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Figure 1. Terra-cotta statuette of a Greek goddess. Formed with a combination of Techniques. Painted red and black. c. 555 B.C., 10"
Figure 2. Warrior. Mayan figure from the Island of Jaina. A.D. 600-900. Painted, 12 ½" Often made with a combination of techniques: Hand molding/appliqué and press molding
Figure 3. Half-round free-standing figure of a Bodhisattva was produced in Figure 4. a porous terra-cotta press mold. India. Late 3rd to 5th century
Bibliography
Chappel, James. The Potter's Book of Clay & Glazes.
Speight, Charlotte F. Images in Clay Sculpture.
Ceramics: Techniques & Projects. A Sunset Book (Jane Horn)
Notes
1 Images in Clay Sculpture by Charlotte F. Speight.
2 Ibid
3 Ceramics: techniques and projects, a Sunset Book, Jane Horn.
4 Refers to 'baking' the clay until hardened.
5 Images in Clay Sculpture by Charlotte F. Speight.
6 Ibid
7 Ibid
8 Ibid.
9 The Potters complete book of clay and glazes by James Chappell.
10 Ibid.
11 Refers to a final coating an object is given before re-firing that hardens, seals and protects.
12 Refers to anything that can be used to ease the soft or damp clay out of a mold.
13 Images in Clay sculpture by Charlotte F. Speight.
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