swlogo.gif (3630 bytes) Spiritwalk Books      

Book of the Month

February 1999

 

 

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The great spiritual truths are
right under your nose -- in
the songs, jokes, proverbs,
and nursery rhymes you've
known all your life.



Why The Chicken Crossed the Road

& Other Hidden Enlightenment Teachings from the Buddha to Bebop to Mother Goose
             

by Dean Sluyter

 

About the book

Excerpts from Why The Chicken Crossed the Road   By Dean Sluyter

Interview with the Author

Reviews and Endorsements

Music to Read By

Mauna Kea from Keola Beamer

 

About the Book

Why the ChickenCrossed the Road
(Tarcher/Putnam, February 1998)

invites the reader to join in the seriously playful adventure of
"digging the cosmic ordinary" -- exploring our cultural backyard
to discover the profound wisdom hidden there in plain sight.

In 33 illustrated mini-chapters, it reveals the startling,
sometimes hilarious connections between the highest
revelations and the lowliest jingles, jokes, and cliches.
Among them:

"Knock-Knock, Who's There?" teaches the same
process of radical self-inquiry advocated by Hindu
masters.

"Mary Had a Little Lamb" expounds the way of love
and devotion as eloquently as the Psalms or the
Gospels.

"Easy Does It," a principle as precise as E=mc2,
describes both the workings of the universe and the
mechanics of meditation.

"Home on the Range" celebrates the anarchic
freedom of enlightenment.

Author Dean Sluyter shows us that Christ and Buddha
bring the same good news of cosmic liberation--and so do
Mick Jagger and Ira Gershwin, Bugs Bunny and Alfred E.
Neuman. Along the way, he tells lively stories that
incorporate basketball and Sufi dancing, cowboy movies
and Sabbath mysticism, bebop saxophone practice and
Tibetan compassion practice. And he shares spiritual
exercises (some traditional, some home-brewed) that are
powerfully transformative.


For more information:

Kristen Giorgio
Publicity Department
Jeremy P. Tarcher, Inc.
(212) 366-2539



Dean Sluyter
The Pingry School
Martinsville, NJ
dsluyter@pingry.k12.nj.us

 

Excerpts from Why The Chicken Crossed the Road 

 
 
We’re all sleeping buddhas~
enlightened beings of perfect wisdom,
equanimity, and compassion,
who have yet to awaken to our own magnificence.
We don’t need to add anything to our state;
we only need to realize it.
Sooner or later the alarm goes off.
The clock radio we set in some forgotten aeon
blares the clear signal of Radio Free Buddha,
blasting the shackles of ignorance from our minds,
blowing away the morning cobwebs
that obscure our innate Vastness.

~ Dean Sluyter

 

buda1.jpg (5685 bytes)

 

Q. Why did the chicken cross the Road?

A. To get to the other side.

 

This is the great American koan of self transformation.  This is the great riddle, the
supreme riddle, the White Whale and Everest of Riddles.  With archetypal precision,
it pulls the rug out from under the minfd, propelling it into a pratfall, a momentary
flight that defies our usual, carefully maintained gravity.  The question bamboozles
us into expecting a specific, rational, purposeful answer:  The chicken crossed the road
to flee the fox, to search for chicken feed, to file his tax return, to register for classes,
to mount a good-looking hen.  We are lulled by the word Why, by our own sleepy
assumption that all actions must have purposes, that shit (even chicken shit) don't
just happen.
 
But then the answer ambushes us awake, annihilating our expectations. We are blown
into the nonrational, purposeless Void ~ the Other side.   The question is just
a question, but the answer is primal Mystery.  It goes beyond funny to the essential
subversive Fun of purposeless, self-sufficient Being.  For a moment the fabric of
rationality is torn; we laugh as we fall through into the underlying Awareness-Space,
whose nature is Great Bliss.  Whoops . . . Ahhh! This fall, however it may be precipitated,
is the One Joke that makes Rumi smile, Buddha laugh, and Jesus raise his cup.
 
The road that most people are on ~ or at least think they're on ~ is the sleek
freeway of achievement, of straight-ahead linear motion toward some hypothetical
ideal time and place somewhere up yonder, some well-lit, clearly marked turn-off
to the Promised Land of success and/or retirement.  But a few of us choose the dirt
of the off-road, the roadless road that crosses the road.  We're always a minority,
those of us who dare to dart between the axles of the eighteen-wheelers of progress.
They've got the manpower and they've got the horsepower.  Let's go troops.
Whatsa matter . . . chicken?

