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The
Worm
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History |
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Ramirez (15MinutesofFame) |
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MANSON
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The
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The
Beautiful People
(15
Minutes of Shame)
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Satanism |
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Dandysm |
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Philosophy
and Literarture |
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Painting |
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Drugs |
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Los
Angeles |
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=>
Mechanical Animals era

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Symbol:
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Picture
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Lyric
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"She's
got eyes like Zapruder
And a mouth like heroin
She wants me to be
Perfect like Kennedy"
=>POSTHUMAN
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We
can directly feel (inspirations) |
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-David
Bowie (Ziggy stardust and Space Oddity...mainly)
-Los
Angeles (the drug capital of the world...)
-The
idea that Love can be possible
-Earth,
Alien-ation, Space...
-Gary
Numan.

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There is an
exit here
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www.davidlynch.com
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This
page relates the sequence of events which have leaded to
create and achieve to the top, the Marilyn Manson's persona
and co.
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Hi-story
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Various
Illustrations |
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In
the early '90s, popular music was in a state of radical flux.
'80s arena titans like Motley Crue and Def Leppard's popularity
were decidedly in a downward spiral, while Seattle had opened
it's artistic womb and given birth to the radical movement that
was known as Grunge, readily showcasing future superstars like
Nirvana and Pearl Jam. With its raw sound, jarring feedback, and
flannel shirts, Grunge was quickly embraced by a generation
starved for fresh blood on the music scene. The power ballad was
well worn, and the disastrously long affair with hair-metal was
coming to an end. Grunge swept North America, and not long after,
the world, with powerful statements, riffs, and a decidedly
"don't give a damn" attitude. Teens ravenous for fresh
tunes were quick to embrace Kurt Cobain as the Godfather of
Grunge, and happily embraced legions of artists such as Alice In
Chains, Mudhoney, and Temple of the Dog, to name but a few. As
the Grunge movement continued into the mid-90s, hair-metal
quickly became a distant memory.
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By
crashing the gates of conformity, Grunge also opened the doors
for more radical genres of music, such as Industrial. Al
Jourgenson's Ministry gained more public acceptance and the
German-born Sascha Konietzko's long-nurtured KMFDM definitely
garnered a greater notoriety. Most definitely at the forefront
of the Industrial revolution, however, was Trent Reznor's Nine
Inch Nails. Nine Inch Nails mixed angst-ridden lyrics and
furiously sampled drums and guitars with an awesome stage-show
that few could replicate. And into this musical and social
bedlam was born Reznor's illegitimate sons, Marilyn Manson.
Marilyn
Manson's rise to fame was fairly quick, considering their
relative lack of experience on the club-scene. However, the
band struggled to gain acceptance in a generation literally
transfixed and greatly enamored with the Grunge sound. Marilyn
Manson's first commercial release, 1994's Portrait of an
American Family, did not initially gain the notoriety and
public attention Marilyn Manson so desperately sought. The raw,
visceral sound, coupled with copious helpings of violent,
angst-ridden samples, did not jive well with fans of the
popular Grunge movement.
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Raucous,
almost cartoonish lyrics, samples, and raw guitars made
Marilyn Manson's statement on the state of the world painfully
obvious: "I hate therefore I am / Goddamn your righteous
hand." Packed with controversial innuendos such as these,
Portrait of an American Family did, however, made Industrial
music more accessible to the wayward souls seemingly forgotten
by the popular music scene. The so-called Goths and losers
suddenly had a champion to their anarchistic views on the
blights of society, and they readily embraced vocalist Marilyn
Manson as their "Reverend." Portrait's lyrics left
no controversial stone unturned. With happy little ditty's
like "Dope Hat" and "Get Your Gunn",
Marilyn Manson wailed to his legions of growing fans, "the
housewife I will beat / the pro-life I will kill" and
"I throw a little fit / I slit my teenage wrists."
In Marilyn Manson's opinion, "pseudo morals work real
well / on the talk-shows for the week."
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It
is highly evident, even to the untrained ear, that Portrait of
an American Family did not receive a great deal of funding and/or
attention from Nothing Records, although company founder Trent
Reznor had signed and fully supported the upstart musicians.
Weak arrangements and a ridiculous amount of samples and
outtakes simply didn't make the band palatable for the general
public. Nevertheless, even with lyrics riddled with an
abundance of drugs, violence, and repression, Marilyn Manson
managed to take tired concepts to new heights. Indeed, Marilyn
Manson, and their swaggering, bloated attitude, were
definitely on the scene, and they were beginning to cause
quite a ruckus.
