Sandor Szathmari was pre-eminent among the creators of prose in 
              Esperanto and is revered particularly for his novel Vojagho al 
              Kazohinio (Voyage to Kazohinia).
      Born in Hungary in 1897, he learned Esperanto in 1912 and 
        first began to write in the language in 1932, as a sideline to his career 
        as a mechanical engineer. Between 1937 and 1942 he presided over the business 
        management of the Hungarian Esperanto Association. In 1939 he finished 
        work on Vojagho al Kazohinio. However its publication was delayed 
        by the outbreak of war in Europe and it didn't appear in Esperanto until 
        1958, by which time three Hungarian editions had stolen its thunder. 
      His short stories were published widely in the 50s and 60s, 
        in the revues: Belarto, Monda Kulturo, La Nica Literatura Revuo, Monda 
        Kulturo and Hungara Vivo. He also contributed articles on literary 
        themes and the international language movement, to i.a. Sennacieca 
        Revuo, la Praktiko, Sennaciulo, Hungara vivo, Monda Kulturo and Esperanto. 
        His study on poet and dramatist Gyulya Baghy, formed the preface to Ora 
        duopo (Golden duo).
            Szathmari's short-story collections are: Mashinmondo (Machine-world) 
              which appeared in 1964 under the Stafeto banner, Kain kaj Abel 
              (Cain and Abel) which was published posthumously in 1977, and 
              Perfekta civitano (Perfect citizen), which gathered all his 
              short stories into one volume in 1988. He was also one of the authors 
              represented in 33 rakontoj, la Esperanto Novelarto (33 stories, 
              Esperanto Prose) and its revised, expanded edition - Trezoro 
              (Treasure), which were published in 1964 and 1989 respectively.
      In Vojagxo al Kazohinio Szathmari satirically sketches 
        the problems of a society which has overcome every psychological alienation 
        but which has lost its human nature. In the midst of that society however 
        there remains a group of "old" humans, which the society has 
        segregated to prevent its own destruction. These "old" humans 
        symbolise today's humanity. They accept ridiculous and abnormal taboos 
        while the unemotional unalienated majority symbolise the result of science 
        serving its own ends and not those of humanity.
      Sandor Szathmari died in 1974. He also wrote and published 
        in his native Hungarian.