I met this girl in a Hollywood bar. My brother and I had dinner
there,
then a couple of drinks. We retired to the backroom bar as
the joint began
to fill up. She was sitting at the bar with her girlfriend,
both of them with
beautiful shampoo ad hair. I tossed off an unmemorable
line as I ordered
my round of beers and the girl to my right—to my delight—responded.
To a guy like me the ease of conversation with this stunning Californian
was
miraculous. We were on the same channel and in the same mood
almost immediately.
We tossed the remotes over our heads and relaxed into the show at
hand.
Her girlfriend, though, was a pumpkin after midnight—no magic left—so
much for double
dating. My brother would need a carving knife to get her to
smile, and even
then all he'd be left with would be a scary jack-o-lantern that
wasn't going to give
him a ride. He was resigned and I was relaxed.
As the moments eased by, our conversation yielded these important
facts: My name was
Gordon and I was passing through L.A. with the Joe Cocker tour,
working as merchandise
manager, and she was Shelly Brandt—waiting to meet up with friends
from the law office
on the eve of her returning home to El Paso, or was it Houston.
When I guessed her age by the smoothness of her skin, I was thinking
of the Snake in the
Chinese horoscope. "You are 28 years old." "That's right…Year
of the Horse," she
said, reading my mind. Why was she thinking of Chinese horoscopes?
It didn't matter
that I’d gotten the animal wrong—I guessed her correct age and she
comes up with
"Year of the Horse." I loved that about her. So I proposed
to her. I didn't expect an
answer right away and I didn't get one. I didn't bore
her with a quick list of the reasons
we were made for each, I figured she already knew them.
We were truly connecting. My brother saw it too. As we
stood arm in arm in front of
him, waiting for his blessings, he smiled and said she was good
sister-in-law material.
It felt like something was happening. It felt like it was
our turn.
Shelly's friends started showing up and reserved a table outside
by the patio bar. She
excused herself promising to return. Her eyes reinforced her
lips when she said, "I'm very
flattered, I've never been proposed to before." I was intoxicated.
Half an hour later when
she bounded back to our part of the bar she seemed so proud of herself
for keeping her word.
My faith in our bonding she wanted to reassure. I whisked
her away to a neutral corner to
seal our friendship with a hug and a kiss, and to say good-bye.
By morning I would be in San
Diego and she would be in Texas. We agreed that if we were
to be, we would see each other
again, somewhere. She had my card. I hit the road.
For the next month and a half I zigged and zagged my Ryder truck
across the continent
following Joe Cocker from one old vaudeville theater to the
next. Encounters like the one
I had in L.A. happen often enough in a life like mine…soon all the
faces and names settle
themselves deep in the palm of my heart or brain, only to resurface
when I scratch those places
in loneliness. The name Shelly Brandt of El Paso never
would settle though. It floated lightly
and lovely and gently on my mind, keeping me company around
the country. Making me smile.
When I took time out to stop in on friends, I couldn't help but drop
her name. I felt that the
story was not over. At one point near Dallas, Texas I got
up from dinner and called the El Paso
directory assistance lady and she assured me that there was no Shelly
Brandt listed. I asked
her to give me any Brandt (fate being what it is, maybe I’d luck
into a relative). So I dialed
Terri Brandt’s number and casually asked to speak with Shelly, and
Terri said, "Hold on, I’ll
get her." I love fate! There was no mistaking it-- the
voice on the other end of the phone was
not my Shelly Brandt. Oh well, it had been worth the cheap
thrill. For those few heart stopping
moments, the usual order of things had been upended and it suddenly
became my turn again
for a minor miracle.
As the Joe Cocker entourage moved out of Boston, I was reassigned
to work the eastern
leg of the Tony Bennett tour. Driving south through New York
State toward my parents’ house
on Long Island, my childhood home. I became uncharacteristically
nostalgic about the place.
