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Site created and developed by:

@ The Mata Mata Gang
Planet Earth, 1998
The Resources XG Voices Factory Set Preset Voices Dance Dance Machine Hit Factory Orchestra Pads & Analog Power Generator Public Rave Style SFX Synsations Synth Heaven Trippy Vintage World Music X-Tasy
Last update on:
02/05/02
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[ Up ] [ XG Voices ] [ Factory Set ] [ Preset Voices ] [ Dance ] [ Dance Machine ] [ Hit Factory ] [ Orchestra ] [ Pads & Analog ] [ Power Generator ] [ Public ] [ Rave Style ] [ SFX ] [ Synsations ] [ Synth Heaven ] [ Trippy ] [ Vintage ] [ World Music ] [ X-Tasy ]

| No. | Voice Name | El | Cat | Mode | Variation | Comment
| 001 | Aurora | 3 | Pd | POLY | Phaser 1 | Pad voice with fantastical sound change
| 002 | Tri Pad | 2 | Pd | POLY | CrossDelay | Simple, transparent pad
| 003 | Expander | 3 | Pd | POLY | 2 Band EQ | Classic analog-polosynth pad
| 004 | DancePulse | 2 | Pd | POLY | Celeste 4 | Simple dance-music pad
| 005 | Rezzy | 2 | Pd | POLY | Symphonic | Simple resonant sawtooth-wave pad
| 006 | Pulse Wmod | 2 | Pd | POLY | 3 Band EQ | Simple pulsed pad
| 007 | Seq Saw1 | 1 | Ba | POLY | 3 Band EQ | Simple synth bass; sawtooth waveform
| 008 | Seq Saw2 | 1 | Ba | POLY | 2 Band EQ | Classic sawtooth-based synth bass
| 009 | Seq Pulse | 1 | Ba | POLY | 3 Band EQ | Classic square-wave-based synth bass
| 010 | Seq+Sin-MW | 2 | Ba | POLY | 3 Band EQ | Synth bass with control from MW
| 011 | Pulse25 | 1 | Ba | MONO | 3 Band EQ | Synth bass based on Pulse25 waveform
| 012 | Amped | 2 | Ba | POLY | 3 Band EQ | Amplified picked bass
| 013 | Crawl | 1 | Ba | POLY | 3 Band EQ | Electric bass with warm attack & reverb
| 014 | These Days | 3 | Ba | POLY | Delay L,R | Electric bass with slow delay
| 015 | Precision | 2 | Ba | POLY | 2 Band EQ | Fingered bass with warm reverb
| 016 | HvyWeather | 3 | Ba | POLY | DelayL,C,R | Reverberant fretless bass
| 017 | Harmo Lead | 2 | Ba | POLY | 3 Band EQ | Bass harmonics; good as solo lead
| 018 | Opus | 3 | Fx | POLY | CrossDelay | Sharp, jumpy, spacy FX synth voice
| 019 | Light&Body | 3 | Fx | POLY | Delay L,R | Looping synth sound with portamento
| 020 | Sprite | 3 | Fx | POLY | 2 Band EQ | Vibrant, refreshing FX voice
| 021 | Sanctuary | 4 | Fx | POLY | Celeste 4 | Chorus with mysterious format changes
| 022 | Eerie | 2 | Fx | POLY | Celeste 1 | Synth sound with looping filter change
| 023 | Slow Morph | 3 | Fx | POLY | CrossDelay | Changes slowly from pad to choir
| 024 | Heli Drone | 3 | Fx | POLY | CrossDelay | Thunderous synth FX
| 025 | Ambient-AT | 1 | Fx | POLY | Flanger 3 | Strong filter sweep&aftertouch pitchbend
| 026 | Sub Oscltr | 2 | Br | POLY | Celeste 4 | Powerful analog-polosynth brass
| 027 | Obie Soft | 1 | Br | POLY | 2 Band EQ | Fat analog-synth brass, gentle attack
| 028 | Dance Saw | 2 | Br | POLY | CrossDelay | Simple analog-synth brass; sawtooth wavef.
| 029 | Brother | 2 | Br | POLY | 3 Band EQ | Straight powerful acoustic brass section
| 030 | Sforzando | 2 | Br | POLY | 2 Band EQ | Changes character as envelope develops
| 031 | HrnSect ff | 4 | Br | POLY | 2 Band EQ | Orchestra horn section
| 032 | Big Ens | 3 | Br | POLY | Rev Stage1 | Orchestral brass in large hall
| 033 | Tijuana | 3 | Br | POLY | 2 Band EQ | Live brass section, with mild reverb
| 034 | Miles Away | 1 | Br | POLY | DelayL,C,R | Muted trumpet with clear attack
| 035 | Back Horns | 2 | Br | POLY | 2 Band EQ | Horn section; mild reverb
| 036 | Shining | 2 | Se | POLY | Delay L,R | Hold down for explosive SE
| 037 | Robo Chat | 2 | Se | POLY | CrossDelay | Robot conversation
| 038 | Dance SE | 1 | Se | POLY | Phaser 1 | Violent looping sound with LFO-oscillation
| 039 | S&H303 | 1 | Se | POLY | Flanger 3 | Based on LFO S&H wf. Aftertouch = pitch
| 040 | Devil Bell | 2 | Se | POLY | Delay L,R | Continuous tubler bell
| 041 | Rez Set4 | 4 | Se | POLY | 2 Band EQ | Split voice: four resonant SEs
| 042 | Compact | 2 | Or | POLY | Rotary Sp. | Simulation of vintage organ
| 043 | PhaseOrgan | 2 | Or | POLY | Phaser 1 | Organ, with gentle phaser effect
| 044 | Door | 3 | Or | POLY | 2 Band EQ | Vox organ; very distinctive in high regs.