Click here to purchase Why The Chicken Crossed the Road  by Dean Sluyter

 

Chapter 1

" What Me Worry"

 

True story:

A San Fernando Valley afternoon in 1961. I'm twelve
years old. My family is planning to see a drive-in movie
later in the evening, and my mother sends me to the
garage to clean out our Rambler station wagon. As I
gather up the toys and clothes and comic books my
brothers and I have left there, my hyperactive mind is, as
usual, rehearsing and rehashing conversations, fretting
over eventualities, calculating consequences. I am, as
usual, utterly unaware of the noisy, agitated way my mind
is functioning, both because my mind has always been
this busy (I have nothing to compare it to) and because it
is so busy (it's too caught up in chasing and snapping at
its own tail to notice that it's caught up).
The next item I find on the backseat is a Mad
magazine. I glance at the cover, with its picture of the
magazine's idiot mascot, Alfred E. Neuman, and read his
motto: "What — Me Worry?"
Time stops.
Suddenly it's as if my skull has been cracked open
and emptied out. In an instant, my mind stops sizzling in its
habitual static. In the vibrant silence that follows, I realize
that this sizzle is what's called "worry," and that, until this
moment, I've been doing it for as long as I can remember.
My mind — freed at last from whipping itself through all
those tortuous channels of how-come's and what-if's —
becomes blissful clarity, perfect peace. I feel like an
endless sky from which ancient, toxic clouds have been
suddenly blown away. I am, in fact, floating in a bona fide
state of satori, and I continue to float through the rest of the
afternoon, the evening, the movie (Parrish, a plantation
soap opera starring Troy Donohue), till bedtime, when I
float blissfully into sleep.
The Sanskrit term for this phenomenon is
mahavakya — "great utterance." When a master realizes
that a disciple's mind has reached a moment of particular
ripeness, he or she utters one of the classic formulations
of cosmic Reality, perhaps a line from the Upanishads,
such as "Thou art That." And whammo: the disciple
clearly, experientially Gets It. In my case the master was
Sri Guru-ji Alfred E. Neuman. Well, the Lord moves in
mysterious ways.
Or maybe not so mysterious. Maybe the Infinite
reveals itself in ways that are exquisitely tuned to time,
place, and audience. The most nagging worry of
adolescents (Mad's traditional readership) is physical
appearance. Is my chest too small? Is my nose too big?
Braces? Acne? Alfred E. Neuman has splotchy freckles,
protruding ears, ridiculous cheekbones, impossible hair,
gap teeth, cockeyes ... and he doesn't worry! Cheerfully
oblivious to his funny looks, he embodies the teenager's
chronic worry and explodes it away in the tension-release
of laughter.
We Cold War kids also had some special, acute
worries, which Alfred showed up just in time to ease. (Mad
introduced him in 1956, borrowing a face that had
appeared on postcards and advertisements for decades.)
We grew up doing "drop drills" — huddling in silence
under our desks with our hands clasped over the backs of
our heads, waiting to see whether the next moment would
bring nuclear Armageddon or the teacher's all-clear. And
precisely in that moment of breathless, fearful anticipation
lies the problem. Two thousand years earlier, Jesus
diagnosed the condition and prescribed the cure:
Take therefore no thought for the morrow: for
the morrow shall take thought for the things of
itself.
The futility of worry is rooted in the element of time:
worry is the agitated anticipation of what the world may do
to us in the near or distant future. (Resentment is the
agitated recollection of what the world did to us in the
past. Guilt is the agitated recollection of what we did to the
world — and often a convenient form of self-flagellation
that allows us to keep doing it.)
The cure for worry, then (and resentment and guilt),
is to live right now. This is not just some happy-face
spiritual slogan, but the starkest realism — in fact it's our
only option. We worry about tomorrow, but we always
wake up today. It's never tomorrow, never five minutes
from now, never one second from now. (When the future
arrives, please raise your hand.) There's no time but the
present, and even that is suspect.
In meditation you can see through the
illusion of past, present, and future — your
experience becomes the continuity of
Nowness. The past is only an unreliable
memory held in the present. The future is
only a projection of your present conceptions.
The present itself vanishes as soon as you
try to grasp it. So why bother with attempting
to establish the illusion of solid ground? -
H.H. Dilgo Khyentse Rinpoche
Relinquishing the illusion of solid ground may seem
scary at first; it does mean going into a kind of endless
free-fall. But we're falling in delicious, total freedom
