Year
|
Landmark
|
1955 |
Presented the "A.I.R Sangit
Sammelan Award" in the All India Music Competition (Classical) by the First
President of India Sri Babu Rajendra Prasad |
1956 |
-
Presented the "A.I.R Sangit
Sammelan Award" in the Light Classical category
-
Presented gold medals by the
Music Academy, Madras in Ragam-Tanam- Pallavi Competition, and in "Purandaradasa
kritis" competition
|
1957-60 |
Awarded Government of India
Cultural Scholarship to specialise in advanced music under Sri Mudicondan
Venkataramier |
1966 |
Adjudged the "Best Junior
Lady Vocalist" by the Music Academy in its December Music festival |
1971-72 |
-
Awarded a fellowship by the
Sangit Natak Academy, New Delhi for specialising in Padams and Javalis
from Smt. T Mukta
-
Presented with "Smt D
K Pattammal Endowment Award for Best senior Vocalist", Music Academy, Madras
-
Conferred the title of
"Divya Gana Pravina" by her guru, in recognition of tuning and presenting
Sri Vedanta Desika slokas in Sanskrit and Tamil, on the occasion of 700th
Birth Centenary of the saint
|
1975 |
Awarded a special scholarship
by the Music Academy for specialising in rare kritis of Sri Muthuswamy
Dikhshitar, under Kallidaikurichi Sri Mahadeva Bhagavatar |
1977 |
Presented the "Best Deserving
Senior Lady Vocalist" award at the Music Academy, Madras |
1985 |
-
Presented with the title "Sangita
Choodamani" by Sri Krishna Gana Sabha, Madras
-
Conferred with the title "Isai
Arasi" by the Iyal Isai Nataka Mandram, Madras
-
Served as Convenor of lectures
and demonstrations at the Gokulashtami Sangita Utsavam of Sri Krishna Gana
Sabha, for three years
|
1986 |
-
First recipient of the Senior
Scholarship of the Government of India, Department of Culture, to pursue
research on "Ragam, Tanam and Pallavi"
-
Presented with the title
"Swara Laya Sangita"
-
Honoured at the Annamacharya
Jayanti Festival at Tirupati with a gold medal presented by the Chief Minister
of Andhra Pradesh
|
1987 |
Adjudged the "Best Senior
Vocalist" by the Music Academy, Madras at its December festival |
1991 |
-
Presented a special cash award
by Sri Krishna Gana Sabha, Madras
-
Adjudged the "Best Senior Artiste"
in the December festival of the Music Academy, Madras
|
1992 |
-
Conferred the title "Divya Prabhanda
Isai Mamani" by His Holiness Srirangam Srimad Andavan Swamigal
-
Presented with "Excellence in
Vocational Service" award by the Rotary Club of Madras
-
Awarded scholarship by the Sangit
Natak Academy, New Delhi to undertake a research project on the Temple
Music of "Mallari"
-
Presented with the title "Ganakala
Bharati" from Narada Gana Sabha, Madras
-
Presented a 13-episode programme
on Tamil Musicians (Tamizhaga Isai Mahangal) on Doordarshan, Madras
|
1993 |
First recipient of gold
medal endowed in memory of Sri Vinjimuri Varadaraja Iyengar, presented
to a senior vocalist for singing the "Best Ragam, Tanam, Pallavi" |
1995 |
-
Presented with the title "Tingal
Chudar" by the Monday Charity Club, in recognition of being the best
Lady Musician
-
Conferred with the title "Gayaka
Kulatilaka Kalpalatha" by His Holiness Srimad Andavan
-
Received the prestigious "Kalaimamani"
award from the Chief Minister of Tamil Nadu
|
1996 |
Best Musician Award of the
Sangit Natak Academy presented by the President of India |
Ongoing assignments |
-
Member of the Syllabus Committee
of the Faculty of Music, Annamalai University for three years now
-
Serving the "Experts’ Advisory
Committee" of the Music Academy, Madras for over fifteen years now
-
Professor-Emeritus appointed
by the Department of Culture and Human Resource Development, Government
of India
|
1998 |
Titles from Lalita Kala
Vedika and Sundaraja Trust, Chennai |
2000 |
"Sangita Kalanidhi",
the highest award for excellence in Music, from the Music Academy, Chennai |
‘Nal Oru Ragam’ |
Exposition on thirty ragas
broadcast
over All India Radio, Coimbatore presented as one raga
a day |
‘Adi Sankara’ |
Musical feature produced
for and broadcast by All India Radio, Madras |
‘Nauka Charitram’
of Sri Tyagaraja |
Musical Opera produced for
All India Radio, Madras |
‘Skandapuranam’ |
Lecture-demonstration presented
in various sabhas in Madras and subsequently presented in A.I.R as an opera |
‘Guru Guho Jayati’ |
Feature on the first compositions
of Sri Muthuswamy Dikhshitar, presented in various city sabhas and the
A.I.R |
Venkatamahi and his prabhandas
and gitas |
Feature presented first
at Music Academy, Madras, and later in All India Radio, and adapted extensively
by leading Bharata Natyam exponents in recitals |
Some important landmarks
in Carnatic Music |
Paper published in the journal
of the Music Academy, Madras |
Utsava Sampradaya kritis
of Sri Tyagaraja |
Lecture-demonstration presented
widely |
Evolution of ragas in general,
and Todi in particular |
Lecture-demonstration presented
in sabhas and also published as a paper |
Ragas in Carnatic
Music |
Lecture-demonstration presented
in sabhas |
‘Nava Vidha Bhakti’ |
Lecture-demonstration presented
in sabhas |
‘Nava Rasa Rama’ |
Lecture-demonstration presented
in sabhas |
Sri Tyagaraja and Ambal |
Paper presented in sabha
souvenir |
Sri Purandaradasa |
Lecture-demonstration and
paper presented |
Sri Tyagaraja and Todi |
Lecture-demonstration presented
in sabhas |
Padams and Javalis |
Lecture-demonstration and
paper presented |
Evolution of Indian Music
and ragas from ancient times |
Paper presented in annual
journal of Vivekananda kendra |
Musical traditions of India |
Lecture-demonstration presented
in sabhas |
Tillana- its technical
evolution in Music |
Lecture-demonstration presented
in sabhas |
Pre-trinity compositions |
Lecture-demonstration and
paper presented |
Sollin Selvan - 1
hour feature on Anjaneya |
Feature presented on All
India Radio, Chennai |
Nachiyar Tirumozhi |
18-part programme presented
at Sri Krishna Gana Sabha, Chennai |
Allied ragas |
Lecture-demonstration presented
in sabhas |
Neraval: its form
and exposition |
Lecture-demonstration presented
in sabhas |
Manodharma sangitam |
Series of lectures on all
aspects of manodharma, also released as cassettes and CDs by HMV. |
Varnam as the mother
of all manodharma |
Lecture-demonstration presented
in sabhas |
The musical aspects of Harikatha |
Lecture-demonstration presented
in sabhas |
Visesha prayogas
in ragas, as derived from varnams |
Lecture-demonstration presented
in sabhas |
The lyrical beauty of compositions
on Lord Sri Ranganatha |
Lecture-demonstration presented
in sabhas |
The differences in the handling
of ragas by Sri Tyagaraja and Sri Muthuswamy Dikhshitar |
Lecture-demonstration presented
in sabhas |