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ZOOROPA |
DATE
1993 |
LENGTH
50:09 MINUTES |
LABEL
POLYGRAM |
PRODUCER
FLOOD & THE EDGE |
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Following up their
earthshaking "Achtung
Baby," "Zooropa"
further embellishes the new model
U2. These are the superstars,
after all, who audaciously
reinvented themselves on their
ninth album exchanging chiming
guitar for funkier riffing and
dense, hip-hop-meets-industrial
production, unrestrained wailing
for insinuating talk-singing,
fever for a bubbling heat.
"Zooropa," their 10th
outing, emphasizes the shift:
Instead of the mythic,
desert-landscape cover shot of
"The Joshua Tree"
(1987), there's deconstructed
video imagery; for the desperate
spiritual questing of "I
Still Haven't Found What I'm
Looking For," they
substitute the monochromatic
dead-end musings of
"Numb." They've
found what they weren't looking
for and are trying to learn how
to live with it.
More influenced than ever by
co-producer-conceptualist Brian
Eno, the de facto fifth member
whom U2 first employed on
"The
Unforgettable Fire" (1984),
their music now parallels his in
its pursuit of ambience. But in
contrast to the gentle detachment
of Eno's worldview (a kind of
determined naivete or a brainy
guy's wish for
instinct), theirs now is one of
an alert wariness, suspicion,
threat.
"Lemon," "Daddy's
Gonna Pay for Your Crashed
Car," "Dirty Day"
this is smart, compelling,
daring music that is also very
demanding. With
"The Wanderer" and its
unsurpassable guest vocal by
Johnny Cash, they step back and
let a voice that transcends
contemporary bleakness intone.
It's the man in black speaking in
the tough moral
voice of an Old Testament
prophet. Cash sounds more human
than anything else in the
post-apocalyptic zone of Zooropa,
an echo
chilling in its intimations of
irretrievable loss. (RS 672/73) Copyright ©
1968-1999 Rolling Stone Network.
All Rights Reserved.
u
Not since
the days of David Bowie running
amok in Berlin (or even the
escapades of one John Ono
Lennon, ex-M.B.E.) has a rock
star or group been. So Huge and
done utterly whatever the hell
they wanted to do artistically,
creatively and financially. On
the one hand, Zooropa is as much
a media constellation (tour,
video melange, hype circus,
Bono's gold-lame suit) as it is
another record. But it's also
fascinating musically, with
shadows and echoes of other
Eno-influenced rock milestones
like David Bowie's Low, Talking
Heads' Fear Of Music, or Roxy
Music's first LP looming tall
over
Zooropa's contours. Expecting
lots of easy, vacuous, rousing
anthems for the band to play in
all those humongous soccer
stadiums? Not quite: More than
just a stopgap album to prop up a
tour, it's yet another bona-fide
breakthrough. And what a brave
new world we live in, as Zooropa
unveils a whole new planetscape
of treated sound-except for one
guitar on "Stay (Faraway, So
Close)" there's virtually
nothing here distinguishable as a
conventionally amplified
instrument, as things are
distorted, twisted, reverbed and
sonically disfigured beyond
recognition. Zoo
keepers: "Babyface"
(the most Bowie-esque of the
lot), "Lemon,"
"Some Days Are Better Than
Others" and Johnny Cash's
guest
vocal on "The
Wanderer."
© 1978-1999
College Media, Inc. Used by
permission. All rights reserved.
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stay
(faraway so close ) |
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numb |
zootv: live
in sydney |
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ZOOROPA Zooropa...
Vorsprung durch Technik
Zooropa... be all that you can be
Be a winner
Eat to get slimmer
Zooropa... a bluer kind of white
Zooropa... it could be yours
tonight
We're mild and green
And squeaky clean
Zooropa... better by design
Zooropa... fly the friendly skies
Through appliance of science
We've got that ring of
confidence....
And I have no compass
And I have no map
And I have no reasons
No reasons to get back
And I have no religion
And I don't know what's what
And I don't know the limit
The limit of what we got
Zooropa... don't worry baby.
