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=>  Mechanical Animals era


 

Symbol:

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Lyric

"She's got eyes like Zapruder 
And a mouth like heroin 
She wants me to be 
Perfect like Kennedy"

=>POSTHUMAN

 

 
We can directly feel (inspirations)

-David Bowie (Ziggy stardust and Space Oddity...mainly)

-Los Angeles (the drug capital of the world...)

-The idea that Love can be possible

-Earth, Alien-ation, Space...

-Gary Numan.

 

 

 

 

 

 

There is an exit here

 www.davidlynch.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This page relates the sequence of events which have leaded to create and achieve to the top, the Marilyn Manson's persona and co.

Hi-story

Various Illustrations

 

 

In the early '90s, popular music was in a state of radical flux. '80s arena titans like Motley Crue and Def Leppard's popularity were decidedly in a downward spiral, while Seattle had opened it's artistic womb and given birth to the radical movement that was known as Grunge, readily showcasing future superstars like Nirvana and Pearl Jam. With its raw sound, jarring feedback, and flannel shirts, Grunge was quickly embraced by a generation starved for fresh blood on the music scene. The power ballad was well worn, and the disastrously long affair with hair-metal was coming to an end. Grunge swept North America, and not long after, the world, with powerful statements, riffs, and a decidedly "don't give a damn" attitude. Teens ravenous for fresh tunes were quick to embrace Kurt Cobain as the Godfather of Grunge, and happily embraced legions of artists such as Alice In Chains, Mudhoney, and Temple of the Dog, to name but a few. As the Grunge movement continued into the mid-90s, hair-metal quickly became a distant memory.

 

 

 

 

By crashing the gates of conformity, Grunge also opened the doors for more radical genres of music, such as Industrial. Al Jourgenson's Ministry gained more public acceptance and the German-born Sascha Konietzko's long-nurtured KMFDM definitely garnered a greater notoriety. Most definitely at the forefront of the Industrial revolution, however, was Trent Reznor's Nine Inch Nails. Nine Inch Nails mixed angst-ridden lyrics and furiously sampled drums and guitars with an awesome stage-show that few could replicate. And into this musical and social bedlam was born Reznor's illegitimate sons, Marilyn Manson.

 

Marilyn Manson's rise to fame was fairly quick, considering their relative lack of experience on the club-scene. However, the band struggled to gain acceptance in a generation literally transfixed and greatly enamored with the Grunge sound. Marilyn Manson's first commercial release, 1994's Portrait of an American Family, did not initially gain the notoriety and public attention Marilyn Manson so desperately sought. The raw, visceral sound, coupled with copious helpings of violent, angst-ridden samples, did not jive well with fans of the popular Grunge movement.

Raucous, almost cartoonish lyrics, samples, and raw guitars made Marilyn Manson's statement on the state of the world painfully obvious: "I hate therefore I am / Goddamn your righteous hand." Packed with controversial innuendos such as these, Portrait of an American Family did, however, made Industrial music more accessible to the wayward souls seemingly forgotten by the popular music scene. The so-called Goths and losers suddenly had a champion to their anarchistic views on the blights of society, and they readily embraced vocalist Marilyn Manson as their "Reverend." Portrait's lyrics left no controversial stone unturned. With happy little ditty's like "Dope Hat" and "Get Your Gunn", Marilyn Manson wailed to his legions of growing fans, "the housewife I will beat / the pro-life I will kill" and "I throw a little fit / I slit my teenage wrists." In Marilyn Manson's opinion, "pseudo morals work real well / on the talk-shows for the week."

 

It is highly evident, even to the untrained ear, that Portrait of an American Family did not receive a great deal of funding and/or attention from Nothing Records, although company founder Trent Reznor had signed and fully supported the upstart musicians. Weak arrangements and a ridiculous amount of samples and outtakes simply didn't make the band palatable for the general public. Nevertheless, even with lyrics riddled with an abundance of drugs, violence, and repression, Marilyn Manson managed to take tired concepts to new heights. Indeed, Marilyn Manson, and their swaggering, bloated attitude, were definitely on the scene, and they were beginning to cause quite a ruckus.
Marilyn Manson's ghoulish presence, movie-star/serial killer alter egos, and theatrical stage presence did not exactly rocket them to the top of Billboard's charts. Despite the underground popularity of the singles "Lunchbox" and "Get Your Gunn," Marilyn Manson had yet to really break into the charts. This didn't stop their discoverer, Trent Reznor, from bringing his recently signed prodigy along for a wild and tumultuous ride opening for Nine Inch Nails" "Self Destruct" tour, in support of the Industrial giant's 1994 multi-platinum epic, The Downward Spiral. The tour unquestionably did wonders for Marilyn Manson's popularity, exposing their hysterically industrial sound to like-minded fans, and it definitely gaves the band credibility with Trent Reznor backing them.