Symbolic metaphors around the meaning of "going home" were swimming
behind my eyes and
making me weepy. But I was in a great mood. For
no reason at all, I was feeling good about myself
and my life. Spontaneous euphoria is sometimes the byproduct
of highway driving.
My imagination was in overdrive and wouldn't let me continue the
midnight ride. I kept pulling
myself off the road to write down scenes for a screenplay that was
threatening to write itself. I
wanted some control because it's autobiographical starting in my
future. A new theory occurred
to me in a Motel 6 room back in Kansas City: I now believed
that I could create my own future by
remembering how I’d always imagined it would be (in the days before
I’d become cynical and
defeatist). I could have the exotic foreign adventures, the
epic modern romance, the serious talks
with artistic friends over Turkish coffee and baba ganoush in a
hookah bar in New Orleans—
whatever the hell I wanted. The stuff that got into the screenplay
would be the things that would
actually happen! I would make it so.
This is the closest I’d ever come to feeling like the master of my
own destiny. The possibilities
of my life finally gained enough in weight and stature to fit into
an adult suit—even if it wasn't
the same style of suit I was brought up to desire. Where had
my confidence gone, and how
did it find me in the middle of the night on the New York Thruway?
When I finally reached the shores of my home the euphoria had strangely
not ebbed.
My mood was consistently elevated. Reality refused to sink
in. There was one Tony Bennett
show left to do in Hartford, then I would have to join up with Julio
Iglesias for three shows in
the round. After that I was free. The company would
supply me with airfare back to San
Francisco—a Sausalito houseboat floating around the bluff from the
Golden Gate Bridge
was my current home.
My parents, older brother, and sister-in-law welcomed me back and
allowed me to regale
them with endless war stories from the road. I told them about
Shelly Brandt in Los Angeles
and how she sized up to be their future in-law. I only joked
about flying out to El Paso to
find her, but in back of my mind I was figuring out a plan of action.
When my movie hits the
screens there will be a fabulous scene where our kids ask Shelly
and I how we'd met. If I
could get myself to El Paso and actually find her—well that would
be the most titanic love
story those kids would ever hear.
The next day I got the company travel agent on the phone and had
her book me a round
trip ticket to El Paso. Ten days in Texas and home again for
Passover. My folks started
to look at me funny when I shared my plans with them. I remembered
that look from the
time I declared, while still in college, that I was taking off a
semester to explore Africa; and
when after college I let them in on my plans to walk across Reagan’s
America to support
global nuclear disarmament. I was already used to that look,
and too old to care.
As I got off the plane in El Paso, I tried to muster up some of that
giddy euphoria,
that fueled this journey. The mood pendulum had finally tocked
it away. I guess
daytime plane trips have the opposite effect of late night, highway
driving. I pulled
out the little Radio Shack micro recorder that would be my conduit
to my progeny.
There were many sprouting "what if" questions that needed weed whacking
if I was
to gain view of the road back to that better mood. What if
her name was Shelly Brent,
or Braham? The bar was noisy, what if I heard it wrong?
What if my brother was right
—he remembered her saying that she was from Houston. What
if it really was El Paso,
but she decided to go back to L. A. after a week? What if
she was lying about the whole
thing? What if she has a boyfriend who wants to punch me in
the nose? All those "what ifs"
were finally vetoed by: What if I find her and she leaps into
my arms and says, "What took
you so long, stranger?"
So I ambled over to the El Paso information booth in the airport
and asked,
"Where do the artists hang out in this burgh?" The information
lady and her friend
resembled my folks when they said, "Huh?!"
"Where's the Greenwich Village of El Paso, there must be something
similar."
Again that funny look and again a chorus of "Huh?!?"
"Well, is there a youth hostel with some funky people…" I
hit pay dirt with that one.
They spread out some local bus maps and schedules and after saying
"Huh?!" a few
times myself, I was on my way.