It'll be alright
Zooropa... you got the right
shoes
Zooropa... to get you through the
night
Zooropa... it's cold outside, but
brightly lit
Zooropa... skip the subway
Zooropa... let's go to the
overground
Get your head out of the mud baby
Put flowers in the mud baby
Overground
No particular place names
No particular song
I've been hiding
What am I hiding from?
Zooropa... don't worry baby. It's
gonna be alright
Zooropa... uncertainty... can be
a guiding light
Zooropa... I hear voices,
ridiculous voices
Zooropa... in the slipstream
Zooropa... let's go, let's go...
overground
Zooropa... take your head out of
the mud baby
(She's gonna dream up the world
she wants to live in
She's gonna dream out loud)
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BABY FACE Catching your
bright blue eyes
In the freeze frame
I've seen them so many times
I feel like I must be your best
friend
You're looking fine, so fine, oh
my,
Dressed up like a lovely day
Babyface, Babyface
Slow down child, let me untie
your lace
Babyface, Babyface
Cover girl with natural grace
How could beauty be so kind
To an ordinary guy?
Coming home late at night
To turn you on
Checking out every frame
I got slow motion on my side
Turning around and around
With the sound and colour
Under my control
Round and around, going down
Dressed up like a lovely day
Babyface, Babyface
Tin foil hair all tied up in lace
Babyface, Babyface
Bitter sweet girl won't you give
me a taste
How could beauty be so kind
To an ordinary guy?
Do do do... etc.
Babyface, Babyface, slow down
child,
Let me untie your lace
Babyface, Babyface,
Open that door
Let me unpack my case
Babyface, Babyface
You're everywhere child
You're all over the place
Babyface, Babyface,
You're coming to me from
outerspace
How could beauty be so kind
To an ordinary guy?
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NUMB Don't move
Don't talk out of time
Don't think
Don't worry everything's just
fine
just fine
Don't grab
Don't clutch
Don't hope for too much
Don't breathe
Don't achieve
Don't grieve without leave
Don't check just balance on the
fence
Don't answer
Don't ask
Don't try and make sense
Don't whisper
Don't talk
Don't run if you can walk
Don't cheat compete
Don't miss the one beat
Don't travel by train
Don't eat
Don't spill
Don't piss in the drain
Don't make a will
Don't fill out any forms
Don't compensate
Don't cower
Don't crawl
Don't come around late
Don't hover at the gate
Don't take it on board
Don't fall on your sword (FAT
LADY - Backing Vocal)
Just play another chord
If you feel you're getting board
I feel numb
I feel numb
Don't change your brand Too much
is not enough
Don't listen to the band Gimme
some more
Don't gape Gimme some more
Don't ape Of that stuff love
Don't change your shape Too much
is not enough
Have another grape
Don't plead Too much is not
enough
Don't bridle I feel numb
Don't shackle I feel numb
Don't grind Gimme what you got
Don't curve Gimme what I don't
get
Don't swerve Gimme what you got
Don't lie, die, serve Too much is
not enough
I feel numb
Don't theorize, realise,
polarise,
Chance, dance, dismiss, apologise
I feel numb
Don't spy Gimme some more
Don't lie Gimme some more
Don't try Of that stuff love
Imply Gimme some more
Detain Too much is not enough
Explain
Start again I feel numb
Don't triumph
Don't coax
Don't cling
Don't hoax
Don't freak
Peak
Don't leak
Don't speak
I feel numb
Don't project I feel numb
Don't connect
Protect
Don't expect
Suggest
I feel numb
Don't project
Don't connect
Protect
Don't expect
Suggest
I feel numb
Don't struggle I feel numb
Don't jerk
Don't collar
Don't work
Don't wish
Don't fish
Don't teach
Don't reach
I feel numb
Don't borrow
Don't break
Don't fence
Don't steal
Don't pass
Don't press
Don't try
Don't feel
I feel numb
Don't touch
Don't dive
Don't suffer
Don't rhyme
Don't fantasize
Don't rise
Don't lie
I feel numb
Don't project
Don't connect
Protect
Don't expect
Suggest
I feel numb
Don't project
Don't connect
Protect
Don't expect
Suggest I feel numb
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LEMON Lemon
See through in the sunlight
She wore lemon
Never in the daylight
She's gonna make you cry
She's gonna make you whisper and
moan
But when you're dry
She draws water from a stone
I feel like I'm slowly, slowly,