 
Not long after the closing of 'Self Destruct' tour, Marilyn Manson re-entered the studio, hell-bent on taking the musical community by storm. And with Trent Reznor at the helm producing, their dreams weren't too far fetched. In 1995, Marilyn Manson, under the guidance of Trent Reznor, released the EP Smells Like Children, and its very title struck fear into the hearts of parents everywhere. No one, however, could be prepared for the popularity of the first major hit that would be spawned by this seemingly ill-fated work.
As a whole, Smells Like Children was just as raw and primeval as Portrait of an American Family. The EP, while not a radical departure from that of their previous effort, dipped even more into the sample bucket, and brought our great heaping, handfuls of twisted and eerie resonance.

 

The sounds of children, seemingly being processed through great meat-processing machines a la Pink Floyd, along with healthy helpings of heavy bass riffs, distorted vocals, and an omniscient, ominous presence certainly scared the living shit out of more than one drug fiend on a bender. Marilyn Manson took many of their tracks from Portrait and further twisted and mutilated them until they were downright unrecognizable; indeed, many of the tracks seemed like completely different songs. Amplifiers were simply cranked up louder, synthesizers further worked over, and drums beaten even more mercilessly. And amidst it all, lead singer Marilyn Manson's unpracticed voice howled at the top of the din.

 

But tucked away within the depths of the heavily sampled and downright ghoulish tracks was a true gem. Presumably under the influence of a great number of hallucinogens and other assorted pharmaceutical delights, Marilyn Manson picked the Eurhythmics epic single "Sweet Dreams" as their first effort at a cover. Surely, neither Marilyn Manson, nor the musical genius of Trent Reznor, foresaw the absolute pandemonium that swept the musical community upon the release of this incredibly dark and ghoulish track. Like wildfire, Marilyn Manson rocketed up the charts, sweeping the world with a foreboding and haunting unheard since Alice Cooper's best days. Quickly establishing themselves on the psyche of a generation beginning to grow bored with the Grunge movement, "Sweet Dreams", backed by a phenomenally demonic video under heavy rotation by MTV and Canada's MuchMusic, swept North America like an Australian brush fire. People who had not even heard of Marilyn Manson were instantly fans, singing along stupidly on their wretched commutes amidst their dreadfully pathetic lives. Indeed, the gross popularity of the song, which certainly superceded the band's name and image, helped the struggling artists establish a greater fan base before their newly baptized fans realized what the band was all about. "Sweet Dreams" truly thrust Marilyn Manson into the spotlight, and became their first accessible track to the general public. The spine-tingling single redefined the word "cover", and made Marilyn Manson an even stronger presence in the public's constantly wandering eye. Marilyn Manson had officially crossed over into the mainstream.

 
Riding the popular wave of "Sweet Dreams", Marilyn Manson re-entered the studio, once again under the watchful eye of Trent Reznor, and began work on their second studio album in as many years. Amongst anarchy, a plethora of drugs, and a utopian recording environment for even the most depraved alcoholic and/or drug addict, 1996's Antichrist Superstar was born. With Reznor again at the helm, his experienced touch was far more prevalent on the new album. A highly polished and masterfully produced work, Antichrist Superstar would mark a new level in Marilyn Manson's blossoming career and evolving sound. Marilyn Manson had remained true to their heavy, angst-ridden noise, but made it even further accessible through catchy lyrics ("We hate love, we love hate!") and smooth transitions and melodies. While still holding true to their fury and vigor, Marilyn Manson managed to take their music to the next level, packing a one-two punch that stunned the most ardent fans and literally clobbered the unsuspecting.