indeed, with the growing realization that just as there is no
ground to support us, there is no ground ever to hit.
Does living in liberated Nowness mean we can't
work on Monday to get a paycheck on Friday? Or that
we're not responsible for what we did in June because it's
October? No — that would be flakiness, not
enlightenment. We earn the right to be blase about the
illusory past and future only by being conscientious in the
perpetual present. To the extent that we're functioning in a
time-bound apparent world, we have to deal sensibly
today with the seeds of probable tomorrows. But we don't
have to be lost in agitation over the ways they may sprout.
This distinction became clear to me some twenty
years after my Mad experience, in another automotive
epiphany. A friend was driving me through some
aggressively congested New Jersey traffic. He was
holding forth passionately on some topic or other, making
lots of emphatic gestures, looking to me for nods of
agreement, and failing to note much of the sudden braking
and lane-changing going on around him. Soon I felt my
right foot stomping on the brake — the imaginary
passenger-side brake that I had used for years in similar
situations. Then suddenly, in mid-stomp, I realized: This
brake doesn't work. It doesn't stop the car; it doesn't slow
it down even a little. If the situation is truly dangerous, I
should ask the driver to let me out (or better, to let me
drive). Otherwise, I may as well relax and enjoy the ride.
I decided to renounce that imaginary brake. But
suppressing the urge to stomp on it caused a whole new
set of unpleasant sensations. My breathing grew
constricted as I struggled to stifle my anxiety, and the
tension I had denied to my right leg crept up into my gut.
(Years later I became friends with some cops involved in
dangerous assignments and discovered that they all had
serious gastrointestinal problems.) Suppression, I
realized, merely drives worry deeper into the psyche and
the body, there to grow more toxic, resurfacing later in
some other guise. So then I truly let go, of both worry and
suppression. I breathed freely, my muscles relaxed, my
tension evaporated.
We also have an internal passenger-side brake,
which we stomp on incessantly. Worry about work, worry
about family, worry about health ... all involve futile
straining for that brake and tensing ourselves against
imagined crashes up the road. Whenever there is a
practical way to grab the steering wheel of our destiny
(work smarter, talk through the family problem, eat our
healthy vegetables), we should certainly do so, but beyond
that we may as well just breathe out and let go. Having
done what we can, we can relax into the spacious
freedom of simply Being and let whatever happens
happen — which it will do whether we "let" it or not.
You have claim to your actions only; to their
fruits you have no claim. - Bhagavad Gita
This realization — that once we've done our best the
chips are going to fall where they may — is profoundly
liberating. But only if we want to be liberated. One stormy
evening as I was leaving the school where I teach, I saw a
mother standing under the front portico, peering anxiously
up the driveway through the lightning and rain. She was,
she explained, waiting for the bus to bring her son back
from a fencing meet. When I suggested that she could
relax in the faculty lounge with a cup of coffee, she smiled
tightly: "No, I'll stay out here — I'm a worrier." Although
worrying couldn't get the bus there a minute earlier, her job
description as a good mother apparently required it. To
stop would be to let go of that strained, unproductive
self-definition, probably lifting considerable pressure off
her children as well as herself.
If you had done everything in the past exactly the
same except for the worrying, what would be different?
What will you ever do in the future that worrying will
improve?
while you worry about what each note means,
the band plays on.
you are running from a dog who only chases
because you run. turn and face him.
though you hear the buzzing of the bee grow
louder be still. do not fear a sting you have
never felt, you just might be a flower.
do not worry about things falling into place.
where they fall is the place. - Mark Hartley

Suggestions for further practice:

Quit worrying (wouldn't you quit any other job that
paid so poorly?), or at least take vacations. Breathe
out and take your foot off that internal
passenger-side brake for a day, an hour, even a
moment. As you gain confidence that your universe
does not crumble without the tension of worry to hold
it together, extend your vacations.
If that seems too hard, start by watching yourself
worrying: "Ah, yes, this is called worry, it's something
I choose to do." If even that's too hard, observe the
worry of others. Note how much of their energy it
consumes, and how it distorts the patterns of mind,
speech, and body.
 
