
"John invents a new bass line every time we play. That's our whole job, just making things up"
"If anyone misbehaves, we ring this bell"
"
There's 12 top-forty hits on the Matt Wilson Chart"
"The stage would emanate exuberance and the concerts would have a luminous half-life"
"Graveyard holds a special place in my ears"
"My favorite live song to see was always The Slacks. There was nothing like John, Dan and Matt trading verses and doin' that funky dance! Priceless!"
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APPLEHEAD
MAN
Trip Shakespeare,
Vol 1
Elaine Harris Drums/
John Munson Bass/ Matt Wilson Guitar, Vocals
1986 by Gark Records
Produced: Jay
Leigh at Gark Studio, Minneapolis
Art Direction,
Lettering: Dan Picasso/ Photography: Kelly Jo Johnson
Type: Great
Faces/ Circleflex: Great Heads
Lyrics by Matt Wilson
All Lyrics: M. Wilson
"Psychedelic"
would be the easy word out, but Trip Shakespeare goes beyond that simple
label, adding an interesting mix of Jefferson Airplane, Yes-like harmonizing,
and wacked-out acappella breaks. In fact, the greatest strength of the
Minneapolis band is the vocal interplay and variety of personas that the
voices play out; "Toolmaster," for example, climaxes with a pitter-patter
of voices bouncing to and fro as they tell the story of the dark toolmaster.
Such a ballad harks back to the 60's, but Trip Shakespeare has its
place in the '80's due to strong melodies and colorful imagery. Brothers
Dan and Matt Wilson are the heart of the band, with bass player John Munson
and stand-up drummer Elaine Harris adding to the mayhem. Trip Shakespeare's
unique sound and stage show should bring them out of the realm of obscurity
and into the ears of open-mined America (if such a place exists). If you
have never Tripped, this is a great place to start: "Diane," "The Lake,"
"Thief" and "Reception."
Across the Universe was recorded in Minnesota at Paisley Park Studios and Metro Studios.
Shepherds: Steve
Ralbovsky and Patrick Clifford.
Concert Sound:Jay
Perlman. Crystal ball: Larry Osterman.
Sword: Jody
Graham. Album project manager: Diane Espaldon Recorded by
Jim Rondinelli, Tom Tucker, Jonathan Akre, David Friedlander, and
Jim Goatley. Second Engineers: David Friedlander, Julie
Gardeski, Timothy Penn, Susan Morrison, Paul Bottenkitcher, Heidi Hanschu
and
Tom Tucker Jr.
"Late" and "Honey
Tree" remixed by Tom Tucker and Trip Shakespeare Additional
production by Jonathan Akre for Clearsong Music Group. Art
Direction: Richard Frankel. Design : Rowan Moore. Photography:
Victoria Pearson Cameron
Front Cover Model
by Timothy Eames. Model Photography by Stuart Watson.
Lyrics by Matt Wilson
"Honey Tree" lyrics
by Matt and Dan Wilson
Music by Matt and Dan Wilson except "Honey Tree" by John Munson and Matt Wilson, "Snow Days," "The Slacks" and "Drummer Like Me" by Matt Wilson, "Pearle" by Matt Wilson and Larry Abitz.
Trip
Shakespeare is an enigma. While their intense, theatrical live show has
won over a legion of Middle Earth (i.e. Midwest) fans, the band hasn't
been able to get the same peace-love-and-acid feel on their independent
records. Now on the label of Herb Alpert, the Merry Tripsters along with
producer Fred Maher (Lloyd Cole, Information Society) have finally given
us a piece of their soul on vinyl with memorable ditties, heavenly harmonizing
and psychedelic melodies. They still haven't matched the vision of their
knock-out live perfomances, but songs like "Snow Days" have a dreamy texture
and wild spoken-word lines like: "Mrs. Braintree, you're a chilly northern
woman/Go home from yonder bus stop/Because there's a blessing on the ground."
The Minneapolis quartet also shines on the upeat "Turtledove," the tongue-in-cheek
"Drummer Like Me" and the catchy first single, "The Crane."
