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The Complete Early Chekhov: 1880-1885
About two hundred newly discovered humorous stories by one of the
world's best short story writers in 4 volumes,
80% in English for the first time.
He and She and Other Stories 1880-82
The first volume covers the period between 1880 and 1882,
which completes the first three years of his writing
career, when he, a Medical Academy student, was widely
published in humor magazines.
On the Sea and Other Stories, 1883
The second volume includes stories of 1883, the period of transition
from medicine to full-time writing.
About Theater and Other Stories, 1883-84
The Complete Early Short Stories of Anton Chekhov (Vol 1)
The Complete Early Short Stories of Anton Chekhov (Vol 2)
The Complete Early Short Stories of Anton Chekhov (Vol 3)
The third volume includes stories of 1883 and 1884, a period at the end of which Chekhov was recognized as one of the finest short-story writers in Russia.
75 Grands and Other Short Stories, 1884-85
The Complete Early Short Stories by Anton Chekhov (Vol 4)
The fourth volume
represents works included in Chekhov's first
collections of stories, which made a young 25-year old writer famous.
The quality of these stories explains the attention
that they received both from the wide readership (ten
editions in ten years) and from Chekhov's peers.
Leo Tolstoy, for example, called the young author of
these early stories "a great artist," and compared
Chekhov's early prose with the best poetry and painting.
In Tolstoy's own selection of Chekhov's twelve best
stories, eight are from this early period!
Peter Tchaikovsky sent a postcard to Chekhov after reading
these stories, and signed it with the words,
"from your most ardent and passionate admirer."
(from: Megapolis Publishing Co. press-release, Peter Steelmack)
Chekhov : The Hidden Ground : A Biography by Philip Callow
Mr. Callow has written this fine biography out of long admiration for
Chekhov's work and genuine affection for a man who was, he believes,
more of our time than of Tsarist Russia. One need not agree with that
point to enjoy a very well-written, intelligent account of Chekhov's
remarkable literary career and of his private actions--which were
lively and far-flung.
A noted scholar of the art of Anton Chekhov now turns to his life (1860-1904), with equally
revelatory results. Rayfield's densely documented account avoids general statements in favor of quiet
accumulation of detail that gradually creates a multifaceted impression of Chekhov's contradictions.
Witty, charming, and an ardent lover of women, Russia's greatest dramatist was also coolly
detached, capable of capriciousness and considerable cruelty. In Anton Chekhov, Rayfield does
not attempt to tidy up a messily complex psyche or to downplay the faults that were as intrinsic to
Chekhov's genius as were his merits.
Donald Rayfield has spent over five years combing through the extensive Chekhov
archives all over Russia, uncovering thousands of documents and letters from lovers,
friends and family. These tell of a life far more entangled and turbulent than ever
previously suspected. Chekhov's life was one long battle with his dependants and with
the tuberculosis that was to kill him at 44. This biography strips the whitewash from
the image of Chekhov. The result is not to denigrate him, but to show him in the full
heroism of his short and prodigiously creative life at times made hell by a monstrous
father, possessive sister and delinquent elder brothers. The drama of Chekhov's life has
an extraordinarily rich cast of characters, and took him all over Russia and the world.
There have been many biographies of Anton Chekhov before but this is the first to tell
the story of his life as fully as we now realize is possible.
Dear Writer, Dear Actress : The Love Letters of Anton Chekhov and Olga Knipper
He was Russia's greatest playwright. She was the leading actress in the Moscow Art Theater. But
they were more than artistic collaborators. From 1899 until his death in 1904, Anton Chekhov and
Olga Knipper were friends, lovers and, finally, husband and wife. But her work and his health
caused them long separations. Revealed through their letters, this was one of the most extraordinary
love stories in the history of theater.
Anton Chekhov : Early Short Stories 1883-1888 (Modern Library)
The Modern Library presents the incomparable short stories of Anton Chekhov, selected and
introduced by renowned author Shelby Foote. This first volume of 70 earlier stories includes "The
Steppe", "The Cossack", "The Cook's Wedding", and "Joy", among others.
"Chekhov is a supreme artist," said Harold Brodkey. "He has conferred more meaning on us than
any other artist of the century. He is the founding master and tutelary spirit of democratic realism."
"...Twentieth-century consciousness didn't begin on the stroke of midnight 1899, but in the minds of
the outriders of human society--the artists--some time before. As early as 1886, when Chekhov wrote
'Anyuta' out of his daily experiences as a medical student, he showed that in the apparently
inconsequential lie the enormities of human behavior; in ellipsis--if the writer is good enough to convey
this--is what people feel and leave unsaid. . . . Those of us who write short stories--could we, if there
had been no Chekhov? Without him,I believe the short story would have become an archaic form."
Anton Chekhov : Later Short Stories 1888-1903 (Modern Library)
Continuing The Modern Library's presentation of the short stories of Anton Chekhov, selected and
introduced by Shelby Foote, LATER SHORT STORIES includes 42 stories written up to the last year
of Chekhov's life. These stories include "The Horse-Stealers", "A Doctor's Visit", "The Lady with the
Dog", and "The Bishop", among others.
"Chekhov is one of the few indispensable writers," said Susan Sontag. "His stories, which deluge
us with feeling, make feeling more intelligent; more magnanimous. He is an artist of our moral
maturity."