Marilyn Manson's ghoulish presence, movie-star/serial killer
alter egos, and theatrical stage presence did not exactly
rocket them to the top of Billboard's charts. Despite the
underground popularity of the singles "Lunchbox" and
"Get Your Gunn," Marilyn Manson had yet to really
break into the charts. This didn't stop their discoverer,
Trent Reznor, from bringing his recently signed prodigy along
for a wild and tumultuous ride opening for Nine Inch Nails"
"Self Destruct" tour, in support of the Industrial
giant's 1994 multi-platinum epic, The Downward Spiral. The
tour unquestionably did wonders for Marilyn Manson's
popularity, exposing their hysterically industrial sound to
like-minded fans, and it definitely gaves the band credibility
with Trent Reznor backing them.
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Not long
after the closing of 'Self Destruct' tour, Marilyn Manson re-entered
the studio, hell-bent on taking the musical community by
storm. And with Trent Reznor at the helm producing, their
dreams weren't too far fetched. In 1995, Marilyn Manson, under
the guidance of Trent Reznor, released the EP Smells Like
Children, and its very title struck fear into the hearts of
parents everywhere. No one, however, could be prepared for the
popularity of the first major hit that would be spawned by
this seemingly ill-fated work.
As a whole, Smells Like Children was just as raw and primeval
as Portrait of an American Family. The EP, while not a radical
departure from that of their previous effort, dipped even more
into the sample bucket, and brought our great heaping,
handfuls of twisted and eerie resonance.
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The
sounds of children, seemingly being processed through great
meat-processing machines a la Pink Floyd, along with healthy
helpings of heavy bass riffs, distorted vocals, and an
omniscient, ominous presence certainly scared the living shit
out of more than one drug fiend on a bender. Marilyn Manson
took many of their tracks from Portrait and further twisted
and mutilated them until they were downright unrecognizable;
indeed, many of the tracks seemed like completely different
songs. Amplifiers were simply cranked up louder, synthesizers
further worked over, and drums beaten even more mercilessly.
And amidst it all, lead singer Marilyn Manson's unpracticed
voice howled at the top of the din.
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But
tucked away within the depths of the heavily sampled and
downright ghoulish tracks was a true gem. Presumably under the
influence of a great number of hallucinogens and other
assorted pharmaceutical delights, Marilyn Manson picked the
Eurhythmics epic single "Sweet Dreams" as their
first effort at a cover. Surely, neither Marilyn Manson, nor
the musical genius of Trent Reznor, foresaw the absolute
pandemonium that swept the musical community upon the release
of this incredibly dark and ghoulish track. Like wildfire,
Marilyn Manson rocketed up the charts, sweeping the world with
a foreboding and haunting unheard since Alice Cooper's best
days. Quickly establishing themselves on the psyche of a
generation beginning to grow bored with the Grunge movement,
"Sweet Dreams", backed by a phenomenally demonic
video under heavy rotation by MTV and Canada's MuchMusic,
swept North America like an Australian brush fire. People who
had not even heard of Marilyn Manson were instantly fans,
singing along stupidly on their wretched commutes amidst their
dreadfully pathetic lives. Indeed, the gross popularity of the
song, which certainly superceded the band's name and image,
helped the struggling artists establish a greater fan base
before their newly baptized fans realized what the band was
all about. "Sweet Dreams" truly thrust Marilyn
Manson into the spotlight, and became their first accessible
track to the general public. The spine-tingling single
redefined the word "cover", and made Marilyn Manson
an even stronger presence in the public's constantly wandering
eye. Marilyn Manson had officially crossed over into the
mainstream. |

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Riding
the popular wave of "Sweet Dreams", Marilyn Manson
re-entered the studio, once again under the watchful eye of
Trent Reznor, and began work on their second studio album in
as many years. Amongst anarchy, a plethora of drugs, and a
utopian recording environment for even the most depraved
alcoholic and/or drug addict, 1996's Antichrist Superstar was
born. With Reznor again at the helm, his experienced touch was
far more prevalent on the new album. A highly polished and
masterfully produced work, Antichrist Superstar would mark a
new level in Marilyn Manson's blossoming career and evolving
sound. Marilyn Manson had remained true to their heavy,
angst-ridden noise, but made it even further accessible
through catchy lyrics ("We hate love, we love hate!")
and smooth transitions and melodies. While still holding true
to their fury and vigor, Marilyn Manson managed to take their
music to the next level, packing a one-two punch that stunned
the most ardent fans and literally clobbered the unsuspecting.
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But
prevalent among the all-consuming madness that was Marilyn
Manson was an undeniably highly polished and professional
sound. The heavy use of samples previously favoured by the
band had given way to more artistically arranged guitars and
definitive, booming percussion. Rather than simply battering
the listener with a wall of sound, Marilyn Manson frequently
broke into melodic interludes ("Prick your finger it is
done / The moon has now eclipsed the sun / the angel has
spread it's wings / the time has come for better things.")
