Disability and Poetry Conference - 2006

Inglis Poetry Conference: Unleashing the Art

At the Inglis House Poetry Workshop non-disabled writers and writers with disabilities met together in readings, workshops and exchanges of ideas. Below a poem by Dana Hirsch inspires by Poet Glenn McLaughlin. A reading of Stuart Sanderson's poetry results in an effort by Michael Northen. In Therése Halscheid's "Trading Places" workshop, Dana Hirsch is moved to write a poem about her mother. The idea for Daniel Simpson's poem "My Mother, Cleans" came during Maria Fama's Workshop on using family tradition in poetry.

Two women

Neither I know
though I drink both

one stares at me
over me, beyond me
through me from a bottle of wine
lilting forward, offering
to guide a stare somewhere
common but pleading
if we but knew

and one stares at me
from a wheeled chair
at me, through me
at me
lilting backward
reaction to action
laughing to guide
a stare somewhere
uncommon, pleading
if we but knew

the story of rain
of conversations with windows
and the cries
alone

for Marilyn Monroe and Dana Hirsch
~ Glenn R. McLaughlin

Dana Hirsch reads her poetry at the Inglis House Poetry Conference.
Stuart Sanderson and Colleen Webster at the workshop on poetry and art. Stuart at Work

The sounds comes from another’s body
but the words are his own:
poems elegant in their simplicity
like a spider web against the moon
or sumac in snow.
Though enough in themselves,
he sits eye level with the audience
low in his wheel chair
letting the muscles play over his face
a Bosch rhythm,
and curl into a wordless smile
that lets you know
he has sipped the spring,
bitten fruit
that you would pay an eye for.
-Michael Northen

Mom

I come to you to straighten your pillow,
To help you eat,
And just be with you.
For you will be gone from this room soon
And from my life, physically,
But never from my heart or memory.

This day is cold, rainy, but sweet.
While I’m with you we will share
Memories, good and bad,
Laugh at stories.
But then,
I’ll remember your strength and pride,
Pushing and grabbing at me, to be me.

The hospital room is your only home now.
But know that if I do not cry with you,
Each time I talk of you,
Tears of good will always shine out.
-Dana Hirsch

Workshop member Yvette Green reads as poets Dan Maguire, J. C. Todd, Michael Northen and Therése Halscheid look on.
Maria Fama conducts workshop on family history and poetry while poets Lucia Quinn and Daniel Simpson listen. My Mother, Cleans

More exacting than graceful,
she does a turn around my kitchen.
The satellite radio plays

"I'll Never Smile Again,"
and she thinks of dancing,
the way he turned her,

the way he turned her head Back then,
some sixty years
and one death ago.

Between my stove and microwave
she manages a neat slide,
her arm around the neck of a mop.
-Daniel Simpson

Poetry from the Workshop Leaders

Dan Maguire’s work has appeared in numerous publications. In May 2000 he was selected by the editors of The American Poetry Review for a special workshop with the poet Robert Bly. He was awarded 1st Prize for Poetry at the Philadelphia Writer's Conference in 2000 and again in 2001. For the Inglis Conference Dan led a workshop called "Performing Your Poetry."

EXPLORERS

The three-year question asked at last,
the unexpected yes, the second date
first kiss, soft lick of a rose,
were discoveries. Lost in exploration
of a new geography, my gaudy dreams
gold as Coronado’s, marching blindly

on toward El Dorado. Tracking down
the rumors of the heart, I forgot
his failure, forgot the long, slow
death-crawl from invisible Cibola.
A musty August night obscured
the humid stars and wrote its name

no the windows of my father’s car,
parked by Evans Pond; your voice
was dim and far away, your words
like water closing overhead,
Telling me your family was moving,
out to Cleveland, where rivers burned…

we credit Ferdinand Magellen
as the first to cirucmnaigate the globe;
even though he died in battle
somewhere in the Philippines, lost
his way half-way around the world,
we remember his name.

*************

Colleen Webster lives at the juncture of the Susquehanna River and Chesapeake Bay where she runs, bikes, kayaks, and walks with her dog. When she comes inside she writes and teaches at Harford Community College, waiting for her next outdoor foray. Her poetry and essays have or will be appearing in Maryland Poetry Review, Ariel, Penumbra, Poetry Midwest and others. She has received two Pushcart Prize nominations. AT the Inglis House conference, Colleen led the workshop, "Writing Poetry From Art."

