Some
instructors of martial art favor forms, the more complex and fancy
the better. Some, on the other hand, are obsessed with super mental
power (like Captain Marvel or Superman). Still some favor deformed
hands and legs, and devote their time to fighting bricks, stones,
boards, etc.
To
me, the extraordinary aspect of gung fu lies in its simplicity.Gung
fu is simply the direct expression of one's feeling with the minimum
of movements and energy. Every movement is being so of itself
without the artificialities with which people tend to complicate
it. The easy way is always the right way, and gung fu is nothing
at all special; the closer to the true way of gung fu, the less
wastage of expression there is. Instead of facing combat in it's
suchness, quite a few systems of martial art accumulate "fanciness"
that distorts and cramps their practitioners and distracts them
from the actual reality of combat, which is simple and direct
and non-classical. Instead of going immediately to the heart of
things, flowery forms and artificial techniques (organized despair!)
are ritually practiced to simulate actual combat. Thus, instead
of being in combat, these practitioners are idealistically doing
something about combat.
Worse
still, "super mental this" and "spiritual that" are ignorantly
incorporated until these practitioners are drifting so much further
and further into the distance of abstraction and mystery that
what they're doing resembles anything (from acrobatics to modern
dance) but the actual reality of combat.
All
these complexities are actually futile attempts to arrest and
fix the ever-changing movements in combat and to dissect and analyze
them like a corpse. Real combat is not fixed and is very much
alive. Such means practice (a form of paralysis) will only solidify
and condition what was once fluid and alive. When you get off
sophistication and whatnot, and look at it realistically, these
robots (practitioners, that is) are blindly devoted to the systematic
uselessness of practicing routines or stunts that lead nowhere.
Gung
fu is to be looked at without fancy suits and matching ties, and
it will remain a secret when we anxiously look for sophistication
and "deadly" techniques. If there are really any secrets at all,
they must have been missed by the seeking and striving of its
practitioners (after all, how many ways are there to come in on
an opponent without deviating too much from the natural course?).
True gung fu is not daily increase, but daily decrease. Bring
wise in gung fu does not mean adding more, but to be able to get
off with ornamentation and be simply simple - like a sculptor
building a statue, not by adding but by hacking away the unessential
so that the truth will be revealed unobstructed. In short, gung
fu is satisfied with one's bare hand without the fancy decoration
of colorful gloves which tend to hinder the natural function of
the hand.
Art
is the expression of the self.The more complicated and restrictive
a method is, the lesser the opportunity for the expression of
one's original sense of freedom! The techniques, though they play
an important role in the early stage, should not be too restrictive,
complex, or mechanical. If we cling to them we will become bound
by their limitations. Remember, you are expressing the technique
and not doing the technique. When someone attacks you it is not
technique number one (or is it technique number two, stance two,
section four?) that you are doing, but the moment you become aware
of his attacks you simply move in like sound and echo without
any deliberation. It is as though when I call you, you answer
me or when I throw something to you, you catch it, that all.
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