Harmonium Research & Promote Institute 
Pandit Pundalik N. Bhoir
The Musical notes, Swaras, have their definite, distinct positions. The following table shows these final positions. If these pure notes are played or sung, a listener gets beautiful experience.
For what is said about ‘Gram', Shadja Gram in the ancient text of ‘Bharatmuni', Sharangdeva and the thesis of Pt. Bhatkhande refer following table:
SHRUTI BASED NOTES ARRANGED ON SHRUTI-HARMONIUM
No |
Name of Shruti |
Shudha Swara |
Sampurn Swara |
Notes arranged on my Instrument |
Brij |
Kshobini |
Nishad |
Ati Komal Nishad |
|
1. |
Teevra |
|
Komal Nishad |
Komal Nishad |
2. |
Kumudini |
|
Kaishaki Nishad |
|
3. |
Manda |
|
Kakli Nishad |
Shuddha Nishad |
4. |
Chhandovati |
Shadja |
Achyut Shadja |
Shadja |
|
|
|
|
|
5. |
Dayavati |
|
Aati Komal Rishabh |
Komal Rishabh |
6. |
Ranjani |
|
Komal Rishabh |
|
7. |
Raktika |
Rishabh |
Shuddha Rishabh |
Shuddha Rishabh |
|
|
|
|
|
8. |
Raudri |
|
Purva Gandhar |
|
9. |
Krodha |
Gandhar |
Komal Gandhar |
Komal Gandhar |
|
|
|
|
|
10. |
Vajrika |
|
Sadharan Gandhar |
|
11. |
Prasarini |
|
Aantar Gabdhar |
Shuddha Gandhar |
12. |
Preeti |
|
Chyut Madhyam |
|
13. |
Margini |
Madhyam |
Achyut Madhyam |
Shuddha madhyam |
|
|
|
|
|
14. |
Kshiti |
|
Tivra Madhyam |
|
15. |
Rakta |
|
Aati Tivra Madhyam |
Tivra Madhyam |
16. |
Sandipani |
|
Tri Shruti OR Chyut Pancham |
|
17. |
Alapini |
Pancham |
Achyut Pancham |
Pancham |
|
|
|
|
|
18. |
Madanti |
|
Aati Komal Dhaivat |
Shuddha Dhaivat |
19. |
Rohini |
|
Komal Dhaivat |
Komal Dhaivat |
20. |
Rammya |
Dhaivat |
Shuddha Dhaivat |
Shuddha Dhaivat |
|
|
|
|
|
21. |
Oogra |
|
Chatushruti Dhaivat |
|
22. |
Kshobini |
Nishad |
Aati Komal Nishad |
|
|
|
|
|
|
1. |
Teevra |
|
Komal Nishad |
Komal Nishad |
2. |
Kumudini |
|
Kaishaki Nishad |
|
3. |
Manda |
|
Kakli Nishad |
Shuddha Nishad |
4. |
Chhandovati |
Shadja |
Achyut Shadja |
Shadja |