My plan was to get a room, get out the phone book and ask all the
Brandts in
the area if they knew Shelly. I could have saved time, money
and face by doing
this from New York, but I couldn't bare the thought of coming up
empty handed;
or worse getting Shelly on the line and hearing her say, "Gordon,
who?…Huh?"
In the movie of my life I will only be disappointed on location,
not long distance.
The hostel turned out to be El Paso’s oldest hotel with lots of charm
and a well
worn hall carpet from the guest rooms to the toilet. Within
20 minutes of my arrival
I had exhausted the phone book plan. Not one lead. I
had my tape recorder at the
ready to document my elation when the party on the other end was
to say, "Shelly's
my cousin, you must be Gordon. You're all she ever talks about.
Hold on I’ll get her."
It never happened. Now I had ten days to kill in El Paso.
Plan B came quickly and naturally. Since we met in a bar—by
gism--I’ll have to
visit every tavern in town till I find her. I walked out into
the dusk and got loaded
on one Texas sized mug of Mexican beer. Then I headed back
to my room, feeling
defeated.
Another brain storm occurred to me back in the hotel lobby.
I had Tim the clerk
tell me where the live music was going to be jamming this evening.
He suggested
taking a bus two miles up Mesa passed the University to Big Wally's
or the Surf Club. I
figured, Shelly had been living in LA—she’s bound to gravitate toward
the action. I
still don't know where my optimism was coming from but you don't
look that kind of
horse in the mouth, you just kiss it once on the lips for good luck
and go catch your bus.
Out the window I saw bright lights and colorful signs go by so I
signaled the driver to
let me out. As I walked back toward Mecca, I noticed a San
Francisco style coffee
shop called Dolce Vita pumping and heaving with activity—a
wine splashed art
opening of some kind. I checked my vibe outside the door,
and felt a little like a dip
stick with no oil on it. I needed a quart. The place
was packed. But lo and behold
in the midst of all the folderol was a beautiful creature with Shelly
Brandt’s features.
Steady boy. It could be her. The last time I saw her
was in a dark drunk bar two
long months ago. I began to realize that her image had faded
from my memory
where her essence always lingered.
I settled at a bilingual couples table with my dry cappuccino and
watched "Shelly"
blithely negotiating the crowd gracefully offering glasses of red
wine. I caught
her eye and sensed no recognition My staring must have offended
her, she
avoided my table and I missed out on the free alcohol. Not
a good sign, if you
believe in that stuff. I obviously do. Then something
nice happened when I
walked to the counter for a large cup of coffee.
The young lady behind the counter seemed open to conversation so
I let it
spill what I was doing in town. She was all over it.
She grabbed a napkin
and pen in one gesture and made me dictate to her all the particulars
of my
quest: My name, Shelly's name, where I could be reached, what
she looked
like…at that I just pointed to the wine girl. Samantha Spade
followed my finger
with her eagle eye and smiled brightly, pulling me in confidentially,
"She looks
like Xosha? Ooh, cool, she's pretty!" I liked this Anna,
and thought about
postponing my search for Shelly. But then she snapped into
action, asking all her
co-workers and friends if anyone knew Shelly Brandt, "the girl that
this guy
flew all over creation to find. He's from New York City."
No leads were
generated from these efforts, but plan C was taking shape.
And a cute one
at that.
Plans D and E were formulating and reformulating just as quickly.
I assumed
that if worst came to worst I could scare Shelly up with some strategically
placed endearing little posters, or I could run an ad in the free
weekly's classified
section. Later that night, I even left a message on a telephone
dating service saying,
"I'm only looking for one girl, called Shelly Brandt, if you're
not her—oh well."
I couldn't see my adventure turning into something pitiful
and cliché. I've read
other peoples ads my whole life: "We had a great conversation on
the chair lift at
Squaw last weekend. You were wearing a sexy yellow ski outfit
and we spoke
about Seinfeld and white fudge." My love affair demanded more
elegance of
circumstance.
The following morning I moved into a cheaper motel on Mesa one mile
closer
to Dolce Vita, Big Wally's and the Surf Club, and I shaved my head.
