TOM SHARPE

Tom Sharpe was born in 1928 and educated at Lancing College and at Pembroke College, Cambridge. He did his Nation Service in the Marines before going to South Africa in 1951, where he did social work before teaching in Natal. He has a photographic studio in Pietermaritzburg from 1957 until 1961, when he was deported. From 1963 to 1972 he was a lecturer in History at the Cambridge College of Arts and Technology.
In 1986 he was awarded the XXXIIIeme Grand Prix de l'Humour Noir Xavier Forneret.
He is married and lives in Cambridge.
His best book in my opinion: The Throwback) !!!


Riotous Assembly

Offering all the qualities of his general bestselling fiction, this is Tom Sharpe's blazing satire of South African apartheid, companion to Indecent Exposure.

Having not read many of Tom's books I can only comment on the two I have read, which are the South African books. Also having lived in South Africa and knowing a few S.A. policemen I found Tom's observations spot on. Riotous Assembly and Indecent Exposure are probably the funniest books I have read and my experience of S.A. Policemen may coax me into writing a few words of my own.
The criteria for joining the S.A. police is, you have to have failed your exams at school, be psychotic and be completely devoid of any compassion. I look forward to reading the rest of Tom's books, but feel they will not live up to the two I have picked out.

(From Dennis Fitzpatrick)

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Indecent Exposure

Offering all the qualities of his general bestselling fiction, this is Tom Sharpe's blazing satire of South African apartheid, companion to Riotous Assembly.

Set in South Africa, this broad, brutal farce begins when AfrikaansKommandant van Heerden, chief of police in the little town of Piemburg, takes a short vacation. While he indulges his Anglophile tendencies by trying to ingratiate himself with some would-be upper-class Britons, Liutenantthis is Afrikaans spelling Verkramp decides to make his part of South Africa safe from the communist threat once and for all. This he undertakes by blowing up the town's main facilities and by arresting and torturing the main citizens. Then, upon the suggestion of libidinous psychiatrist Dr. von Blimenstein, Verkramp subjects all police officers to aversion therapy to keep them away from black women. The experiment goes awry, and the police force becomes homosexual. Called back from his vacation after cuckolding his host on a fox hunt, van Heerden finds Piemburg a shambles and a raving mad Verkramp about to marry Dr. von Blimenstein. In the apocalyptic climax, van Heerden saves face with his superiors while exacting revenge on his snobbish former hosts. This timely satire will strike readers either as hilarious or beside the point.
(From Publisher's Weekly - Publishers Weekly)

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Porterhouse Blue

Porterhouse Blue is the story of one college campus with more problems than students.
A revolution at Porterhouse College sends a lot of things out in the open, namely one gross of condoms.


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Blott on the Landscape

In Blott on the Landscape, the landscape is flawless until Sir Giles, man of few principles and curious tastes, plots to build a highway smack through it. Sir Giles recruits to his side Hoskins, a corrupt local official; Lord Leakham, the environmental equivalent of a hanging judge; and Dundridge, a troublesome bureaucrat with an unhealthy passion for order. Pitted against this powerful lobby are a mere handful of local residents led by his wife. Sharpe spells out in riotous detail how the forces of virtue play an exceedingly dirty game when the issue is close to home. The reissue of this explosively comic novel will gladden the heart of everyone who has ever confronted a beaurocrat.

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Wilt

Humble professor of a technical college by day, Henry Wilt at night is often drunk on alcohol and fantasies of killing his idiotic, impressionable wife.

In Wilt, Sharpe has created a pathetic mouse of a man, Henry Wilt, who for ten years has taught literature to under-appreciative, over-aged boors at the local college. Tired of the constant bullying at the hands of his hefty, obsessive-compulsive wife, Eva, he finds himself gleefully fantasizing about murdering her. When Eva runs off with a visiting biochemistry professor and his nymphomaniacal wife, Wilt begins to practice her eventual demise by dumping a life-size blow-up doll, wearing Eva's clothes and wig, down a 30-foot shaft. Inevitably and uproariously everything goes wrong as Wilt is accused of murder and mayhem ensues in this delicious and scathing comedic satire.

People who make other people laugh have a gift, but the few people who can do it using the printed word alone, now that's rare genius and Tom Sharpe has it in spades. Wilt is not just a funny book with lots of gags. The character Wilt is an ordinary, sane man in an insane world, and don't we all feel like that some times? In a staid and respectable English university town, you have a community which should be the epitome of ordinariness but the characters who inhabit this town all seem driven by that very ordinariness in to committing ludicrous and hilarious acts which frightens you a little in their plausibility. Wilt is just doing the best he can to get through the day, but the world just would not let him. The troubles he get in to are as funny as they are painful and embarrassing, but in the end Wilt triumphs over the absurdities that surround him and we love Wilt because he defies the odds to come out on top.

