Old member of the rock group Yes, southafrican Trevor Rabin seems definitively oriented towards his new facet as film composer, and after his successful collaborations with Mark Mancina -Con Air (1997)- and Harry Gregson-Williams -Enemy of the State and Armageddon, both in 1998-, he now appears as the only credited composer in the very spectacular and bloody Deep Blue Sea, the last movie of the specialist Renny Harlin, sort of revision of Steven Spielberg's already classic Jaws (1975). Rabin's music continues, logically, the line marked in his previous works, although he increase a little more the symphonic element balancing it better with the wide electronic and vocal touches present in the score from the initial theme (Aftermath). Spectacular and virulent, such and like the film that accompanies, Rabin continues advancing in search of an own voice. E.V.

/ VARESE SARABANDE VSD-6063 / 30'

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