slowlys slipping under
I feel like I'm holding onto
nothing
She wore lemon
To colour in the cold grey night
She had heaven
And she held on so tight
A man makes a picture
A moving picture
Through light projected
He can see himself up close
A man captures colour
A man likes to stare
He turns his money into light
To look for her
And I feel like I'm drifting,
drifting, drifting from the shore
And I feel like I'm swimming out
to her
Midnight is where the day begins
Midnight is where the day begins
Midnight is where the day begins
Lemon
See through in the sunlight
A man builds a city
With banks and cathedrals
A man melts the sand so he can
See the world outside You're
gonna meet her there
A man makes a car She's your
destination
And builds roads to run (them) on
You gotta get to her
A man dreams of leaving She's
imagination
But he always stays behind
And these are the days when our
work has come assunder
And these are the days when we
look for something other
Midnight is where the day begins
Midnight is where the day begins
Midnight is where the day begins
A man makes a picture
A moving picture
Through light projected
He can see himself up close Gotta
meet her there
A man captures colour She's your
destination
A man likes to stare There's no
sleeping there
He turns his money into light
She's imagination
To look for her
She is the dreamer
She's imagination
Through the light projected
He can see himself up close
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STAY
(FARAWAY SO CLOSE) Green
light, Seven Eleven
You stop in for a pack of
cigarettes
You don't smoke, don't even want
to
I see you check your change
Dressed up like a car crash
The wheels are turning byt you're
upside down
You say when he hits you, you
don't mind
Because when he hurts you, you
feel alive
Is that what it is?
Red lights, grey morning
You stumble out of a hole in the
ground
A vampire or a victim
It depend's on who's around
You used to stay in to watch the
adverts
You could lip synch to the talk
shows
And if you look, you look through
me
And if you talk it's not to me
And when I touch you, you don't
feel a thing
If I could stay... then the night
would give you up
Stay, and the day would keep its
trust
Stay, and the night would be
enough
Faraway, so close
Up with the static and the radio
With satelite television
You can go anywhere
Miami, New Orleans, London,
Belfast and Berlin
And if you listen I can't call
And if you jump, you just might
fall
And if you shout I'll only hear
you
If I could stay... then the night
would give you up
Stay then the day would keep its
trust
Stay with the demons you drowned
Stay with the spirit I found
Stay and the night would be
enough
Three o'clock in the morning
It's quiet and there's no one
around
Just the bang and the clatter
As an angel runs to ground
Just the bang and the clatter
As an angel hits the ground
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DADDY'S
GONNA PAY FOR YOUR CRASH CAR You're a precious
stone, you're out on your own
You know everyone in the world,
but you feel alone
Daddy won't let you weep
Daddy won't let you ache
Daddy gives you as much as you
can take
A-ha, sha-la, A-ha, sha-la
Daddy's gonna pay for your
crashed car
A little uptight, you're a baby's
fist
Butterfly kisses up and down your
wrist
When you see him coming, you're
licking your lip
Nails bitten down to the quick
A-ha, sha-la, A-ha, sha-la
Daddy's gonna pay for your
crashed car
Daddy's gonna pay for your
crashed car
You've got a head full of traffic
You're a siren's song
You cry for mama, and daddy's
right along
He gives you the keys to a
flamin' car
Daddy's with you wherever you are
Daddy's a comfort
Daddy's your best friend
Daddy'll hold your hand right up
to the end
A-ha, sha-la, A-ha, sha-la
Daddy's gonna pay for your
crashed car
Daddy's gonna pay for your
crashed car
Sunday, Monday, Tuesday,
Wednesday, Thursday, Friday,
Saturday's Alright
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SOME DAYS
ARE BETTER THAN OTHERS Some days
are dry, some days are leaky
Some days come clean, other days
are sneaky
Some days take less, but most
days take more
Some slip through your fingers
and onto the floor
Some days you're quick, but most
days you're speedy
Some days you use more force than
is necessary
Some days just drop in on us