Then
I moseyed back up the street to the coffee house and hung out in
the window
seat doing my bills and feeling stupid. I felt exponentially
more stupid when
another Shelly Brandt potential walked up the wheelchair ramp with
her hands
in some guys front pockets. They stopped in front of the door
to smoke cigarettes
from each others mouths. Now what the hell am I supposed to
do? Interrupt their
storefront humping and say, "Hi, remember me from L. A.? I
proposed to you, we were
drunk, and I flew out from New York to see if you were also pining
away for me."
That practiced look, the one my folks have perfected, was making
too much sense.
My bubble was bursting. I was praying she didn't see me sitting
there amongst my
insurance and phone bills, with no hair on my head. I was
praying I was invisible.
Some god heard my prayers. She didn't notice me. She
mingled with friends while
her boyfriend went to order drinks. I was screwing up the
courage to put an end to
the mystery—was this Shelly or just another imitation? I couldn't
do it. My life was a farce.
I could fly out to El Paso and spend all the dough, but when push
started shoving, I didn't
have what it took to close the deal. Ouch.
Even after they'd left an hour later, I thought to ask one
of her friends if she was Shelly
Brandt, but the guy seemed like an asshole. I rationalized
that I had failed so miserably
that this asshole—who I hated for having this powerful information—would
somehow
become the master of my shrinking soul. I even sat at a table
next to his and talked to
him briefly, then pitifully left the cafe with my tail shoved up
between my butt cheeks.
I couldn't get the words out. I was afraid his answer would
be, yes. I was too
weakened to hear that news.
I thought about getting a bus to L. A. or LA. I thought about
digging a hole in the
desert and crawling in. I thought about getting drunk in Juarez,
Mexico across the
Rio Grande. Instead, I watched a lot of T. V. and smoked
a lot of cigarettes.
Only eight days left to while away in the west Texas town of El
Paso.
The next morning my mood lifted--slightly. I checked my voice
mail and
discovered that the company had some work for me in San Francisco.
It was my last-second reprieve from the governor. My chance
to save face.
If anyone asked how it went in El Paso, I could glibly avoid the
details and say,
"I was hot on her trail but the damn office called me off the hunt.
Oh well.
What are you gonna do?"
When I called Pete to see what kind of work he had for me the news
was grim.
Warehouse work for two days, maybe a week. If I were to accept,
that would
mean passing on Passover and probably the New Orleans Jazz Fest
as well. I
hadn't missed either spiritual tradition for years. I turned
Pete’s offer down. No
reprieve—I chose execution by lethal depression. If
I was to survive this trip to
hell I had chartered for myself, it would be up to me to face
my demons and not
run away.
I took a quick inventory of my situation, found my boots—and pulled
myself up by
their straps. It was time to make lemonade. I decided
that I was in El Paso for a
reason. All that was left to do was to hang around and see
what revealed itself to
me. There were places to explore, hills to hike, Felinas to
meet in Rosa’s Cantina,
and there were words to write. I lit out to find the meaning
of the day. But I didn't
go back to Dolce Vita. I saw no need to return to the scene
of my most recent
spiritual blood bath. It's one thing to face my demons during
one of their frequent visits,
why bother calling on them uninvited?
I plopped myself down outside at Big Wally's and ate store bought
cappuccino yogurt,
and sloshed down pitchers of ice coffee in the burning sun.
A song about El Paso started
writing itself while I held the pen. I was happy to
have left my tape recorder and my
quest back at the motel. If Shelly Brandt wanted a piece of
my action she would
have to at least meet me half-way. My sense of humor was fighting
its way back.
I was relaxing.
After a few hours, the song finished writing itself just as an exotically
beautiful woman
passed my table looking like Cleopatra on her way to the bar.
It was my cue to go in
and fake a leak. Time now to switch from solitary iced coffee,
to Long Island iced tea
for two.
