Marta
Terez: The Sitcom
Season
1
Episode
104 ("Marc Does It All For The Nookie")
Script
EXT. DAY: HONEST JOHN'S
APARTMENT COMPLEX
ESTABLISHING SHOT: THE APARTMENT COMPLEX
KEVIN (VO):
"Audience is filmed in front of a live
studio Marta"
INT. DAY: MARTA'S APARTMENT
(MARTA is sitting in her bean bag chair,
watching the news.)
CLOSE SHOT: TV SCREEN
(An anchor is reading the news)
ANCHOR:
Kissimmee St. Cloud was rocked today with
the announcement that former President Carter will not be buying a vacation
house here, instead choosing a smaller condominium near Daytona Beach.
Residents protested this action by the former President of the U.S. from
1977-1981, saying, "Daytona Beach is soo gay. They've got like, nothing
to do there." When asked for an explanation, President Carter simply
stared into the camera, and mouthed the word "Terez".
MARTA (eerily, angrily, sinisterly):
Well played, Carter. Well played.
(OZMODIAR opens the door)
OZMODIAR:
Excusez moi, Marta, mais tes copains sont
ici.
MARTA:
Send them in, Ozmodiar. Oh, be a
dear, and turn off the TV for me.
OZMODIAR (sarcastic):
Yeth, massa.
(KEVIN, J.P., and MARCUS enter)
J.P.:
Salutations, Marta.
MARTA:
And what have we here? Is it Halloween
already? (To Marcus) My, you look extraordinarily like that fatass
Marcus. (To. J.P.) And you, you look like that Doogie Howser fellow
I always see on PAX 2000. And you (to Kevin), you look like my archnemesis..Kevin.
KEVIN:
Beg pardon?
MARTA:
What? Oh, I'm sorry, I must have
been temporarily in my "Say what I mean (but not necessarily what I think)"
mode.
KEVIN:
Again?
MARTA:
'Fraid so.
MARCUS:
Kev-in, show Marta what I found on the
street.
MARTA:
Marcus, I'm sorry, but if you keep bringing
me dead birds, I'm going to have to punch you squarely in your testicles.
KEVIN:
No no, it's not a dead bird...much.
Actually, it's a $1,000 dollar bill. I thought it might be of interest
to you.
MARTA:
Why me?
KEVIN:
You collect them, do you not?
MARTA:
That was last week, moron.
J.P.:
Oh dear, now we have nothing to do with
our suspiciously large sum of money.
KEVIN:
Oh, I think I can think of something.
INT. DAY: RACE TRACK BETTING BOOTH
(The Ojays' "For the love of Money" starts
playing. We see Marta, Marcus, Kevin, and J.P. in front of the booth.
The music abruptly ends with a record scratching sound)
J.P.:
Well, we got a picture of ourselves in
front of the betting booth. Now time to find a way to spend that
$1000 bill!
CREDITS ROLL
CREDITS END
EXT. DAY: THE INTRIGUE CAFÉ,
DOWNTOWN KISSIMMEE ST. CLOUD
ESTABLISHING SHOT: Marta and Gang at
outside table.
MARCUS:
Wouldn't it be much safer to invest this
money in the stock market and get a 6% annual yield.
KEVIN:
Shin-kicking will commence at 7:30 P.M.
tonight, Marcus. Be there or be.well, you already are square.
J.P.:
In more than 1 way.
MARCUS:
Oh, you guys.
MARTA:
Quiet. This is the perfect opportunity
to meet someone I have always wanted to meet.
J.P.:
Gary Coleman?
KEVIN:
Sean Connery?
MARCUS:
Kev-in Maye?
(All look at Marcus.)
Marta, have you met Ke.
(Kevin slaps Marcus)
KEVIN:
Fat man, shut up!
MARTA:
I have met all of those people. However,
there is a man who I simply must meet.
KEVIN:
And that is?
MARTA:
Dr. Dre.
CLOSE SHOT: KEVIN
(Kevin gasps)
CLOSE SHOT: J.P.
(J.P. gasps)
CLOSE SHOT: Waiter
(Waiter gasps)
CLOSE SHOT: Marcus
(Marcus bites into a 5-inch high hamburger
with gusto. He makes an annoying "omp" sound when he bites down.)
CLOSE SHOT: Marta
(Marta gasps, then realizes that she should
not have gasped, and looks around uncertainly.)
CUT TO:
INT. DAY: HONEST JOHN'S APARTMENT COMPLEX-A
HALLWAY
(Eamon walks down the hall with some chips
in hand and arrives at Ozmodiar. Both nod in silent acknowledgement,
and Ozmodiar opens the door.)
CUT TO:
INT. DAY: MARTA'S APARTMENT
(Eamon walks in the door. Kevin,
Marcus, and J.P. are sitting at the table, Marta is making a sandwich.
Orphan Jimmy keeps throwing out plates from the cabinet, which Marta catches
without looking and places on the counter.)
EAMON:
Hello gents. What's happenin'.
