THE
HISTORY OF JUJITSU ANCIENT WARRIORS
Though the exact origin of Jujitsu is unknown, it is agreed
that the Japanese Jujitsu techniques were a culmination of many
ancient forms used by other oriental warriors. It has been a point
of much dispute as to how the martial arts of China and Japan came
to be. The most plausible theory, and the one most supported by
hard evidence is that the basis for the oriental unarmed combat
forms originated in Greece. Six centuries before the earliest
Japanese record of unarmed combat, a martial sport, very close to
modern Jujutsu, existed in Greece. This grappling and striking martial
art was called the PANKRATEON, meaning the "all powerful"
art. It was introduced into the Olympic games of Greece in 648 B.C.
and continued to be practiced in that country until about 400 A.D.
There are many depictions of the techniques of the art on pottery,
frescos, and in statuary. The techniques precisely match those of
Jujutsu.
The Pankrateon art was part of the basic training of the Greek warriors
under Alexander the great, and many of the Pankrateon champions
were, in fact, soldiers. It is now believed that when the troops
of Alexander invaded India in 326 B.C., that at least part of the
unarmed martial form was left behind with local warriors. It is
widely accepted that the basic tenants of the Chinese martial forms
were derived from India and then in turn, heavily influenced the
Japanese.
ANCIENT
JAPAN
Fighting forms have existed for centuries in Japan, but few
were recorded, thus precise dating is impossible. There were, however,
orally passed traditions that mention early combative confrontations
in ancient Japan. Their exact origins are shrouded in mythology.
The earliest mention of a sportive fight was a style called Chikura
Kurabe. Another early tale is of Takemina Kata-no-Kami; a commoner,
and Takemikazuchi-no-Kami; a divine champion. They are recorded
in ancient tradition as having a combative wrestling match. Another
tradition recorded in the NIHON-SHOKI refers to an early fighting
style called Sumai (meaning "struggle"), and states that
the style may have existed as early as 23 B.C. Here the story is
of one Nomi-no-Sukune of Izumo who defeated Tajima-no-Kehaya on
a beach in Shimane Prefecture by fracturing Kehaya's ribs with a
side kick, throwing him to the ground and then trampling him, crushing
his pelvis and ultimately killing him. This was supposedly witnessed
by the Emperor Suinin. Most of these early combative forms resembled
modern Sumo and wrestling. Some of the ancient recorded styles were
Tekoi, Sumai and Kumi-Uchi. Kumi-Uchi was a battlefield type of
Sumai. It was developed especially for battle against an opponent
in lightweight armor. The art did not need gripping to make the
techniques work. The techniques were based on strong hips and legs
which were used to maintain contact with the enemy and throw him
to the ground. Another ancient form of Jujutsu was centered around
the manipulation of joints and the immobilization of the limbs.
It was called Yawara. These combat arts existed with little change
for over 600 years.
THE
MINAMOTO CLAN
Around 700 A.D. the Japanese began to have more frequent contact
with the people of China. Through these contacts, bits of Chinese
culture, religion and art became assimilated into the Japanese society.
It is during this time, the Heian period, that Jujutsu took the
form it has today. Though there were already established combat
arts in Japan, this new style of fighting became the most popular.
About 875-880 A.D., one of the sons of Emperor Siewa met a Chinese
man who taught him a few fighting techniques. From these techniques
and principles, Teijun Fujiwara (sometimes called Sadazumi or Sadagami)
developed a fighting art he called Aiki-Jutsu. Teijun Fujiwara taught
these techniques exclusively to the royal Minamoto family where
it remained a secret style until the early 1100's. At that time,
two sons of Minamoto no Yoriyoshi (a 5th generation descendent of
Emperor Seiwa and ruler of the Chinjufu area of Oshu) began to thoroughly
develop, organize and catalog Aikijujutsu techniques. Minamoto no
Yoshimitsu (also known as Shinra Saburo or "Genji") (1036
- 1127 A.D.) and Minamoto no Yoshiie (Hachimantaro) (1041 - 1108
A.D.) were both Yamusame (archery) and To-Ho (swordsmanship) masters,
brought up in the tradition of their forefathers. They both worked
together to develop their families fighting techniques by dissecting
cadavers and studying the working of the muscles and bones. Yoriyoshi's
eldest son Yoshikiyo was also a famous warrior who fought against
Abe no Sadatou in the Zen Ku Nen war (1051 - 1062) and was victorious
against Abe at the battle of Koromogawa no Yakata. If Aikijujutsu
would develop anywhere, it would be here in the most famous military
family in Japan. It was Minamoto Yoshimitsu who named his family
style Daito-Ryu AikiJujutsu after his estate called Daito. Minamoto
no Yoshikiyo moved to the Kai region and became the head of that
branch of the Minamoto family. He called that branch KaiGenjiTakeda.
KAI was the region, GENJI the ancient family name and TAKEDA was
the town from whence he chose the new family name. The Takeda family
ran several martial arts schools in the area for over 400 years.
The only two surviving Yamusame schools Takeda-Ryu and Ogasawara-Ryu
come from the schools of Takeda no Yoshikiyo.
THE
MUROMACHI PERIOD
During the Muromachi period (1392-1537) there was another
Jujutsu school that was greatly influential. Takenouchi-Ryu was
founded by Takenouchi Hisamori (also called Takeuchi Toichiro) in
1532. Hisamori had spent time in the mountains with a Yamabushi
(hermit mountain warrior) and had learned five arresting techniques
and some principles of evasion. He combined these techniques with
his knowledge of Kumi-Uchi to make a Jujutsu style he called Kogusoku.