Misadventures of Mr Wilt

Two stars of the hit British TV series Alas Smith and Jones are featured in this silly farce about college lecturer Henry Wilt (Rhys-Jones), who hates his bitchy wife and becomes the prime suspect when the police think she's been murdered. Smith is the twit of an inspector assigned to the case. Funny if it hits you in the right mood.
Based on Tom Sharpe's best-seller. Original British title: WILT.
(This video is in NTSC format used US and Canada)

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The Great Pursuit

If there has ever been a book, as funny, witty, and down right good fun as The Great Pursuit, I'd like you to show it to me. This book is great, containing Mr. Sharpes trademark wit and social commentary. His sharp satire of the publishing industry manages to be funny, while still being informative. The characterisation is hilarious, while still being realistic. So, could this possibly be the funniest book ever written. Oh yes!
(Andy Crome)


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The Throwback

First meet young Lockhart Flawse from Flawse Hall on Flawse Fell. Then hear his story of gassing, whipping, blowing up, killing and stuffing - in fact, the everyday tale of a wild child of nature plunged into the genteel mock-Tudor world of surburban Surrey.

"Demented, literary terrorism
I have been reading Sharpe for twenty five years and this is, if not the absolute best of his books, certainly the funniest and most completely anarchic. One can not help admire the protagonist who through no fault of his own has no outlet in the modern world for his undoubted abilities. All of us have at some time aspired to unfettered control of our destinies but are content to allow society to dictate the standards by which we operate. No such petty concerns trouble the throwback - he will by fair means or foul, secure his home and his family. I can only admire him, and hope that he truly exists, in his Northumbrian fastness, daring the revenue man to cross his threshold. There's a lesson here, couched in some of the most hilarious writing since Mein Kampf."
(a reader from Boston)

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The Wilt Alternative

A novel which continues the saga of Henry Wilt, an innate coward and hen-pecked husband whose escapades include a drunken (and very painful) battle with a rosebush, an all-consuming infatuation with an overseas student, and becoming an unwilling participant in an armed siege.

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Ancestral Vices

It is the proud claim of the Petrefacts that theirs is one of the oldest and most obscure families in England. They have kept their heads by not raising them above the Vale of Bushampton. Even Samuel Petrefact's enormous success as an industrialist in the nineteenth century and the ostentation of his Edwardian successors did not break entirely with this tradition. But the elevation of Ronald Osprey Petrefact to the peerage suddenly threatens that obscurity; when, to annoy his relatives (and to serve other more commercial ends), Lord Petrefact engages Walden Yapp, Professor of Demotic Historiography at KIoone University, to write the family history, his relatives are up in arms. The guardian of the Petrefact tradition, Miss Emmelia, musters the family eccentrics to meet the threat -only to discover that Frederick, her disinherited nephew, has put more than the family name in jeopardy. Walden Yapp too has problems, of a sexual nature, as much at variance with his puritanical and political upbringing as Lord Petrefact is with the rest of his relatives. Yapp's search for the truth leads him from the intricacies of Victorian domestic plumbing through the arms of his witless landlady into those of the police - and out again.
This insensitive and deeply perceptive novel reveals the common heritage which has bound English society in fragments through the centuries.
(Taken from the UK 1st edition, Secker & Warburg 1980)

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Vintage Stuff

The burbling note of a 1927 Bentley vibrates through the cypress-lined lanes of France as the car hurtles southwards to the rescue of a lady in distress. Can this be the return of the balmy days before the recent conflict?
Not quite, for the Bentley is following a trail laid by a battered Cortina, and the lady in distress has in her time been no better than she should be - indeed she does not yet know that she is in distress.
But at the wheel of the Bentley sits the monocled Glodstone, eccentric housemaster with a fixation on fiction of the Bulldog Drummond school. Worse, Glodstone's passenger is his impressionable pupil Peregrine, a natural athlete and crack shot equipped with an alarming tendency to take instructions literally.
There is a surprise or two in store for Glodstone: the route he has taken leaves behind a trail of chaos, but the road ahead leads in a straight line to mayhem.
(Taken from the UK 1st edition, Secker & Warburg 1983)

