When original Uriah Heep singer David Byron was sacked in July 1976, many
thought the band would never recover - but they reckoned without his replacement, John
Lawton.
He was recruited from a German-based band called Lucifer's Friend and his grounding in that
country could only have helped this record become the success it ultimately was - it sold
over a million copies, making it their best seller ever there. Although his image
contrasted with Byron's cartwheeling, scarf-waving antics - Lawton's hairline was fast
receding and he appeared onstage wearing mascara and peacock feather earrings! - Lawton
sang superbly and communicated well with audiences who might otherwise have been put off
by his appearance.
He had made his debut with the band on 1977's Firefly,
but it was on
Innocent Victim - his second and Heep's 11th studio outing, released later this same
year - that he really came into his own.
Thanks to fine performances from the rhythm section of Lee Kerslake (drums) and
ex-Bowie/Mick Ronson/Spiders From Mars man Trevor Bolder (bass), plus a noticeable more
aggressive production (by Hensley and Heep's label boss Gerry Bron), the record exhibited
heavier tendencies than many of its predecessors - especially on the storming Free 'n' Easy.
Lawton's sole writing credit (shared with guitarist Mick Box) which featured some
blistering guitar interplay between Box and keyboardist Ken Hensley, who stepped away
from his ivories to play slide guitar and help turn the track into a Heep classic that is
still in the live set to this day.
The record also featured softer moments, though, like the single Free Me,
the funkier numbers like
Keep On Ridin' and
Flyin' High, or the haunting Illusion
with its perfectly paced guitar solo. The record was also notable for the rock/reggae
crossover of
The Dance and the closing cut Choices -
an epic, slow-burning mood piece. Both numbers were written for Heep by American Jack
Williams, brought into the fold by his friend Hensley.
This line-up released a third album,
Fallen Angel, in 1978, but Innocent Victim remains the best of the three - not
to mention one of the finest of Uriah Heep's 20-year-plus career.
Neil Jeffries, Kerrang!
Innocent Victim was Uriah Heep's eleventh studio album excluding compilations.
Released late in 1977 it was the second of three studio albums to feature vocalist John
Lawton. As a follow up to Firefly which even with the personnel changes had
encased many of the traditional Heep musical values, Innocent Victim was a drastic
departure to say the least. This new album encompassed a more sophisticated sound but was
relatively lightweight in comparison to its predecessor, and along with High
And Mighty and
Conquest has been viewed retrospectively by many fans as the most untypical of Heep
albums. Again the album failed to chart in the UK, probably indicative of the time and
the emergence of punk as the popular music of the day rather than the musical content
itself.
The album was very successful in Europe and Australasia, spawning the hit single Free
Me which topped the charts in Germany, Australia and New Zealand of all places.
The success in Germany coincided with the re-release of Lady In
Black, which won the band the coveted Golden Lion award. This no doubt had a lot to
do with the amazing success Innocent Victim achieved in Germany. A classic case of
how important the correct timing is in the Rock and Roll business.
Free Me is a very likeable tune, and it is easy to see how it became so popular with
the masses. The band discovered a whole new world of fans with the success of the single.
It was this fact that also alienated many of the longstanding die-hard fans. The album
and successful single had become what is termed in the business "A Monster!"
Although the album was a relatively laid-back affair for Heep, it does feature a rocker or
two - Free 'N' Easy probably making up for the lack of rockers all in one!
With two albums being recorded and released in a little over a year, there was not an
abundance of spare material from the Innocent Victim sessions. However, we have
included a few gems as bonus tracks. Most fans would know the track Masquerade
as the B-side to the Free Me single; however it was in fact part two of the album
track Illusion. Illusion on the album fades out at what would have been the
start of Masquerade. Here we have included the original album in its original
order (re-mastered of course). We have left this untouched for the purists! We have,
however, included a complete unedited version of the Illusion-Masquerade epic. In
my humble opinion this should have been on the original album with one of the other
tracks omitted; of course with the CD medium, we thankfully are not under the time
constraints imposed by vinyl.
We have also included one of the few out-takes from the Innocent Victim sessions,
called The
River, which also could have been an excellent contender for the original album. This
track was unreleased until the 4 CD box set A
Time Of Revelation.
The album also featured a totally different cover from the original US release. We have
included it (the US cover) here on the back page of the booklet, so all you have to do is
place the booklet back to front in the jewel case, and voila ... you have an American
version!
© 1997 Robert M. Corich
Content Copyright © 1997 Jay Pearson
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