"On reading Chekhov, we first grow ecstatic, and then we grieve. For he is one of those writers
whose spiritual and literary intelli-
gence (they are one thing with him) is so powerful that for a moment we are seduced by our pleasure
into believing in human progress, in the moral evolution of the species; then, a moment later, we see
that he is in fact only a giant, an anomaly, possibly an angel, and that we may not have another like him
for a thousand years."
Selected Stories - Anton Checkov
Either by temperament or as a side effect of the
tuberculosis that killed him at forty-four, Chekhov had an itching foot.
In Moscow he deplored meanspirited vulgarity and yearned for the country.
In the country he complained that he had neither quiet for writing nor
leisure for fishing.
Moscow he could do nothing about, but his summer places were always
overstocked with guests whom he had himself invited, and surrounded
by peasants whom he had deliberately alerted to free medical treatment.
His own health was always poor.
His trip to Siberia to study penal
colonies was undertaken despite the protests of family, friends,
and publisher but produced a brilliant fusion of travelogue and
reportage--a work of lasting significance.
It also produced three mongooses that, with no cobras to hunt,
added to the normal chaos of Chekhov's establishment. That establishment
included parents, a younger brother, the frequent presence of a fanatically
devoted sister, and sporadic incursions by two older brothers, one somewhat
feckless, the other fatally so. It was no place into which to insert a
wife--a fact that Mr. Callow overlooks in his discussion of Chekhov's wary
avoidance of matrimony.
When he did marry, late and close to death, there was domestic civil war.
Lives of authors are frequently books in which nothing happens except
pen-scratching. In Chekhov's life all sorts of things happen constantly.
He is wonderful company.
(from: The Atlantic Monthly, Phoebe-Lou Adams)
Anton Chekhov: A Life by Donald Rayfield
The letters collected in Dear Writer, Dear Actress are remarkable not only for their sublime, often
poetic expressions of yearning, but also for a breadth of topic that ranges from the domestic
banalities of dental appointments to the artistic immensities of mounting a new play.
(The New York Times Book Review, Marilyn Stasio)
This collection, selected by Shelby Foote, presents seventy of Chekhov's early short stories,
written between 1883 and 1888, in celebrated translations by Constance Garnett. One of the most
memorable is "The Death of a Government Clerk," a glorious parody in which a fawning official is
undone by an ill-timed sneeze. "On the Road," the history of an educated man's search for convictions,
is one of Chekhov's finest dramatic stories and the source of his first full-length play, Ivanov. And in
"The Steppe," which marked a turning point in Chekhov's career, a boy's picaresque journey across the
Russian heartland evokes the soul of Russia itself. Also included are "The Huntsman," "Anyuta,"
"Easter Eve," "Happiness," and "The Kiss."
"Chekhov is a superb anatomist of the human heart and an utter master of his literary means,"
said John Barth. "The details of scene and behavior, the emotions registered--seldom bravura, typically
muted and complex, often as surprising to the characters themselves as to the reader, but always
right--move, astonish, and delight us line after line, story after story." Eudora Welty agreed: "Chekhov,
speaking simply and never otherwise than as an artist and a humane man, showed us in fullness and
plenitude the mystery of our lives. . . . What truth [he] found through his stories is ours forever."
(Shelby Foote has provided an Introduction for this edition)
(Nadine Gordimer)
This volume presents forty-two of Chekhov's later short stories, written between 1888 and 1903, in
acclaimed translations by Constance Garnett and chosen by Shelby Foote. Among the most
outstanding are "A Dreary Story," a dispassionate tale that reflects Chekhov's doubts about his role as
an artist. Thomas Mann deemed it "a truly extraordinary, fascinating story ... unlike anything else in
world literature." "The Darling," a delightful work highly admired by Tolstoy, offers comic proof that
life has no meaning without love. And in "The lady with the Dog," which Vladimir Nabokov called "one
of the greatest stories ever written," a chance affair takes possession of a bored young woman and a
cynical roue, changing their lives forever.
This volume presents forty-two of Chekhov's later short stories, written between 1888 and 1903,
in acclaimed translations by Constance Garnett and chosen by Shelby Foote. Among the most
outstanding are "A Dreary Story," a dispassionate tale that reflects Chekhov's doubts about his role as
an artist. Thomas Mann deemed it "a truly extraordinary, fascinating story . . . unlike anything else in
world literature." "The Darling," a delightful work highly admired by Tolstoy, offers comic proof that
life has no meaning without love. And in "The Lady with the Dog," which Vladimir Nabokov called
"one of the greatest stories ever written," a chance affair takes possession of a bored young woman
and a cynical roué, changing their lives forever. Also included in this collection are the famous trilogy,
"The Man in a Case," "Gooseberries," and "About Love," as
well as "Sleepy," "The Horse-Stealers," and "Betrothed."
"The greatest of Chekhov's stories are, no matter how many times reread, always an experience
that strikes deep into the soul and produces an alteration there," wrote William Maxwell. "As for those
masterpieces 'The Lady with the Dog,' 'The Horse-Stealers,' 'Sleepy,' 'Gooseberries,' 'About
Love'--where else do you see so clearly the difference between light and dark, or how dark darkness
can be."
(Shelby Foote has provided an Introduction for this edition)
(Russell Banks)