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Wilt On High

Wilt is back - in form, and in a deal of trouble.
Wilt is still teaching at the Fenland Tech, attempting to drill English into Plasterers, dozing through tedious committee meetings and occasionally getting mildly plastered in "The Pig in A Poke" with one of his few bearable colleagues. But the even tenor of his days is very rudely interrupted when the shadow of drug dealing flickers across the Tech.
Suddenly Wilt becomes the target of suspicion. His colleagues think that he's responsible for triggering a departmental inquiry, and Inspector Flint - an old enemy - knows that he's guilty of something, and sees a chance to settle a number of scores. What his wife thinks is... what all wives think. But what none of them have reckoned with is Wilt's talent for making new enemies.
What starts with an accusation of voyeurism in the staff lavatory (of the wrong gender) leads, more or less directly, to a massive confrontation at a nearby US airbase with the forces of law and order on both sides and Wilt in his usual place - in the middle.
There are bugging devices implanted in his car: his formidable wife is in touch with a sinister herbalist. The Wilt quads are deploying to the full their talents for infuriating his neighbours, and Wilt himself is the target for experienced and underworked inquisitors - some from the police, some from the USAF.
There is only one way out: straight up.
(Taken from the UK 1st edition, Secker & Warburg 1985)

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Grantchester Grind

It is crisis time again at Porterhouse, where crises never come in singles. The formidable Skullion is showing signs of frailty - he tends to have difficulty with his second case of Hardy's twenty-year-old Special of an evening - and the tricky business of appointing a new Master has to begin again. Meanwhile the college's monstrous debts refuse to go away, and a sinister American seems determined to make a television film on the premises. And if there is trouble ahead there is also trouble behind: the widow of the previous Master is convinced her husband was murdered, and - at a price - she plants an agent in the Senior Common room to dig up an unpleasant truth that everyone else would much rather leave under the carpet.
The instinct of the true Porterhouse man faced with a crisis is to reach for the bottle. Then to fall back on the subtle tactical skills honed at Cambridge down the centuries - blackmail and kidnap for choice. But will these be enough? Menaced on all sides - by the collapse of the Chapel, by the tentacles of organised crime (and a finger or two closer to home), and by the hovering threat of the abominable Dog's Nose Man - will Porterhouse be forced to unleash the most fearsome weapon in its armoury, the college food?
(Taken from the UK 1st edition, Secker & Warburg 1995)

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The Midden

Timothy Bright doesn't exactly live up to his name. He is the not-very acute scion of a successful family - that is, until Timothy has his funds cut off. This sad turn of affairs gives him the desire, although unfortunately not the brains, to get rich on his own. In this devil-may-care way, Tom Sharpe subjects his poor hero to run-ins with the Chief Constable, his wife, her alluring and jealous lesbian lover - and Miss Marjorie Midden. All converge at the rambling manor house Middenhall - nicknamed "The Midden" - in a frenetic finale with, among other things, policemen disguised as sheep and a mad aunt in a silver cat suit.

Can a book be too funny? Tom Sharpe's latest novel might just be. Too much laughing is required.... Take, for example, Timothy Bright, who is inevitably not. The dissolute scion of a dissolute family, Timothy kicks off an involved chain of events of Rube Goldbergish intricacy. He falls into money trouble, gets mixed up with mobsters, robs his aunt--and from there, it's a short trip to being dragged nude from a cellar by a Rottweiler at the behest of a chief constable who's trying to escape the siren song of his wife's lesbian house guest. And so on. ---
(The New York Times Book Review, Liam Callanan)



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Wilt in Nowhere

Henry Wilt is back. This time he is pitted against the vices of an aristocratic pervert, the merciless greed, of a politician's wife and the seedy underbelly of Britain's medical facilities, deftly exposing the farcical realities of small-town England and America.

One of the most impressive things about Wilt in Nowhere is that Tom Sharpe manages to go on being outrageous and funny after such a long career--after all, what does a satirist do when real world lifestyles and events exceed his wildest earlier inventions? The answer is, of course, that he just goes on making wonderful things up--this is the first novel about his quietly stroppy, lazy-as-hell college lecturer hero Wilt for 20 years, and Wilt is as funny in an era of e-mail and NHS cuts as he was back then. There is also a gentle nostalgia in some of the writing here. Wilt's hike through the English countryside in early chapters has pastoral charm in patches as well as a sarcastic sense of rural dereliction. Sharpe's sense of rural American life is rather more broad-brush, but the damage inflicted on an obnoxious millionaire by Wilt's four terrifying daughters shows a sense of just how power works.
(Amazon review)



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Wilt Omnibus

A collection of the books Wilt, Wilt Alternative en Wilt on High !

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