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Soul

STEVIE WONDER
  • http://www.soulwalking.co.uk Fabulous site
  • Nuyorican Soul | rare grooves | Soul End of the Century Classic Top 1000 new! May 2000 | Northern soul

    Soul music made it’s way North, East & West via the same train routes that carried rural black workers from their homes in the south to the industrial north. As these "Blues people" made their way north, the music that they brought with them fused with the sophisticated urban sounds of jazz to create the sound first called "race music" and then later referred to as "rhythm & blues". As this music known as R&B began to gain acceptance among whites, it became split artificially and became known as "rock n’ roll" (for whites only) and "soul" (for Blacks only). As far as we are concerned it’s ALL Classic Soul !!! This web site will explore the past, present & future of the music that was the "soul" of the greatest freedom movement in the history of the United States of America.


    http://www.soul-patrol.com/soul/ ... there are definate gems in the rough like Erykah Badu all silky and sweet. I see her in any Billie Holiday or Sarah Vaughn album that I could break out ... to feature Gil's "Home is where the Hatred is" in the Gil Scott-Heron section. That is arguably one of my favorite songs from him, and it has remarkable teleportational power. When I listen to that I always find myself in some scene not unlike Frankford Terminal here in Philadelphia twenty-five years ago - the same feeling I get when I listen to the Last Poets rap about New York in "New York, New York" - its like an impressionist painting done all with shades of purple and ebony, with a '65 black imperial driving by, men of character huddled by a can-fire, and the plastic, with vapor-locked expressions walking around, to borrow a last poets expression, with "clairol on the brain". I love the first three Funkadelic albums (Eddie Hazel is a rare talent), ...

    " You take the Soul out of reggae, you get ragga. You put the soul back into reggae, you get lovers rock. You take the soul out of jazz you get bebop, you put the soul back onto jazz you get latin jazz, vocal jazz".

    "You take the soul out of house you get hardcore, gabba, even techno. You put the soul back into house, and you'll get garage or some deep house. Soul is the basis of modern dance music. Even when its not in the makeup of modern day dance music itself, its influence is strong that the industry would collapse without it".
    http://www.keme.net/~carl/soul.htm -- Carly's garage site


    music was the result of the urbanization and commercialization of rhythm and blues in the '60s. Soul came to describe a number of R&B-based music. From the bouncy, catchy acts at Motown to the horn-driven, gritty soul of Stax/Volt, there was an immense amount of diversity within soul. During the first part of the '60s, soul music remained close to its R&B roots. However, musicians pushed the music in different directions; usually, different regions of America produced different kinds of soul. In urban centeres like New York, Philadelphia and Chicago, the music concentrated on vocal interplay and smooth productions. In Detroit, Motown concentrated on creating a pop-oriented sound that was informed equally by gospel, R&B, and rock & roll. In the south, the music became harder and tougher, relying on syncopated rhythms, raw vocals, and blaring horns. All of these styles formed soul, which ruled the Black music charts throughout the '60s and also frequently crossed over into the pop charts. At the end of the '60s, soul began to splinter apart, as artists like James Brown and Sly Stone developed funk and other artists developed slicker forms of soul. Although soul music evolved, it never went away -- not only did the music inform all of the R&B of the '70s, '80s and '90s, there were always pockets of musicians around the world that kept performing traditional soul.
    -- Taken from the "All Music Guide"--
  • http://www.peerpee.fsnet.co.uk/kirk/stepney.htm Charles Stepney
  • http://www.melingo.com/thesoulnet The Soul of the Net, Reggae got Soul.

  • http://www.oocities.org/SunsetStrip/Club/1268/ with Wand discography, the label where Mel Cheren and Tom Moulton worked for
  • http://www.georgwa.demon.co.uk/index.htm Ska2Soul
  • Nuyorican Soul | Rare Grooves | Pre Disco | Northern soul | Funk

    2002, jan 12; 12:58:
  • Studio One Soul[Amazon US] more on Studio One records
    1. Express yourself - Sibbles, Leroy 2. Respect - Frazer, Norma 3. Groove me - Sibbles, Leroy 4. Soulful strut - Sound Dimension 5. Queen of the minstrels - Eternals (5) 6. Message from a blackman - Heptones 7. I'll be around - Gayle, Otis 8. Still water - Jones, Jerry 9. Time is tight - Sound Dimension 10. Can't get enough - Ace, Richard 11. Don't break your promise - Chosen Few (1) 12. First cut is the deepest - Frazer, Norma 13. How strong - Parker, Ken 14. Set me free - Booth, Ken 15. Is it because I'm black - Senior Soul 16. Deeper and deeper - Mittoo, Jackie 17. I don't want to be right - Ellis, Alton 18. No one can stop us - Williams, Willie
    Studio One Soul, another sensational compilation that this time spotlights the inescapable link between Jamaican reggae and US soul. Since the late 1950s, which saw ska born out of American R&B, the Jamaican reggae fraternity has always had a strong affiliation towards US soul, and later on, funk. --Chris King, amazon.co.uk
    2002, jan 12; 12:50:
  • Shuggie Otis - Inspiration Information [Amazon US]
  • Who Is Jill Scott?: Words and Sounds, Vol. 1 - Jill Scott [Amazon US] Amazon sales rank 126
  • Supa Sista - Ursula Rucker [Amazon US]
  • D'Angelo - Voodoo [Amazon US] if you enjoy Jill Scott, you will like D'Angelo.
  • Bilal - 1st Second Born[Amazon US]
  • Terry Callier - Timepeace [1CD, Amazon US] [more on Terry Callier]

    jahsonic@yahoo.com