PICASSO LOOSES A BATTLE
-after Guernica is covered in the United Nation building, 2003

The painterly havoc a war can wreak
sharpens with red, crimson jagging
everywhere I look. Even the tip of maple

tree above the bay bleeds a male cardinal
full belt in song this bright winter day,
blood against sky, violent notes ripping blue

echoes, blooming even here, too, my hand
betraying my own rage, skin split to bone
down to some hard part that cannot hold

all that red. The great painter knew a war
when he saw one, watched it explode
into World War II on a distant shore.

And so he climbed to his second floor
Left Bank studio to slash out Guernica,
canvas homage to his broken homeland.

This new season, even the tapestry replica
stings too strongly, smacks of man-made
evil, so the United Nations aria-blue douses

stringent flames, quieting harsh commentary
that could influence tv viewers, backdrop
too dangerously close to Iraq decisions.

The raging art of violence is no simple act
silenced easily in blue. Picasso knew--
personal, public, political, animal--we all lash
out too big, too sudden to be easily cloaked in peace.

****************

J. C. Todd is the author of Nightshade and Entering Pisces. A poet and literary translator, she is an associate editor to the on-line poetry journal, The Drunken Boat (www.thedrunkenboat.com). Awards include a Pennsylvania Council on the Arts Fellowship, two Leeway Awards and a Governor's Award for Arts Education. Thank you, Cecil, for the dance. J. C. led "The Body, the Senses and the Poetic Image."

REMEMBERING*

Remember, Mother, when you were so ill
it hurt to move, hurt to lie still? Or
perhaps you don’t, having passed through flesh
into the either. I am the one who remembers,

remembers washing you and thinking,
Why don’t I remember you washing me?
As though to clear the soapy film that clouds
the water for the bath, a hand appears,

supporting my shoulders, flimsy neck,
the back of my still-soft head. Your hand,
released from cells that have transferred you
when you washed me onto me when I washed

you, our hands one hand now as I sponge
blood from my daughter’s skinned knuckles.

*from Nightshade ©1995, 2000

****************

Thérese Halscheid’s newest book of poems is Uncommon Geography (Carpenter Gothic, 2006). She received a 2003 Fellowship for Poetry from the NJ State Council on the Arts. Her poetry has appeared in many magazines, among them 13th Moon, Rhino, aultline, White Pelican Review, New Millennium Writings. She teaches creative writing workshops and is a teaching artist in schools through the NJ State Council on the Arts. At the Inglis Poetry Conference,Therése led a workshop on the poetry of disabled writers entitled, "Trading Places." Her work can be seen at www.theresehalscheid.com.

DEATH OF YOUR BODY*

I wonder how it will happen, Father,
when you, in your bed, are leaving yourself,
rising out of the lame structure you inhabited,
that moments before was shrinking
another inch down in a chair
giving off sighs against gravity
for your limbs falling backwards…
Will your eyes that stopped seeing me
suddenly close?
When I think of your moment of death
I want life as an eternal from brightening
the room where we bend over your body.
I think of words never said
coming to me as light.
I see myself simply glowing with your sentences,
nothing dramatic or as pathetic
as the one child you bore
who would not eat for a year
after your brain damage, was starved
for your love.

*from Without Home
©2001

**************

Maria Fama is the author of three books of poetry and the producer of poetry videos. Her poems, short stories, and essays have appeared in numerous publications and anthologies. Fama recently won the Aniello Lauri Award for Creative Writing and appears in the PBS documentary "Prisoners Among Us." She lives and writes in Philadelphia. Maria's workshop "Using Family Stories and Family History in Poetry" drew a large crowd at the Inglis Conference."

UNCLE*

Nestled in the back seat
behind my uncle’s balding head
I think of the man
who cares or the mandarin trees,
My uncle’s car needs gas
He pulls into a station
with eerie lights of longing
reflected in the rainbow grease
Cornered,
What would I do to touch again
The man who paints his garden gate.
My uncle’s blading head turns,
“Will I hit the blue Buick?”
He looks through my father’s mother’s eyes
The fruits in the garden
were yellow and red
like the traffic roads of night His eyes were dark
as the streets that sleep under the trees.
The lights at the corner house
our lines into the lawn
One dull thump
My uncle looms large
opening my door
I step very far now
from the man,
his garden,
and the watching rows of trees.

*from Currents ©1991