| 045 | Principal | 4 | Or | POLY | Rev Hall 1 | Sounds like small street organ
| 046 | Theatr Org | 1 | Or | POLY | Rotary Sp. | Electric organ in wide hall
| 047 | Sixties | 3 | Or | POLY | 3 Band EQ | Organ with 60s feel
| 048 | DistHamOrg | 3 | Or | POLY | G-Amp.Sim. | Warm distortion organ
| 049 | Click Jazz | 3 | Or | POLY | Rotary Sp. | Jazzy organ with clicking attack
| 050 | Gospel | 2 | Or | POLY | Rotary Sp. | Refined, laid-back organ, good for gospel
| 051 | Tango | 2 | Or | POLY | 2 Band EQ | Accordion; good tango accompaniment
| 052 | Musette | 3 | Or | POLY | 2 Band EQ | Accordion with distinctive Euro-acoustics
| 053 | Jan | 1 | Ld | MONO | Phaser 1 | Synth lead; resonance changes with touch
| 054 | Thick | 1 | Ld | POLY | Delay L,R | Synth lead with fat attack and portamento
| 055 | Saw Horn | 1 | Ld | POLY | Delay L,R | Thick versatile synth lead (sawtooth wvfm)
| 056 | Plucky | 1 | Ld | MONO | Delay L,R | Light and versatile synth lead (pulsed wf)
| 057 | Pure Sine | 2 | Ld | MONO | DelayL,C,R | Simple synth lead (sine wave)
| 058 | Pure Tri | 2 | Ld | MONO | CrossDelay | Simple synth lead (triangular waveform)
| 059 | Scat Line | 2 | Ld | POLY | Phaser 1 | Synth lead with mixed-in vocal elements
| 060 | Glass Cut | 2 | Sc | POLY | Symphonic | Versatile synth voice for backing & leads
| 061 | Syn Clavi | 1 | Sc | POLY | Phaser 1 | Resonant synth clavi., based on pulsed wv.
| 062 | SeqQoirVel | 1 | Sc | POLY | Phaser 1 | Feat. mixed-in vocal elements & filter ch.
| 063 | Vocoder | 2 | En | POLY | Symphonic | Vocoder simulation
| 064 | Reso Choir | 2 | En | POLY | CrossDelay | Synth chorus with resonant filter changes
| 065 | Tron Choir | 2 | En | POLY | 2 Band EQ | Synth chorus; low-fi Melotron simulation
| 066 | HybriCHoir | 2 | En | POLY | DelayL,C,R | Hybrid Synth chorus: synth plus chorus
| 067 | Dance Pno2 | 2 | Pf | POLY | Rev Room 1 | Hard piano; good for dance music
| 068 | CheapDance | 2 | Pf | POLY | 2 Band EQ | Cheaper hard dance-music piano
| 069 | Hard | 2 | Pf | POLY | 2 Band EQ | Bright hard piano with clear attack
| 070 | Wire Piano | 2 | Pf | POLY | 2 Band EQ | Piano with harpsichord-like attack
| 071 | Rock | 2 | Pf | POLY | 2 Band EQ | Hard piano with limited touch response
| 072 | CP80Chorus | 1 | Pf | POLY | Celeste 4 | Yamaha CP80 electric piano, with chorus
| 073 | CP80 Heavy | 1 | Pf | POLY | 3 Band EQ | CP80 shifted 1 octave down for heavy feel
| 074 | Jazzy CP70 | 2 | Pf | POLY | Auto PAN | Light, jazzy Yamaha CP electric piano
| 075 | Wurlitz | 2 | Pf | POLY | 3 Band EQ | Simulated Wurlitzer vintage el.piano
| 076 | PanWurlitz | 2 | Pf | POLY | Tremolo | Simulated Wurlitzer el.piano with tremolo
| 077 | Digi Roads | 2 | Pf | POLY | 2 Band EQ | Simulated el.piano with digi-wave attack
| 078 | PhaseRoads | 1 | Pf | POLY | Phaser 1 | Simulated el.piano with phaser effect
| 079 | Panning EP | 1 | Pf | POLY | Auto PAN | Another simulated el.piano, with autopan
| 080 | Noisy Clav | 2 | Pf | POLY | Phaser 1 | Highly distinctive synth clavi, noisy at.
| 081 | 70thClavnt | 2 | Pf | POLY | 3 Band EQ | Wowwy clavi., the resonance with touch
| 082 | Cembalo | 2 | Pf | POLY | 2 Band EQ | Large cembalo sound
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