Cleopatra was reading the want ads at the bar by herself. As
I made my approach, a
young lady grabbed the strategic seat next to Cleo. Damn luck.
What would Caesar
do? Recalling the sound advice of CSNY I chose to love the
one I'm with. Maybe
the mighty mighty one had put her there for some purpose. Illogically,
I was still relying
on some voodoo magic called fate. So I struck up a conversation
with her instead.
Did I punk out? Should I have stayed the course, and tried
my luck with the
queen-goddess, rather than settling for what was convenient?
I don't know how
everyone else deals with these moment by moment decisions, but I'm
a Pisces and
this is what I do.
The young lady turned out to be Sunny Beauchamp from Hackberry, Louisiana—a
small town along the Creole Nature Trail that I had visited more
than once. What a
coincidence—I was on to something here. I told her about my
love affair with Louisiana,
and she told me about working in the restaurant supply business.
I had once worked in a
restaurant—not a direct coincidental hit, but in the ball park.
She told me about the opera
club and about the two kinds of air conditioning available in El
Paso—I was losing my
bearings, we had nothing in common. I should have stayed
focused on Cleopatra, who
by now was making time with the guy to her right.
In an effort to rein Sunny back into my conversational orbit, I told
her about the Cajun
restaurant I’d noticed across the street from Dolce Vita, called
Crawdaddys. Then I
kept going, telling her about working on the Joe Cocker tour, and
about life on the road.
She told me what kind of car her boyfriend drives, and about going
to college in El Paso
in the eighties. Oh, Cleo, why wasn't I more ambitious,
more romantic—that could be
me with his hand on your knee, buying you drinks.
I looked from Cleopatra back to Sunny and squinted into her face
trying to see something
that wasn't there. She sipped her seven and seven and ignored
my strangeness. I went for
broke and told her about what a romantic failure I was. About
what lengths I’d go to just
to prove it. I told her about meeting a fantastic Texan like
herself when I was in L.A., and
how I flew out here after several months on the wings of a hunch
that we were made for
each other, and our meeting again was meant to be. To my mind,
I was being pitiful in a
charming way, like a character in French movie. She wasn't
impressed, but she humored
me. "What’s her name?" I told her, and she said that
Shelly was her college roommate.
Like a volcano erupting in a tornado during an earthquake just as
the tsunami hits. I was
in the midst of a wholly new human sensation. Like getting
smacked in the back of the
head with Babe Ruth's bat and not flinching. Some part of
me was stampeding over the
center field fence, with the shell of me sitting on a bar stool
in El Paso keeping up a
conversation. There couldn't have been enough of the real
stuff of me left on Earth to
keep my body inflated, and yet there I was listening to Sunny placidly
describe the Shelly
Brandt she knew in school. The Shelly Brandt who just recently
moved back from California.
The one who used to work in a law office. The Shelly Brandt
who's been living with her
boyfriend, Paco, ever since she got back.
I don't even care. She could be shopping for wedding dresses
tomorrow. What is a
mere boyfriend going to do in the face of two worlds colliding?
I’d be a good sport, he
could come to our wedding. No hard feelings. What are
you going to do, it just happened.
Hell, even if I had to fight this guy, that's the stuff of legendary
romances. Its an American
pre-requisite. I’d make him fight even if he bowed out like
a gentleman. I’d be ashamed not
to. My mind was spasing out, I don't know what my mouth was
doing. My ears were filling
up with Sunny-speak.
She was saying something practical about her address book sitting
by the key dish in her
kitchen by the can opener. I saw her scribbling on a matchbook
cover. I tried to focus
hard on my instructions. I was to call her at this number
in an hour, and she'd give me Shelly's
home number at Paco’s. As Sunny parted the sunset gleaming
through Big Wally's patio
door, I think I smiled and waved like I was saying bye-bye to Santa
going back up the chimney.
I looked at the matchbook that my hand somehow held, and there was
my future.
TO BE CONTINUED