Marjorie Boulton was born in 1924, and was educated i.a 
        at Oxford where she received a doctorate in literary studies. She was 
        for many years the director of a teacher' college, but is now a professional 
        writer, whose series of introductory texts in English on literaray studies 
        has been widely used. In 1949 she learned Esperanto and made her debut 
        in the Esperanto literary domain through the Belartaj Konkursoj (Fine 
        Arts Competitions). Marjorie Boulton is currently a member of the Esperanto 
        Academy, an advisory body on language questions.
            Her first collection of poems Kontralte (In Contralto), 
              was published by Stafeto in 1955. Further poetry collections 
              followed: Kvarpieda kamarado (Four-footed friend), Cent 
              ghojkantoj (One hundred songs of joy), and Eroj (Bits 
              and pieces), in 1956, 1957, and 1959 respectively. Virino che 
              la landlimo (Woman at the frontier) - a collection of short 
              plays and stories, also appeared in 1959.
      In 1960 (and again in 1980), Keegan Paul published Boulton's English 
        language biography Zamenhof, Creator of Esperanto, the Esperanto 
        editon of which appeared in 1962. Two short story collections have apeared 
        in book form: Dek du piedetoj (Twelve little feet) and Okuloj 
        (Eyes), in 1964 and 1967 respectively. In collaboration with William 
        Auld, she produced Rimleteroj (Rhyming letters), which was published 
        in 1964. In 1983 her study of the work of Gyulya Baghy - Poeto Fajrakora, 
        was published, and in the following year Faktoj kaj Fantazioj (Facts 
        and Fantasies) - an intermediate reader drawing on folktales from around 
        the globe.
            The writing of Marjorie Boulton is mature, socially engaged and infused 
              with warmth, sincerity and a profound humanism. A knack for finding 
              the appropriate word or form of expression is evident throughout. 
              Her work is multi-faceted. She displays a keen sense of humour and 
              at the same time is not afraid to reveal her own private passions 
              and torments.