Meditate. (More on this later.)
 
The taste of transcendental ease that you catch through
meditative practice will feed your faith that somehow
everything's fundamentally okay. When you wake in
the middle of the night gripped by anxiety, even the
faint, lingering flavor of that transcendence can keep
you you from being overwhelmed.
A yet more profound liberation into Nowness comes
from abandoning hope as well as worry. But that's
an advanced technique.

 

TABLE OF CONTENTS

INTRODUCTION: Radio Free Buddha

COSMIC JOKES

1. What — Me Worry?
2. Doctuh, It Hoits
3. Knock-Knock, Who's There?
4. Eh . . . What¢s Up, Doc?
5. What's Black and White and Red All Over?
6. Take My Wife . . . Please!
7. Why Did the Chicken Cross the Road?

SACRED NURSERY RHYMES

8. Ring Around the Rosy
9. Row, Row, Row Your Boat
10. I'm a Little Teapot
11. Little Jack Horner
12. Mary Had a Little Lamb
13. She Loves Me, She Loves Me Not

EXPLODING PROVERBS

14. Seeing Is Believing
15. Easy Does It
16. Practice Makes Perfect
17. An Apple for the Teacher
18. Speak of the Devil
19. Beauty Is in the Eye of the Beholder
20. It’s Better to Give than to Receive
21. To Err Is Human, to Forgive Divine
22. Now Is the Time for All Good Men

ACCIDENTAL HYMNS

23. Home on the Range
24. (I Can't Get No) Satisfaction
25. Love and Marriage
26. (How Much Is That) Doggie in the Window
27. The Worms Crawl In
28. Hey, Hey We're the Monkees
29. Pennies from Heaven
30. Let's Call the Whole Thing Off
31. Happy Trails

POSTSCRIPT: Love Makes the World Go Round

 

An Interview with Dean Sluyter


from USA Today 6/25/98
Inside Books/BookShelf



Finding spiritual truth in knock-knock jokes

Why The Chicken Crossed the Road  and
Other Hidden Enlightenment from the
Buddha to Bebop to Mother Goose,
By Dean Sluyter (Putnam)
List price $12.95


Mick Jagger is not a Buddhist monk, Bugs Buggy
is not a rabbi and knock-knock jokes are not
New Testament.

But all three offer spiritual truths, says Dean Sluyter, author of Why
the Chicken Crossed the Road and Other Hidden Enlightenment
from the Buddha to Bebop to Mother Goose.

"All these things from the scrap heap of popular culture, if you break
them down and look closely enough, it tells you the whole story of
enlightenment," says Sluyter, an English high school teacher at Pingry
High School in Bernards, N.J.

Why the Chicken Crossed the Road also bridges various spiritual
traditions and contains practical guides to their meditative practices.

The results are as entertaining as they are enlightening, says Gideon
Lewis-Kraus, one of Sluyter's students.

"Mr. Sluyter has pointed out that even in doctrines diametrically
opposed, the same spiritual truth runs through them," the 18-year-old
Watchung, N.J., resident says. "Whether that truth is embodied in
Buddha, God, the Tao or Jesus, Mr. Sluyter uses pop culture...to make
it accessible to anyone."

For 20 years, Sluyter has done "lab work" for his book by teaching a
class called "The Literature of Enlightenment."

Alongside the Tibetan Book of the Dead, he presents The Rolling
Stones' (I Can't Get No) Satisfaction as spiritual truth. Each year,
the two dozen students who take the class can easily relate, Sluyter
says.

"Kids have this natural intelligence, which causes them to seek
something true, real and fulfilling," he says. "They're told, 'Just buy these
sneakers or car or get this diploma and this job, then you'll have a
fulfilled life.' Kids...know that it's a scam. Your natural capacity for
fulfillment is infinite, so none of those finite things are going to fill that
up."

Sluyter calls the spiritual truth found in jokes and songs "the cosmic
ordinary."

"I'm really excited to have been given this opportunity," he says.

