My study revolves around the dance-form, costumes, ornaments
and social customs of the Nautch girls.
Nautch or Nac girls(spelt variously by various authors) refers to a
set of dance performers who previously existed during the Mughal rule
and got their name Nautch (from the word Naach) from the Europeans during
the days of colonial rule by the East India company.
Kathak gradually evolved during the course of several centuries imbibing
the diverse influences of the temple courtyard on the one hand and the
palaces and princes on the other. When Kathak moved from temple to court
it made suitable adjustment in its repertoire, techniques and manner
of execution.
The British system of education did not recognise "arts"
as a subject and the result was the degeneration of an age old
dance tradition. The late-nineteenth century and early 20th century
saw the emergence of a sect of female dancers who were known as Nautch(in the North and
Sadir in the South) girls. Many of the sketches by European artists
brought by the East India Company during the early days of colonial
rule throw light on the Nautch tradition and it's close relationship
with the Kathak form of dance. My Project proposes the intense study of Nautch/Nac tradition
that is so profusely registered in the paintings and sketches of mid 18th to 19th century(during
the East India Company's rule) yet is so neglected an area so far
as the study of our dance-tradition is concerned. From the preliminary
study that I have conducted in this regard, it has made me immensely
curious to probe furthur into the following issues :
The technicalities of this tradition as for instance,
the instruments, ornaments and costumes used by the performers.
The degeneration that Kathak has gone through during
this period and the contributions(if any) of the Nautch tradition
to the mainstream of Kathak.
The social background and the standing of the performer.