Smooth openings to still dark and foreboding tracks further
marked Marilyn Manson's musical evolution. As opposed to
simply cranking up the amps and spewing out a song, Marilyn
Manson now eased the listener into its new tunes. Likewise,
lead singer Marilyn Manson's voice had also improved. Whilst
still maintaining all the anger and vitriol of a rabid dog,
Manson wooed his fans into controversy, rather than simply
grabbing them by the hair and forcing them into it. In fact,
controversial lyrics were no longer abundant in Marilyn
Manson's music, but they were a staple. Claiming to be an
"Antichrist Superstar," Marilyn Manson certainly
wasn't shying away from hullabaloo. Continuing to explore the
standard topics of drugs, sex, and abortion, Marilyn Manson
also began attacking organized religion and especially
Christianity, with all the zeal and fervor of a Baptist
minister in Louisiana. The band's distaste for Christianity
was not downplayed at all, and their music, interviews, and
stage show made this very evident.
Controversy aside, Marilyn Manson had graduated from an
arranged marriage of anger and politics to a harmonious
wedding of political statements and good old-fashioned rock
and roll.
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And
through it all, Marilyn Manson began to introduce the
tried, tested, and true idea of a continuous theme to an
album. Lead vocalist and mastermind behind the band,
Marilyn Manson himself had become widely known as the
Reverend Marilyn Manson, and Antichrist Superstar
reverberated with the theme of Marilyn Manson as an
actual Antichrist, at the forefront of a social
evolution. And as society evolved, so did the Reverend,
transforming from a "worm" into a
"superstar." Marked with the theme of personal
evolution, Antichrist Superstar followed the
quite-literal evolution of a nobody to a somebody; the
very chrysalis of a misfit into a popular and famous
figurehead in modern society.
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Although
undoubtedly heavier than that of typical singles on the
air at the time, the first single from Antichrist
Superstar, "The Beautiful People", quickly
gained heavy rotation from radio stations and video music
channels alike. Backed yet again by an ingenious video,
Marilyn Manson stunned the unsuspecting musical world by
presenting yet another indisputably admirable song. No
longer was Marilyn Manson simply an upstart stepchild in
the music community; they had stepped up and become
full-fledged rock stars. Riding the crest of their wave of
popularity, Marilyn Manson continued to release successful
singles, including "Tourniquet" and "Man
That You Fear", again coupled with innovative videos
to further imprint the bands presence on the public's mind.
Although Marilyn Manson had certainly become controversial,
a credo of the band, a true music critic had to admit
their sound was evolving to a new level with each and
every ambitious single and album they released.
Marilyn Manson quickly embarked on a tour in support of
Antichrist Superstar, now headlining the shows rather than
playing the supporting role. Knowing full-well the general
public's pathetically short attention span, Marilyn Manson
viciously attacked arenas around the globe with an awesome
stage presence and deafening sound that reverberated
throughout public opinion. Marked by indecent exposure,
raucous on-stage activities (including oral sex, cleansing
one's ass with flags, and countless destroyed bibles),
picketing religious groups, and several show cancellations,
Marilyn Manson toured to the fullest extent, living the
very life they preached on their latest album.
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After
less than a year of touring, Marilyn Manson, the band and
the Reverend, entered into a tumultuous time in their
career. Due to the publication of Manson's biography
"The Long Hard Road Out of Hell", Trent Reznor, who had
supported and nurtured the band for so long, and Marilyn
Manson himself had a parting of the ways. No longer seeing
eye-to-eye with Reznor, Marilyn Manson underwent several
personnel and geographical changes, and ended up in
Tinseltown - Los Angeles, California. After appropriately
living the life of rock stars and settling into a new
mansion in Hollywood, core members lead singer Marilyn
Manson and lead guitarist/bassist Twiggy Ramirez began
work on their third studio album, undoubtedly under the (heavy)
influence of further stimulants. No longer under the
guidance of Trent Reznor, Marilyn Manson experimented with
all-new sounds and music, and after several months of
writing and recording, they released 1998's Mechanical
Animals. Marked by heavy electronica and an undeniably
confusing theme combining science fiction and Glam,
Marilyn Manson's sound had undergone yet another radical
catharsis, adopting a whole new vibe. While still heavy
and crunchy, Marilyn Manson was no longer as pissed off,
but suddenly filled with a melancholic dread. And though
still dark and haunting, their tracks were now tinged with
a hint of sadness and despair. Marilyn Manson certainly
didn't depart from their favourite topics of drugs and
delusion, but the themes had evolved into a war that had
been lost, rather than a war that must be fought at all
costs. The Reverend Marilyn Manson himself shed his
persona of a Satanist, and instead adopted the androgynous
image of "Omega", leader of the futuristic
Mechanical Animals. A negative theme still reverberated
throughout the album, but Marilyn Manson's melodies had
obviously evolved. Lead singer Marilyn Manson's vocals
became more pronounced and filled with longing and emotion.