Sluyter's publisher, New York-based Tarcher Books, has been
presenting philosophical works since the 1960s.

The company's titles include Seven Years in Tibet, the inspiration for
the recent Brad Pitt film.

"They were around long before everyone else jumped on the New Age
bandwagon," Sluyter says.

While Why the Chicken Crossed the Road relies on pop culture, the
author says it is based too much on spiritual tradition to be considered
new age.

For Sluyter, the son of Jewish political activists from New York, that
spiritual tradition began while a hippie student at San Francisco State
University in San Francisco in the late 1960s.

Inspired by the late Shlomo Carlebach, a rabbi/musician dubbed the
Jerry Garcia of Israel, Sluyter began to meditate.

"I saw the late '60s as a cultural and spiritual revolution...of peace and
love," he says. "But I found the methods people were using to try to
achieve that, such as psychedelics, would lead to a dead end. So I
found natural, traditional methods taught by all these great spiritual
teachers for thousands of years."

While the counter-culture of the 1960s may have settled for a BMW
and a seat on the stock exchange, the United States has evolved into a
spiritual melting pot because of its cultural diversity, Sluyter says.

The author has meditated and chanted with Hindu yogis and Buddhist
lamas, "davened" (bowing when reading the Torah) with rabbis, and
danced with Sufi masters throughout the country. He shares those
experiences in both his book and class.

"If a Buddhist meditation helps us enter the kingdom of heaven, Jesus
probably won't mind," Sluyter writes. "If the parables of the New
Testament help us see Nirvana, Buddha will no doubt rejoice."

Meditation also results in a healthy body, says Sluyter, whose youthful
appearance defies his 48 years.

"The mind and body are connected, so when the mind settles down into
a tranquil state, there's corresponding changes in the body," he says.
"It's not years that make you old, it's stress. But if you can let go of that
stress, it keeps you young."

By reducing the stress in their lives, Sluyter and has wife Maggy, who
also teaches meditation, have raised two children with great ease.

Rather than judge and worry about Tara, 18, and Day Rosenberg, 27,
Maggy's son from a previous marriage, the meditative couple gave them
the space to grow into responsible, kind-hearted adults.

"You don't sweat the small stuff," says Maggy Sluyter, a former fashion
model from Philadelphia who met her husband of 19 years at a 1973
meditation retreat. "That helps when your daughter comes home and
says she wants a nose ring."

"But you can't just read about these spiritual truths," she adds. "You
have to meditate. It would be like me telling you what a strawberry
tastes like. It's bumpy and tart but sweet. But until you really taste it for
yourself, you won't really know."

Tara Sluyter and Day Rosenberg say they know that some might
consider their parents to be "hippie freaks."

But both say that they have had a stable upbringing as a result of their
meditative practices.

"We never had a house where people yell," Sluyter says. "We hardly
ever lose our tempers. We could always go to our parents with
anything."

"With a name like Day, you're bound to get some questions," adds
Rosenberg, who was a champion fencer at Pingry and Rutgers
University in New Brunswick. "But I genuinely feel that my meditation
background made me a better fencer. Meditation helps you filter out
the static and get centered on the task. That's why Phil Jackson has the
Chicago Bulls do it. It's certainly worked for them."

A family that meditates together also works together.

Avid amateur photographers, Tara took the publicity shot that
accompanies Chicken and Day shot the back cover photo of his
stepfather. Their mom drew the illustrations that accompany each of the
book's 33 chapters.

"We had a fantastic time working on it together," Rosenberg says. "My
dad's a very gifted writer. Maybe this will help him with a couple of
other books he has in the wings."

By Robert Makin, Bridgewater (N.J.) Courier-News

©COPYRIGHT 1998 USA TODAY, a division of Gannett Co. Inc.


Amazon interviews Dean Sluyter (incomplete)

Amazon.com: How did you begin writing? Did you intend to become an author,
or do you have a specific reason or reasons for writing each book?
 
D.S.: In the beginning, the Chicken book sorta just happened. After a couple of
decades of immersion in various meditative practices and spiritual teachings,
I started to hear those same cosmic truths between the lines of the songs on
the radio, nursery rhymes I'd learned as a child, etc.  At first I just typed notes
on these connections into the computer, thinking they were too wacky to make
sense to anyone else, but when I mentioned them to my agent he encouraged me
to turn them into a book.
 
