in 1984 i started investigating many diverse forms of creative expression - through the years sound and visual mediums have been used as a conduit for these explorations to occur - the results of these studies have sometimes been released in limited editions -

the sound and visual work has evolved into exploring my immediate environment and extracting perceptions and materials for applications and presentation packages - these applications and presentations are becoming more minimal in some respects, such as letting the materials speak for themselves, with little or no modifications – there is an increased awareness and deliberate involvement with my surroundings as a means, as source for materials, and as inspiration -

the sound work that i investigate is not concerned with any musical philosophy – i am only concerned with the interaction between myself and sound as a way of approaching a communication with the aural world around me -

click here for more information on my theory of operations in audio works

this is a solo project, although from time to time i have collaborated (mostly through the mail) with a number of artists from around the world: shaun robert (factor X), eric blevins (all fours), cliff hall (euthanasia), scott konzelman (chop shop), key ransone (small cruel party), frans de waard (kapotte muziek), joke lanz (sudden infant), rudolf eb.er (runzelstirn & gurgelstock), howard stelzer (intransitive recordings) and, jeph jerman -

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