ELAINE HARRIS: drums,
percussion
JOHN MUNSON: bass
DAN WILSON: guitar,piano
MATT WILSON: guitar,piano
Recorded and Mixed
by Justin Niebank
Concert Sound, Basement
sound and Other Sounds by Jay Perlman
Second Engineers:
Dave Kent, Steve Noonan
Additonal Engineering:
Mark Walk and Dave Kent
Recorded near the
riverbank at Pachyderm Discs in Cannon Falls, Minnesota
Mixed at Paisley Park
Asembled by Hank Williams
at Mastermix
Mastered by Bob Ludwig
at Masterdisk
Art Direction: Rowan
Moore & Dan Wilson
Design: Rowan Moore
Photographs: Dennis
Keeley
Threads: Heather Keena
Lettering: Dan Picasso
Waves: Dan Wilson
John Munson plays the Benedict's Groovemaster Bass
Management: Will Botwin
and Paula Sartonus,
Side One Management
A&R: Larry Hamby
Production Coordination:
Dave Ness and Ragena Warden
Tour Manager: Dave
Ness
Booking: Chip Hooper,
Monterey Peninsula Artists
Lyrics by Matt Wilson
Music by Matt and
Dan Wilson except: "Jill Can Drive" music by Matt Wilson/Dan Wilson/John
Munson; "Bonneville" and "Today You move" music by Dan Wilson; "Patricia,"
"Will You Be Found?" and "If you Miss Me" music by Matt Wilson.
"
"Do you remember? Do you recall?" are the words emblazoned on the inner
sleeve, taken from the title track of Trip Shakespeare's fourth album,
second for A & M. While many people might equate that longing for the
past to the retro '60's attitude the Minneapolis quartet has been infamous
for, in this instance it's part of a suite of songs all dedicated to lost
love. It's a sad, old story: Songwriter/guitarist/pianist Matt Wilson points
at a lovelorn lady (So you search the neighborhood/Actually the neighborhood
bar"), woos her ("Your mouth is my apartment in the evening/And I sleep
in a ruby dark bed") and inevitably helps her out the door ("I'm a helper
to my own fate/I've come to help you move"). While the band has always
been lauded for its costumed, er, trippy live shows, the recordings always
seemed second-tier; rather than try to match that energy, Lulu succeeds
on its own terms - a well-written, sprawling lover's lament that draws
on 60's harmonies and images rather than acting as a time warp. Top Trips:
the catchy "Bachelorette", "Your Mouth", "Patricia", "Down My Block" and
the wildlife sample at the end.
~From the pages of the CMJ New Music Report, Issue: 253-Sep20, 1991
John Munson plays a
Benedict's of Minneapolis Groovemaster bass
Elaine Harris
plays Paiste Cymbals
Cover Art/Heather Keena
& Matt Wilson
Design/Dan Wilson
Photograph/Daniel
Corrigan
Mixed by Garneau/Mathews
except * Mixed
by Brad Kern
"El Goodo" and "Helpless"
mastered by Paul Stark;
with help from Captain
Kern, the fish were found.
Road Manager:Dave
Ness
What's
So Funny About Peace, Love and Understanding?
Nick
Lowe/Plangent visions Music/ASCAP
Something in the Air
Speedy
Keen/Track Music Inc./BMI
*The Ballad of El Goodo
Chris
Bell/Alex Chilton/Irving Music & Ardent/Koala Music/ASCAP
Time of the Season
Rod
Argent/Mainstay Music/BMI
Dead Set on Destruction
Grant
Hart/Nori Hi-Art Music
Helpless
Neil
Young/Broken Arrow Music Publishing/Cotillion Music Inc./BMI
How did you choose the material for Volt?
"Part of it started out what old songs do we like that we could put our own twist on and make them our own"
"It started to look like it had something to do with trying to maintain your hope in times of trouble"
"It's a peaceful kind of thing"
In 1989
Matt, John and Dan sang backup vocals on Matthew Sweet's Earth
Cd. If you listen very closely, you may hear an occasional 'la la la" or
"ooh ooh ooh".
In 1992
Trip Shakespeare contributed an enchanting version of "Go All The Way"
on 20 More Explosive Fantastic Rockin' Mega Smash Hit Explosions!