 
Amazon.com: What authors do you like to read? What book or books have had a
strong influence on you or your writing?
 
D.S.: Chögyam Trungpa, Ngakpa Chögyam, William Blake, Gerard Manley Hopkins,
Jackson Pollock, Lieber & Stoller, Samuel Beckett, Dizzy Gillespie, James Joyce,
Federico Fellini, Ikkyu, Rumi, Kabir, Thomas Merton, John Donne, B.B. King .
 
 
Amazon.com: Could you describe the mundane details of writing: How many hours
a day do you devote to writing? Do you write a draft on paper or at a keyboard
(typewriter or computer)? Do you have a favorite location or time of day (or night)
for writing? What do you do to avoid--or seek!--distractions?
 
D.S.: I carry one of those credit-card sized digital recorders in my pocket to capture
random epiphanies.  Writing happens on Macintosh PowerBook: in bed, on back patio
(fountain, Buddha statue, squirrels, cardinals, crows), at the beach . . . I rewrite
compulsively. Some commas have been removed and replaced a dozen times or more.
 
 
Amazon.com: Do you meet your readers at book signings, conventions, or similar
events? Do you interact with your readers electronically through e-mail or other
online forums?
 
D.S.: I do signings and readings as well as meditation workshops and assorted
speaking gigs. E-mail and forums are OK.
 
Amazon.com: When and how did you get started on the Net? Do you read any
newsgroups such as rec.arts.books and rec.arts.sf.written, mailing lists,
or other on-line forums? Do you use the Net for research--or is it just another
time sink?

Are you able to communicate with other writers or people you work with over the Net?

[incomplete]

[You may email Dean Sluyter at dsluyter@pingry.k12.nj.us]

 

 

Reviews

 

Some Kind Words About the Chicken . . .

 

"Sluyter's fresh, enticing manifesto of found wisdom from the scrap heap of popular
culture highlights the right stuff. This dean’s instruction goes down easy, nourishes
both heart and mind, and tickles the funny bone too. I found plenty of good eggs
in his basket."

– Lama Surya Das, author of AWAKENING THE BUDDHA WITHIN

 

"A brilliant, funny, profound and crazy vision of the sacredness in everyday life.
I didn't know whether to laugh at its wit or cry at its insight. If Franny and Zooey
are your friends, this book will mean a lot to you."

– Jane Cavolina, author of GROWING UP CATHOLIC

 

"This is a witty and wonderfully wise presentation of the freedom of non-desire
(but I cannot guarantee that it liberates completely, because I often wished I had written it)."

–Sylvia Boorstein, author of IT'S EASIER THAN YOU THINK

 

"Dean Sluyter is an enthusiast: for language, for life, and for the juice of it all —
the rich living gravy that oozes out of every nuance of experience. The nature of reality
is our most fundamental teacher and it speaks of itself everywhere and in everything
— Dean Sluyter has listened to the rumours for years and now he presents them
with delicious fun and lightness."
 
– Ngakpa Chogyam Rinpoche, author of SPECTRUM OF ECSTASY

 

"Sluyter proves to be a subtle and imaginative guide through the contemporary
world of pop culture, dazzling us with epiphanies growing out of jingles, jokes, and
folk sayings. He provides fresh takes on faith, devotion, grace, being present, beauty,
practice, selflessness, forgiveness, and simplicity. Like the best spiritual teachers,
Sluyter lets light in from many angles — in this case, the wisdom of Buddhism,
Christianity, Taoism, and more. WHY THE CHICKEN CROSSED THE ROAD is a surefire
demonstration of why play is an essential ingredient in spiritual growth."
 
– Frederic A. Brussat, VALUES & VISIONS REVIEWS SERVICE

 

Customer Comments

Average Customer Review: 5 out of 5 stars Number of Reviews: 7

Lowell Byrd (lowell49@yahoo.com) from U.S.A. , November 26, 1998 , 5 out of 5 stars
 
Smartest, funniest, most practical
This must be the smartest, funniest, and most practical guide to the spiritual path
I have ever read. By using funky American pop culture (knock-knock jokes, "Doggie
in the Window," etc.) as his jumping-off point, Sluyter manages to present 
enlightenment in a way that anyone can connect with. He writes with a wonderful
openness that embraces Zen, Jesus, rock 'n' roll and Mad magazine in one big hug -
yet he never goes New Age sloppy, but lays out the What's What of spiritual
development with precision. A must!