Later this style was renamed Takenouchi-Ryu Jujutsu. The second
headmaster of Takenouchi-Ryu, Hisakatsu, added Shinken Shobu (deadly
fighting). The third headmaster added Torite (restraining). One
of its core teachings was that of Koshi No Mawari, or grappling
in the light armor of the day. It became one of the three core styles
of Jujitsu.
Another school of Jujitsu that became popular was founded
during the same period by Akiyama Shirobi Yoshitoki, a doctor from
Nagasaki. He studied striking and kicking techniques in China under
Haku-Tei (also called Pao-Chuan), along with 3 Yawara techniques
and 28 different types of Kassei-Ho. Akiyama returned to Japan and
began to teach these forms but found it hard to keep students with
so few techniques. As a result, Akiyama retired to the temple of
Temmangu at Tsukushi about 1723 to study the techniques and attempt
to expand on them. During his winter stay he one day noticed snow
piling up on the branches of the trees outside the temple. He saw
that whereas the snow piled heavily on the branches of the great
oak tree, is slipped harmlessly off the pliable branches of the
willow tree. Eventually the branches of the oak tree began to break
under the weight of the snow, but the willow branches simply yielded
and allowed the snow to fall off, thereby saving the tree. This
brought a great enlightenment (satori) to Yoshitoki and he used
the concept of JU (suppleness) to increase his techniques to 103.
From his experience at the temple he decided to name his style Yoshin-Ryu
(willow heart school). This ryu is also called Yanagi-Ryu and Miura-Ryu
after two of its most famous teachers.
AIZU
Takeda Harunobu (Shingen) (1520 - 1573) was a descendent of Minamoto
(Takeda) no Yoshikiyo and one of the great warriors of the Sengoku
era. Besides being a sword, spear and archery master, he was a great
leader in battle. He warred against Uesugi Kenshin, the ruler of
Echigo in his most famous battle known as Kawanakajima in 1561.
In those days a wealthy samurai had several retainers under him
to take care of many tasks which ran from administration of troops,
to running training camps. Shingen had several illustrious retainers,
namely Sanada Yukitaka, Obata Toramori and Yamamoto Kansuke (who
wrote the famous HEIHO OKUGI SHO). During Haranobu's great military
career he came into conflict with the Tokugawa clan. In a decisive
battle in 1572, Takeda Shingen beat Tokugawa Ieyasu. Even though
this was a great victory for the Takeda clan, Shingen died from
wounds sustained in his clash with the Tokugawas while on his way
to Kyoto. In April of 1573, Takeda Kunitsugu brought the last will
and testament of Takeda Harunobu to the ruler of Aizu, Ashina Moriuji.
Ashina was a long time ally of the Takedas and turned over his portion
to Kunitsugu. Takeda Kunitsugu received a large estate and farm
lands from Ashina and was persuaded to stay in Aizu as a swordmaster.
From that day forward the Takeda family lived and taught Aikijujutsu
in Aizu.
In one fateful event in February of 1582, the unbroken line of Takeda
Aikijujutsu masters came to an end. It was during that month that
the forces of Oda Nobunaga and Tokugawa Ieyasu took revenge for
their loss in 1572 and attacked Takeda Katsuyori (the son of Takeda
Harunobu) and was victorious over the Takeda clan. As any samurai
who felt he had failed his family would do, Katsuyori committed
ritual suicide (seppuku). Luckily, the art had been passed onto
the retainers of the Takeda family who continued the tradition.
The most famous were: Sanada Yukitaka, Sanada Masayuki, Sanada Yukimura,
Sanada Nobuyuki, Yamamoto Kansuke, Obata Toramori and Obata Kanbei
Kagenori.
It must be understood that the teaching of the martial arts
was restricted to extended family and retainers at that time. The
headmastership was only passed on from father to son, unless there
was no heir. In this case the headmaster was chosen from the head
retainer or from a close male member of the extended family. The
techniques that were taught as a matter of course to the footsoldiers
(ashigaru or chugen) were simple, unrefined movements. Though they
were combat effective, they depended on strong legs and hips and
a powerful body rather than the skill of a true martial science.
Many of the techniques that influenced the formation of Judo which
came from the Kito-Ryu and the Tenshin Shin'Yo-Ryu were the techniques
of the Chugen. The Goshinkiuchi or secret teachings (later called
Otome-Ryu by the Daito-Ryu masters) were only taught to the top
classes of samurai. Knowledge of these methods were not allowed
to pass to the lower level retainers. Also, during this period families
actually kept their knowledge a family secret. This allowed for
superiority in battle against opposing family clans.
Because the Aizu retainers were now the headmasters of Takeda-Ryu
Aikijujutsu (Daito Ryu), the development of this style remained
untouched in that area for another 250 years. This branch of the
family came to be known as Aizu Takeda. They were renowned in Japan
as great swordmasters. There were 5 styles of TO-HO and two of Aikijujutsu
(Mizu no Shinto-Ryu and Shinmyo-Ryu) practiced by the Aizu Takeda.
Additionally, there were many private schools in Aizu including
22 for Kenjutsu, 14 for Battojutsu, 16 for Jujutsu, 7 for Yamusame,
16 for Gunnery and 4 for Spear. Students in that area also studied
Naginata, Bojutsu, Kusarijutsu, Kacchu Kumiuchi and Jinchyu Ninjitsu.
In all there were over 90 schools thriving in the Aizu.
At one time there were over 700 documented Jujitsu schools in Japan.
Many called their art Jujitsu, while others used such names as Ju-Do,
Aiki-Do, Taijutsu, Koshi-no-Mawari, Torite, Kenpo, Wajutsu, Hudaka,
Hobaku, Shubaku and Yawara. All these were Jujitsu.
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