearly affected many, many lives. These beautifully written stories will remain with the reader long after the book is closed; Wells has given much deserved honor to a true heroine. A brief afterword fills in the facts about Breckenridge and her nursing service. Helen Rosenberg
Copyright© 1998, American Library Association. All rights reserved


 

17.   Montgomery, Sy. Snake Scientist.

Book Description
Dr. Robert Mason, the current recipient of the National Science Foundation's Young Investigator Award, has been studying a mysterious phenomenon for over fifteen years - one of the most extraordinary events of the natural world - the reemergence from a winter spent in a state of suspended animation in subterranean caverns of tens of thousands of red-sided garter snakes - the world's largest concentration of snakes.

The work of scientists can often seem mysterious and intimidating to the nonscientist. No longer! Introducing an exciting perspective on the important work of scientists in all areas of research and study. Scientists in the Field show people immersed in the unpredictable and dynamic natural world, making science more accessible, relevant, and exciting to young readers. Far from the research laboratory, these books show first-hand adventures in the great outdoors - adventures with a purpose. From climbing into a snake den with thousands of slithering snakes to tracking wolves, readers experience the thrill of discovering the unknown


 

18.   Ryan, Pam Munoz. Riding Freedom

From Booklist , January 1, 1998
Gr. 3^-6. In a lively historical novel, Ryan draws on the true life story of Charlotte Darkey Parkhurst ("One-Eyed Charley"), in the mid-nineteenth century, who disguised herself as a boy at the age of 12 and ran away from a grim New Hampshire orphanage. Always hiding the fact that she was female, she made a life for herself working with horses, first as a stable hand, then as an expert coach-driver, and later, out west, where she found her own place at last. Middle-schoolers will love the horse adventures and the stories of her trickery (she even used her male disguise to vote, more than 50 years before women were allowed to do that). Brian Selznick's full-page shaded pencil illustrations show the quiet, daring young woman in man's stiff clothing; they express her yearning and loneliness as well as her deadpan mischief and her bond with the horses she loved. Hazel Rochman
Copyright© 1998, American Library Association. All rights reserved --

From Kirkus Reviews , December 1, 1997
A fictionalized account of the true story of Charlotte Parkhurst, opening with the death of her parents when she was two years old, and covering, subsequently, her life in an orphanage, her decision to run away dressed as a boy, and her career as a stagecoach driver. The tale ends with the fulfillment of her dream to own a ranch. Along the way, and always disguised as a man, she loses the use of an eye, votes in an election (thereby becoming the first woman to do so), and gains renown as a safe and expert driver. Ryan (Armadillos Sleep in Dugouts, p. 1537, etc.) provides the facts of Parkhurst's life in an author's note that also indicates places where she took creative license. The story flows along effortlessly; the details of the stagecoach driver's life and skills are fascinating. Without exaggerating, Selznick's black-and-white drawings convey a character who could easily pass as a woman or a man, further enhancing this credible and entertaining depiction of an interesting and little-known person. (Fiction. 8-12) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.  


 

19.  Stevens, Janet and Crummel, Susan S. Cook-A-Doodle-Doo

From Booklist ,April 15, 1999
Part careful recipe, part wild farce, this gloriously illustrated picture book brings the farmyard into the kitchen with parody and puns and nonsense slapstick that kids will love. Big Brown Rooster is sick of chicken feed. Inspired by his famous great-grandmother, Little Red Hen, he finds her recipe for strawberry shortcake. At first, no one will help ("Not I," said Dog); but then Turtle, Iguana, and Potbellied Pig are only too eager to join Rooster in the kitchen. Turtle can read; Iguana (with a striped oven mitt on his head) can get stuff; Pig is dying to taste; they are a team. The first ingredient is flour (Iguana dashes outside and picks a petunia). When the recipe says "sift," Iguana dives into the flour. Measure the flour: Iguana grabs a ruler. Beat the egg: he picks up a baseball bat. Each time, Rooster restores order ("No, no, no"), then does it right. With the main story and each hilarious, mouthwatering double-page picture of pandemonium, there is a quiet sidebar in small type that explains what recipes are, what ingredients are, what measuring and baking means, and how to make a strawberry shortcake, step by step. The luscious illustrations on hand-made paper are beautifully drawn and deliciously textured, in brilliant shades of red strawberry, brown cake, and creamy filling. The full recipe is printed on the last page, and kids will want to join the team, get in the messy kitchen, follow the directions, and eat that cake. Hazel Rochman
Copyright© 1999, American Library Association. All rights reserved

From Kirkus Reviews
A cross between a picture book take-off of the story of the Little Red Hen and a cooking lesson on the making of strawberry shortcake. When Big Brown Rooster, great-grandson of the Little Red Hen, discovers a recipe for strawberry shortcake in her book, The Joy of Cooking Alone, he makes up his mind to be a cook. In a nod to the original tale, Dog, Cat, and Goose won't help, but Turtle, Iguana, and Pig volunteer. Panels running down the outer margins of some pages offer further information on cooking; in the meantime, the antics surrounding the baking of the cake overtake the studied connections to Little Red Hen. Though entertaining, the story is not seamless in its many functions; it ends on a flat note with a splat of the shortcake on the floor and a pep talk about teamwork. The real humor is in the hilarious illustrations, where a sketchier-than-usual style gives the book a more hurried appearance. Stevens never misses an opportunity for expressiveness in her characters; her inclusion of funny details adds more silliness to the story, from the overturned copper-pot hat on Turtle to the T-rex measuring cup. (Picture book. 4-8) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.


 

20.  Weeks, Sarah. Regular Guy

From Booklist ,September 1, 1999
Like LaFaye's Strawberry Hill and Koss' The Ashwater Experiment , this is another book about a child who hates his hippy parents and longs for a "normal" life, only to discover how lucky he is at home. Weeks treats the situation with wild exaggeration, a farcical plot, and just a touch of tenderness. Guy is so uncomfortable in his crazy family that he decides he was switched at birth with the sixth-grade class nerd, Bob-o. However, just one weekend in Bob-o's cold, empty home shows Guy where he really belongs and makes him feel for troubled Bob-o, whose parents have no time for their son. Many middle-graders will enjoy the gross humor (lots of snot and clatter and fishy smells) as much as the view of embarrassing adults who love you even though they drive you nuts. Hazel Rochman
Copyright© 1999, American Library Association. All rights reserved  

From Kirkus Reviews
PLB 0-06-028368-8 A boy finds himself so ill-suited for his family that he believes he must have been switched at birtha classic childhood hunch that in Weeks's first novel, by turns drab and exaggerated, falls pretty flat. Sixth grader Guy thinks of himself as normal and feels alienated from his eccentric parents: his red-headed mother decoupages everything in sight and renders his father in ice sculpture; Guy's father, in turn, can do disgusting things with an oyster and is called ``Wuckums.'' Along with his best friend, Buzz, Guy discovers among the school files that there was indeed another boy in town born the same day as he was: Bob-o. The weird and odious Bob-o has parents that seem remarkably normal to Guy, and they are left-handed and dimpled, as is he. Guy invents a class assignment that involves switching homes with Bob-o for a weekend; Guy discovers that normal isn't much fun and Bob-o finds kindred spirits in Guy's folks. The whole thing blows up in a melodramatic misinterpretation, as Guy figures out that there is no place like homea foreordained ending in a novel that starts with a thin premise and grows flimsier with each page. (Fiction. 9-12) -- Copyright ©1999, Kirkus Associates, LP. 

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