But prevalent among the all-consuming madness that was Marilyn Manson was an undeniably highly polished and professional sound. The heavy use of samples previously favoured by the band had given way to more artistically arranged guitars and definitive, booming percussion. Rather than simply battering the listener with a wall of sound, Marilyn Manson frequently broke into melodic interludes ("Prick your finger it is done / The moon has now eclipsed the sun / the angel has spread it's wings / the time has come for better things.") Smooth openings to still dark and foreboding tracks further marked Marilyn Manson's musical evolution. As opposed to simply cranking up the amps and spewing out a song, Marilyn Manson now eased the listener into its new tunes. Likewise, lead singer Marilyn Manson's voice had also improved. Whilst still maintaining all the anger and vitriol of a rabid dog, Manson wooed his fans into controversy, rather than simply grabbing them by the hair and forcing them into it. In fact, controversial lyrics were no longer abundant in Marilyn Manson's music, but they were a staple. Claiming to be an "Antichrist Superstar," Marilyn Manson certainly wasn't shying away from hullabaloo. Continuing to explore the standard topics of drugs, sex, and abortion, Marilyn Manson also began attacking organized religion and especially Christianity, with all the zeal and fervor of a Baptist minister in Louisiana. The band's distaste for Christianity was not downplayed at all, and their music, interviews, and stage show made this very evident.
Controversy aside, Marilyn Manson had graduated from an arranged marriage of anger and politics to a harmonious wedding of political statements and good old-fashioned rock and roll.  

And through it all, Marilyn Manson began to introduce the tried, tested, and true idea of a continuous theme to an album. Lead vocalist and mastermind behind the band, Marilyn Manson himself had become widely known as the Reverend Marilyn Manson, and Antichrist Superstar reverberated with the theme of Marilyn Manson as an actual Antichrist, at the forefront of a social evolution. And as society evolved, so did the Reverend, transforming from a "worm" into a "superstar." Marked with the theme of personal evolution, Antichrist Superstar followed the quite-literal evolution of a nobody to a somebody; the very chrysalis of a misfit into a popular and famous figurehead in modern society.

                   

 
Although undoubtedly heavier than that of typical singles on the air at the time, the first single from Antichrist Superstar, "The Beautiful People", quickly gained heavy rotation from radio stations and video music channels alike. Backed yet again by an ingenious video, Marilyn Manson stunned the unsuspecting musical world by presenting yet another indisputably admirable song. No longer was Marilyn Manson simply an upstart stepchild in the music community; they had stepped up and become full-fledged rock stars. Riding the crest of their wave of popularity, Marilyn Manson continued to release successful singles, including "Tourniquet" and "Man That You Fear", again coupled with innovative videos to further imprint the bands presence on the public's mind. Although Marilyn Manson had certainly become controversial, a credo of the band, a true music critic had to admit their sound was evolving to a new level with each and every ambitious single and album they released.


Marilyn Manson quickly embarked on a tour in support of Antichrist Superstar, now headlining the shows rather than playing the supporting role. Knowing full-well the general public's pathetically short attention span, Marilyn Manson viciously attacked arenas around the globe with an awesome stage presence and deafening sound that reverberated throughout public opinion. Marked by indecent exposure, raucous on-stage activities (including oral sex, cleansing one's ass with flags, and countless destroyed bibles), picketing religious groups, and several show cancellations, Marilyn Manson toured to the fullest extent, living the very life they preached on their latest album.

After less than a year of touring, Marilyn Manson, the band and the Reverend, entered into a tumultuous time in their career. Due to the publication of Manson's biography "The Long Hard Road Out of Hell", Trent Reznor, who had supported and nurtured the band for so long, and Marilyn Manson himself had a parting of the ways. No longer seeing eye-to-eye with Reznor, Marilyn Manson underwent several personnel and geographical changes, and ended up in Tinseltown - Los Angeles, California. After appropriately living the life of rock stars and settling into a new mansion in Hollywood, core members lead singer Marilyn Manson and lead guitarist/bassist Twiggy Ramirez began work on their third studio album, undoubtedly under the (heavy) influence of further stimulants. No longer under the guidance of Trent Reznor, Marilyn Manson experimented with all-new sounds and music, and after several months of writing and recording, they released 1998's Mechanical Animals. Marked by heavy electronica and an undeniably confusing theme combining science fiction and Glam, Marilyn Manson's sound had undergone yet another radical catharsis, adopting a whole new vibe. While still heavy and crunchy, Marilyn Manson was no longer as pissed off, but suddenly filled with a melancholic dread. And though still dark and haunting, their tracks were now tinged with a hint of sadness and despair. Marilyn Manson certainly didn't depart from their favourite topics of drugs and delusion, but the themes had evolved into a war that had been lost, rather than a war that must be fought at all costs. The Reverend Marilyn Manson himself shed his persona of a Satanist, and instead adopted the androgynous image of "Omega", leader of the futuristic Mechanical Animals. A negative theme still reverberated throughout the album, but Marilyn Manson's melodies had obviously evolved. Lead singer Marilyn Manson's vocals became more pronounced and filled with longing and emotion. Long-time band mate Twiggy Ramirez's guitar riffs also came more to the front of the tracks, especially evidenced on the hit single "The Dope Show."

