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Innocent Victim

Artist Comments

Mick Box 1977 | Ken Hensley 1977 | Mick Box 1990 | Mick Box 1997 | Ken Hensley 1997

MICK BOX
Nov. 26, 1977

It's a question of attitude, the band's a lot more open to anything, we played a lot on safe ground for a few years and now we're not prepared to do that. Anything we play is Uriah Heep regardless.

...It's changing slightly because we're changing too, all our old heavy riff numbers like Gypsy are still very big everywhere and are still a part of us, a part of Uriah Heep, they are like anthems, but things like Free Me our latest single is very much part of Uriah Heep too and we're going to place as much emphasis on that as we do the old stuff, if not more.

...We are very confident with what we're doing now, we're very happy with the way we're going, the direction we're going, and when your projecting that sort of feeling it has to get across to everybody else. I feel sure that once we've done an American tour the record company and everybody else will fall in line, they'll see how serious we are and how much we've improved from where we had our lull.

...We've got sufficient confidence to overcome anything that comes along because the attitude within the band is one of sheer hard work and we're going to put in everything we can give.

...There's such a degree of honesty there (on stage) that you can't ignore it, we go out and we really work. We don't just stand there looking at our boots and expect it all to be carried by 34 flashes and bangs going off behind you. We go out there and we put our heart and soul into what we're doing and I'm sure the audience these days see us enjoying ourselves and pick up on that.

KEN HENSLEY
Nov. 26, 1977

For a long time we've tried to sound like a different band because for too long we went round in circles and the time was definitely right for us to make some changes in our approach to our music. Although I should stress that that's not deliberate, we didn't sit down and say - 'right, now we're going to be really different' - this is just the culmination of the changes in personnel and the desire in the band to really make some progress instead of standing still.

...I wrote it (Free Me) quite a while ago and it was one of those songs that was just left in the book. Two years ago it was one of those songs that I could never have suggested to the band because we had the kind of attitude within the band that would never have even entertained a song like that, it was so uncharacteristic. But now the atmosphere in the band is so completely different that I can take virtually anything to them.

There was definitely a need for our approach to be more commercial, especially with what's happening in the music business, our kind of rock and roll was leading the field for such a long time that it's easy to fall into the trap and think that it would go on like that. But there's so many other things, we've got to be competitive and we've got to be contemporary so I think it's a good thing although it wasn't deliberate.

We're still a rock and roll band and we always will be for as long as we carry on. What we're doing is we're adopting a more mature approach to it, we're not just crash, bang, wallop for the sake of it. I think the reason that heavy metal has taken a back seat of late is because everybody had stopped thinking about what they were doing. I know we did it for two years, we went on thinking that everything we were doing was right, and it wasn't, while we were doing that there were all these other developments taking place and we suddenly found ourselves a bit old fashioned, I think that's really what the key to the whole thing was, a change in attitude rather than style, our style is still basically the same, it's just our attitude has changed.

...I think that's an important point because from where we stand we can see the change in audiences, we can see the generation change and one of the most important things for us to do now is make sure that our music stays contemporary and up to date simply because there's so much competition about, we've got to make sure our music fits in with the general atmosphere of the business at the moment. As it was, there was no chance, if we'd have kept going the way we were going we would have died a relatively dishonorable death. What we've done now is adjusted, and listened, and looked at what's going on, and thought about what we are doing, that's really all that we've done.

I think the most important point about that is really that we are confident in what we're doing now where as not so very long ago we were doubtful, we weren't too sure about what we were doing. We have this kind of self confidence now which is helped a lot by the confidence amongst the record company and the people in the business, the fact that the single's being played. For the first time we've managed to get some degree of confidence being expressed by DJ's. This does a lot for our moral and this must come across in our overall performance. In America it's a completely different thing, we've got a lot of ground to catch up there, we lost a lot of ground in the States after being immensely popular there and it's more or less like starting from the beginning but I think we're all pretty confident that we can get it together over there.

..Our live shows have always been very different from our albums, there's always the contrast between the studio and stage. One that has all the atmosphere and the other that only has the atmosphere that you can create. Even in England where we've never really enjoyed the sort of record success that we'd like, we've always had a large number of fans and a great following at our concerts simply because we put everything into our live shows. Whether people like our records or not, they can always treat our live shows as something completely different. I can only say that it must be because of the amount of energy and enthusiasm that goes into our show.

MICK BOX
1990

Innocent Victim had a slight edge on Firefly. It was like another building situation, particularly in Europe again. We did a lot festivals over there at the time. We were doing moderately well in England but there was a remarkable resurgence in Europe.

MICK BOX
Rostov/Don Russia, February 1997

This album was a natural successor to Firefly. I started writing songs with John Lawton, and the first song we produced was the rock track, Free 'N' Easy, which over the years has been saluted by lots of fans as a favorite. This was even used by Dave Lee Travis for the opening of his Rock Show on BBC Radio 1 in the UK. Another little bit of trivia is that the snake cover has in fact got Lee Kerslake's eyes super-imposed on it!

This was an enjoyable album to make, and with the song Free Me, which was a worldwide hit, we enjoyed great success. John Lawton joined us in South Africa in March '95 when we toured with Deep Purple, due to Bernie losing his voice. This song was a big hit there, and every night we performed it. John did a brilliant version, and he has really made this song one of his own. Check out his new band Gunhill, as John still has a magic set of pipes.

Thanks for buying this re-mastered version, and I hope you like the bonus tracks too.
'Appy Days.....

KEN HENSLEY
St. Louis, Missouri, May 1997

John Lawton really does have a great voice, and Free Me should have been a hit!! In this record, I sense some conflict, probably caused by my need to experiment and progress, and our "advisors" insistence that we re-cycle Easy Livin'! I also enjoyed working with Jack Williams, though the changes in influence didn't sit so well with some people! I find it is still fairly easy to listen to, though it's definitely not the best record we made!

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