INTRODUCTION
BASHO
biography
haiku
haibun
BUSON
biography
haiku
ISSA
biography
haiku
OTHER POETS
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BUSON
Taniguchi Buson (boo-sahn) (1716-1784), later
called Yosa Buson., was a Japanese haiku poet and painter. He ranked second
only to Matsuo Bashoa, Japanese master of haiku, among poets of the Edo
or Tokugawa period (1600-1868). Buson was born in a suburb of Osaka, Japan,
and apparently lost both parents while he was still young. In 1737 he moved
to Edo (now Tokyo) to study painting and haiku poetry in the tradition
of Basho. After the death of one of his poetry teachers in 1742, he toured
northern areas associated with Basho and visited western Japan, finally
settling in Kyoto, Japan, in 1751. Particularly active as a painter between
1756 and 1765, Buson gradually returned to haiku, leading a movement to
return to the purity of Basho's style and to purge haiku of superficial
wit. He married about 1760. In 1771 he painted a famous set of ten screens
with his great contemporary Ike no Taiga, demonstrating his status as one
of the finest painters of his time. Buson's major contribution to haiku
is his complexity and his painter's eye. Buson's technical skill as an
artist is reflected in the visual detail of his poetry.

This landscape by Buson, completed in 1771, is in the
Museum of East Asian Art in Cologne, Germany.
The poetry group that he formed published
its first book in 1772. His haiku poems show a more objective, pictorial
style than Basho's humane, wide-ranging work. While Basho taught, "Master
technique, then forget it," Buson's technique is less transparent and his
poems more consciously composed. He was a poet of enhanced sensibility
and evocation. In 1776 his group built a Bashoan (Basho house) for gatherings.
Also, his daughter married that year, although this unhappy marriage grieved
Buson. Despite his poetic brilliance, Buson was remembered more as a painter
until essays by modern Japanese writers Masaoka Shiki and Hagiwara Sakutaro
revived his reputation. Besides haiku, he wrote longer verse influenced
by both Chinese and Japanese classics.
Bibliography: Blyth, R. H., A History of Haiku,
2 vols. (1971, 1976); Henderson, Harold G., ed., Introduction to Haiku
(1958, repr. 1983).
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