Indeed, Mechanical Animals exceptionally polished sound was a far cry from that of the in-your-face sound of Portrait of an American Family. The ambitious samples so favoured by the band in the past were completely gone, replaced by continually distorted vocals, sound guitar arrangements, and subtle bass-beats. Marilyn Manson was no longer content to be the darling hard rock band of the moment; it was evident they ambitiously wanted to push the very musical envelope to its absolute limit. However, Marilyn Manson's newfound rock-star status seemed to go to their heads too much, and many hard-core fans were quick to dismiss the new androgynous, public ass-bearing musicians. Mechanical Animals was such a radical departure from Antichrist Superstar that Marilyn Manson actually alienated many fans of the genre.
 
Despite a seemingly downward turn in their popularity, the band once again embarked on the road to tour in support of their third album. Marred by continuous cancellations all over the world, the "Rock Is Dead" tour went horribly wrong. Disaster truly struck, however, with the Columbine High School killings in Littleton, Colorado, in the spring of 1999. The media erroneously pegged Marilyn Manson, the band and vocalist, as major contributors to the wayward thoughts and rage of teens-turned-killers Dylan Klebold and Eric Harris. The controversy and pointed fingers simply became too much for vocalist Marilyn Manson, and with their tour already going badly, the band cancelled their remaining dates and their lead vocalist went into self-imposed exile.
After holing up in his private home for just shy of a year, lead singer Marilyn Manson worked ceaselessly on the band's fourth album, rarely taking a break and definitely avoiding the public eye. Although certainly not afraid of controversy, Manson was deeply wounded by the erroneous accusations from the media and public that he and his band had somehow contributed to the tragedy that was Columbine. This pain and suffering added greatly to the new tracks and arrangements Manson was furiously working on. Even more embittered and pissed off, yet far more experienced musically, Manson wrote track after track in preparation for their next commercial release. Still "separated" from Trent Reznor, Marilyn Manson once again entered the studio to record their next album, 2000's ambitiously titled Holy Wood (in the shadow of the valley death), with vocalist Manson now taking the reigns of production.
With Holy Wood, Marilyn Manson disposed of their Glam image as quickly as they had adopted it, and returned to the sound and vibe that had brought them so much success with Antichrist Superstar. Discarding the heavy use of electronica so favoured on Mechanical Animals, Holy Wood was a return to the simple, yet highly polished, use of heavy guitars, steady bass beats, and furious lyrics. Vocalist Marilyn Manson's voice had continued to evolve, though it still retained the edge so vital to their music. Twiggy Ramirez and newly acquired guitarist John5 laid down the bass and guitar rhythms crisply and cleanly. And phenomenal use of keyboards and loops, always prevalent in the band's music, kept on coming from Madonna Wayne Gacy. The first several singles, "The Fight Song" and "Disposable Teens," certainly brought backs fans of "The Beautiful People" from Antichrist Superstar. Edgy, powerful, and laced with more catchy/controversial lyrics ("I'm not a slave / to a god / that doesn't exist"), Holy Wood certainly brought back the sound that made Marilyn Manson so successful in the first place. Vocalist Marilyn Manson certainly used his time wisely when writing the album, as it packed and impressive nineteen tracks, making it a virtual double-album and a great buy for the frugal Industrialist.

 

 

Marilyn Manson's music is an ever-changing beast. Much like a monsoon, their musical direction, while powerful and unyielding, changes direction continuously and unpredictably. One can't deny, however, that their prowess as musicians continues to improve, the inevitable result of experience gained and insights achieved. Experience certainly seems to be the best teacher for the band, and if it has taught them anything, it has certainly taught them resiliency. Despite the hoopla and anarchy that continuously surrounds Marilyn Manson, they have remained true to the roots of rock 'n roll: play hard, play loud, make a scene while doing so, and damn the consequences.  

Recently and finally this is what Manson declared with Bassist Twiggy Ramirez  departure from  the band :

 “I have spent eight months transforming this band and our new songs into an unstoppable juggernaut, and sadly Twiggy wasn’t able to make himself a part of it,” says Manson. “Unfortunately, I feel that Marilyn Manson, as a lifestyle, is not where his heart is. So I have decided to let him go his own way, otherwise it wouldn’t be fair to us, the music, or especially to the fans. Although you can never replace a best friend like Twiggy, this album and new lineup will redefine anyone’s idea of what Marilyn Manson is capable of.”  posted 5/29/2002 U.S.A.

 

 

courtesy from www.sickamongthepure.com    written by Sara C. Wagoner

 


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