The elements of these “computer
paintings” are drawn from many sources; film stills and
magazines, old furnishing catalogs and digital stock. Mainly,
they are meant as humor and satire (though L.S.M.F.T. seems very sad to
me) and they shamelessly exploit and lampoon the racial and
sexual stereotypes ubiquitous in American culture once upon a
time.
Nellie’s Day Off, 1996
Photomontage
30"x36"
L.S.M.F.T., 1997
Photomontage
22"x38"
Oater, 1996
Photomontage
36"x36"
Lift, 1997
Photomontage
26"x36"
Canteen, 1996
Photomontage
36"x30"
Urban Sprawl,
1997
Photomontage
38"x29"
Madchen, 1997
Photomontage
36"x23"