 

Jim@Mahood.com from South Bend, IN , October 14, 1998 , 5 out of 5 stars
 
A fellow student
Although surrounded by a world of inauthentic materialistic meandering, Dean Sluyter
finds transcendence in everyday life. The funny thing is, as he points out, that everyday
life is what most people overlook, yet it's the only kind of life we have -- we don't
live in the past or future (although our thoughts usually pull us in one of those directions).
In my opinion, "Uncle" Dean has put a modern tap on the essential. Read it and rejoice!
 

 

The Rev. Canon Linda Strohmier (beamnj@aol.com) from Bergen County, New Jersey ,
September 19, 1998 , 5 out of 5 stars
 
"the unitive vision" and a lively joy to read!
All the great saints seem to wind up their lives finding "the unitive vision" -- the
understanding that it's not "us vs. them" or "sacred vs. profane" or "God vs. devil",
but all a great oneness, a unity of being. All the great teachers seem to be able to
breathe exciting life into the commonplace, and the great artists make poetry of the
ordinary. I didn't expect Dean Sluyter to be a great saint, a great teacher, or a poet,
but he has managed to do all of this: to portray/embody the "unitive vision," to breathe
life into the commonplaceness of the Monkees' theme song and AA's "Easy Does It",
and even, at moments, to make poetry of the ordinary (see "Love and Marriage"
and the exercises for cosmic awareness while brushing your teeth...). Most thrilling to
me (an Episcopal priest and thus, prima facie, an exponent of a particular tradition),
he is as at home with Jesus as with Krishna, and weaves together the Bible, the Vedas,
and the teachings of the lamas so effectively as to overcome the objectionsof all but
the most arrantly partisan of religious thinkers. What an accomplishment! I'm giving
a copy of the book to everyone I know who is hungry for the life of the Spirit.

 

A reader from Ohio , May 4, 1998 , 5 out of 5 stars

From a previous student:
"Uncle" Dean really knows how to write- and how to make what could easily be
a tough subject to get into very accessible. It's a great book and lots of fun-
never too preachy or teachy, and easy to follow. Can't wait to read it again!

 

A reader from US , April 3, 1998 , 5 out of 5 stars

Yippee!!! Yahoo!!! Wowee!!
How refreshing that there is a book like this out there lightening us up a bit!!
For all of us spiritual guide and self-help book junkies, this book is the ultimate fix.
We sometimes get lulled into deceiving ourselves that we "get it" but it's all still in
our heads and not necessarily in our practice. Dean Sluyter tweaks you out of your
spiritual complacency by making it all so real and experientially accessible .
Besides, the book's a hellofallota fun to read.

 

A reader from Gaffney, South Carolina , March 4, 1998 , 5 out of 5 stars

It's a hoot.
Based primarily in Buddhist practice, this ingenious and delightful, yet profound,
little book will be tremendously helpful to those on a spiritual path, whatever their
tradition. It's packed with humor blended with nuggets of wisdom on every page.
An instant classic.

 

A reader from Bloomsbury, USA , February 28, 1998 , 5 out of 5 stars

A fun, practical guide to spirituality
Sluyter's approach to the spiritual life combines droll humor with very fresh,
innovative, practical "how-to's." His concept of unfolding the hidden enlightenment
teachings of pop culture is usually delightful, sometimes surprising. I also appreciated
the bold way in which he transcends distinctions between so-called "Eastern" and
"Western" approaches to spirituality, serves them with a distinctly home-grown,
all-American flavor, yet avoids being New Age fluffy. As his anecdotes demonstrate,
he has a solid background in traditional, authentic meditative practice, but he's got it
integrated with life in America right now. I would strongly recommend this book to
spiritual "veterans" looking for a fresh slant on their practice, as well as to beginners
looking for a clear, fun, accessible introduction to the practice and theory of enlightenment.
 

 

This month's Music to Read By...

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Keola Beamer, Mauna Kea: White Mountain Journal

Hear this album at broadcast.com

 

Check out our earlier recommendations

April 98  July 1998   August 98  February 99

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