Long-time band mate Twiggy Ramirez's guitar riffs also
came more to the front of the tracks, especially evidenced
on the hit single "The Dope Show."
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Indeed,
Mechanical Animals exceptionally polished sound was a
far cry from that of the in-your-face sound of Portrait
of an American Family. The ambitious samples so favoured
by the band in the past were completely gone, replaced
by continually distorted vocals, sound guitar
arrangements, and subtle bass-beats. Marilyn Manson was
no longer content to be the darling hard rock band of
the moment; it was evident they ambitiously wanted to
push the very musical envelope to its absolute limit.
However, Marilyn Manson's newfound rock-star status
seemed to go to their heads too much, and many hard-core
fans were quick to dismiss the new androgynous, public
ass-bearing musicians. Mechanical Animals was such a
radical departure from Antichrist Superstar that Marilyn
Manson actually alienated many fans of the genre.
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Despite a seemingly downward
turn in their popularity, the band once again embarked on the road to tour in
support of their third album. Marred by continuous cancellations all over the
world, the "Rock Is Dead" tour went horribly wrong. Disaster truly
struck, however, with the Columbine High School killings in Littleton, Colorado,
in the spring of 1999. The media erroneously pegged Marilyn Manson, the band and
vocalist, as major contributors to the wayward thoughts and rage of
teens-turned-killers Dylan Klebold and Eric Harris. The controversy and pointed
fingers simply became too much for vocalist Marilyn Manson, and with their tour
already going badly, the band cancelled their remaining dates and their lead
vocalist went into self-imposed exile.
After holing up in his private home for just shy of a year, lead singer Marilyn
Manson worked ceaselessly on the band's fourth album, rarely taking a break and
definitely avoiding the public eye. Although certainly not afraid of controversy,
Manson was deeply wounded by the erroneous accusations from the media and public
that he and his band had somehow contributed to the tragedy that was Columbine.
This pain and suffering added greatly to the new tracks and arrangements Manson
was furiously working on. Even more embittered and pissed off, yet far more
experienced musically, Manson wrote track after track in preparation for their
next commercial release. Still "separated" from Trent Reznor, Marilyn
Manson once again entered the studio to record their next album, 2000's
ambitiously titled Holy Wood (in the shadow of the valley death), with vocalist
Manson now taking the reigns of production.
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With
Holy Wood, Marilyn Manson disposed of their Glam image
as quickly as they had adopted it, and returned to the
sound and vibe that had brought them so much success
with Antichrist Superstar. Discarding the heavy use of
electronica so favoured on Mechanical Animals, Holy Wood
was a return to the simple, yet highly polished, use of
heavy guitars, steady bass beats, and furious lyrics.
Vocalist Marilyn Manson's voice had continued to evolve,
though it still retained the edge so vital to their
music. Twiggy Ramirez and newly acquired guitarist John5
laid down the bass and guitar rhythms crisply and
cleanly. And phenomenal use of keyboards and loops,
always prevalent in the band's music, kept on coming
from Madonna Wayne Gacy. The first several singles,
"The Fight Song" and "Disposable Teens,"
certainly brought backs fans of "The Beautiful
People" from Antichrist Superstar. Edgy, powerful,
and laced with more catchy/controversial lyrics
("I'm not a slave / to a god / that doesn't exist"),
Holy Wood certainly brought back the sound that made
Marilyn Manson so successful in the first place.
Vocalist Marilyn Manson certainly used his time wisely
when writing the album, as it packed and impressive
nineteen tracks, making it a virtual double-album and a
great buy for the frugal Industrialist.
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Marilyn
Manson's music is an ever-changing beast. Much like a
monsoon, their musical direction, while powerful and
unyielding, changes direction continuously and
unpredictably. One can't deny, however, that their prowess
as musicians continues to improve, the inevitable result
of experience gained and insights achieved. Experience
certainly seems to be the best teacher for the band, and
if it has taught them anything, it has certainly taught
them resiliency. Despite the hoopla and anarchy that
continuously surrounds Marilyn Manson, they have remained
true to the roots of rock 'n roll: play hard, play loud,
make a scene while doing so, and damn the consequences.
Recently and finally this is what Manson declared
with Bassist Twiggy Ramirez departure from the
band :
“I
have spent eight months transforming this band and our new
songs into an unstoppable juggernaut, and sadly Twiggy
wasn’t able to make himself a part of it,” says Manson.
“Unfortunately, I feel that Marilyn Manson, as a
lifestyle, is not where his heart is. So I have decided to
let him go his own way, otherwise it wouldn’t be fair to
us, the music, or especially to the fans. Although you can
never replace a best friend like Twiggy, this album and
new lineup will redefine anyone’s idea of what Marilyn
Manson is capable of.” posted 5/29/2002 U.S.A.
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courtesy
from www.sickamongthepure.com
written
by Sara C. Wagoner
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