Some days are better than others
Some days.... it all adds up
And what you got is enough
Some days are better than others
Some days are slippy, other days
sloppy
Some days you can't stand the
sight of a puppy
Your skin is white but you think
you're a brother
Some days are better than others
Some days you wake up with her
complaining
Some sunny days you wish it was
raining
Some days are sulky some days
have a grin
Some days have bouncers and won't
let you in
Some days you hear a voice
Taking you to another place
Some days are better than others
Some days are honest some days
are not
Some days you're thankful for
what you've got
Some days you wake up in the army
And some days... it's the enemy
Some days you work, most days
you're lazy
Some days you feel like a bit of
a baby
Lookin' for Jesus and His mother
Some days are better than others
Some days... you feel ahead
You're making sense of what she
said
Some days are better than others
Some days you hear a voice
Taking you to another place
Some days are better than others
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THE FIRST
TIME I have a lover,
A lover like no other
She got soul, soul, soul, sweet
soul
And she teach me how to sing
Shows me colours when there's
none to see
Gives me hope when I can't
believe that
For the first time I feel love
I have a brother,
When I'm a brother in need
I spend my whole time running
He spends his running after me
When I feel myself goin' down
I just call and he comes around
But for the first time I feel
love
My father is a rich man
He wears a rich man's cloak
Gave me the keys to his kingdom
(coming)
Gave me a cup of gold
He said "I have many
mansions
And there are many rooms to
see"
But I left by the back door
And I threw away the key...
For the first time
For the first time
For the first time
I feel love
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DIRTY DAY I don't
know you . . . and you don't know
the half of it
I had a starring role . . . I was
the bad guy who walked out
They said be careful where you
aim
Because where you aim you just
might hit
You can hold onto something so
tight
You've already lost it
Dragging me down
That's not the way it used to be
You can't even remember
What I'm trying to forget
It was a dirty day
A dirty day
You want explanations . . .
I don't even understand
If you need someone to blame . .
.
Throw a rock in the air
You're bound to hit someone
guilty
From father to son
In one life has begun
A work that's never done
Father to son
(And love . . . it won't last
kissin' time)
Get it right
There's no blood thicker than ink
Hear what I say
Nothing's simple as you think
Wake up
Somethings you can't get around
I'm in you
More so when they put me in the
ground
It was a dirty day
A dirty day
Hank says
THE DAYS RUN AWAY LIKE
HORSES OVER THE HILLS
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THE
WANDERER I went out walking
through the streets paved with
gold
Lifted some stones
Saw the skin and bones
Of a city without a soul
I went out walking under an
atomic sky
Where the ground won't turn
And the rain it burns
Like the tears when I said
goodbye
Yeah I went with nothing
Nothing but the thought of you
I went wandering
I went drifting through the
capitals of tin
Where men can't walk
Or freely talk
And sons turn their fathers in
I stopped outside a church house
Where the citizens like to sit
They say they want the kingdom
But they don't want God in it
I went out riding
Down that ol' eight lane
I passed by a thousand signs
Looking for my own name
I went with nothing
But the thought you'd be there
too
Looking for you
I went out there
In search of experience
To taste and to touch
And to feel as much
As a man can
Before he repents
I went out searching, lookin' for
one good man
A spirit who would not bend or
break
Who would sit at his father's
right hand
I went out walking with a bible
and a gun
The word of God lay heavy on my
heart
I was sure I was the one
Now Jesus, don't you wait up
Jesus, I'll be home soon
Yeah I went out for the papers
Told her I'd be back by noon
Yeah I left with nothing
But the thought you'd be there
too
Looking for you...
Yeah I left with nothing
Nothing but the thought of you...
I went wandering
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