J.P.:
Marta has decided to do something most
unexpected.
(Eamon looks inquisitively at them)
EAMON:
I trust that it is compatible with federal
and United Nations policy.
(Marcus starts laughing)
MARCUS (dumbly):
He said "compatible".
KEVIN:
We are all frazzled by her decision. Why she has decided this is beyond me.
(Marta has finished her sandwich
and is sitting down on the sofa.)
MARTA:
You dare question Marta Terez?
EAMON:
Tell me, tell me, tell me, tell me, tell
me.
J.P.:
OK, stop, we'll tell you. Marta
has decided.to meet.Dr. Dre.
(Eamon gasps, but then realizes how stupid
it is to gasp at such an ordinary statement.)
EAMON:
Explain to me why this is bad.
KEVIN:
Well, it's a long sad story.
EAMON:
Great, I love long sad stories.(looks
around cautiously)..just don't spread that around.
KEVIN:
Well, the year was 1991.
(Kevin looks up. Flashback
sequence images fade across the screen.)
EXT. DAY: RECORD STUDIO, 1991
(Marta is standing on a stage, smiling
and waving, through the first part of the flashback.)
KEVIN (V.O.):
Dr. Dre was creating a new record label
called Death Row Records, which he co- founded with Marion "Suge" Knight.
CUT TO:
CLOSE SHOT: A large black man named "Suge"
Knight
Marta was supposed to fund part of the
project with the proceeds from her motivational tape "You Too Can Be Like
Marta Terez".
CUT TO:
SHOT: Spinning tape comes up to screen
and stops, showing Marta on the cover with a thumbs up sign and lots of
money in the background.
However, she pulled out of the project
last minute because of the release of a little known controversial Dr.
Dre album entitled "The Chronic 2." In which he blasted Marta's stinginess.
CUT TO:
SHOT: Spinning CD cover stops and shows
Dr. Dre holding a picture and giving a thumbs-down sign with lots of money
in the background as well, a blatant rip-off of Marta's cover.
FLASHBACK SEQUENCE ENDS
(Kevin looks back at Eamon)
KEVIN:
And so you see why Marta should not want
to talk to the good Dr.
EAMON:
That's some pretty harsh stuff, but maybe
she just wants to clear the air.
KEVIN:
Hey, wait a minute, I thought you said
you'd never met Dr. Dre before. What's the deal?
MARTA:
Do you think I would actually talk to
him myself. Pa-lease. That's what lawyers are for..you moron.
J.P. (uncertainly):
Damn, she done.umm.told..uh..you.
(J.P. sits back, looking quite satisfied
with himself for saying that.)
MARCUS:
What I don't understand about this whole
thing is..why do they put crackers in those bags when they're already in
the boxes?
KEVIN:
Marcus, I thought we discussed this.
MARCUS:
But Kev-in, those bags are hard to open
when one has large fingers.
KEVIN (frustrated):
Marcus.
MARCUS:
Kev-in.
KEVIN:
That's it.
(Kevin gets up and kicks Marcus in
the shins.)
(explaining)
I've tentatively moved the
shin-kicking up a bit.
J.P.:
Well, even with the whole personal history,
there's no reason why Marta shouldn't go to see Dr. Dre. I mean,
come on, he probably won't even remember her.
MARTA:
Thank you J.P. You shall live..for
now.
KEVIN:
Fine, but don't say I didn't warn you.
It is very difficult to forget Marta Terez.
(All look at him awkwardly.)
Well, it is!
MARCUS:
Marta who?
CUT TO:
EXT. DAY: LOS ANGELES INTERNATIONAL
AIRPORT
ESTABLISHING SHOT: FRONT OF BUILDING
(Marta and gang are standing with
their suitcases.)
J.P.:
It was certainly a shame to see that $1000
bill go to pay for the plane tickets.
MARTA:
I can think of no better way to spend
$1000 than for tickets to a city where you want to go see someone.
EAMON (sarcastic):
Wow Marta, that little soliloquy was robust
with powerful and moving words.
KEVIN:
Marta, you might want to let Ozmodiar
out of the suitcase.
(The suitcase starts hopping up and
down and little yelps are heard from inside.)
MARTA:
He'll get out when I'm good and ready.
(Nick and John walk up to the gang.)
NICK (to John):
See, I told you John John, these tourists
have mad cash. (To Marta): Oh, well look who we have here. Little
Miss "I like the Nickel Dance but I can't hire you as my doorman".
Who'd you end up getting for your doorman?
(Marta points at the suitcase.)
NICK:
You got a suitcase for your doorman?
MARTA:
He's inside the suitcase, moron.
NICK (sarcastic):
Yo, hey, OK. I can see your intellect
far outmatches mine here.
MARTA:
You know what the problem is here?
NICK:
You're a weiner?
MARTA (flustered):
Uh.no.no that's not it. You've gone
and made me forget what I was going to say.
NICK:
Ha. Come on John John. Hey,
remember the time I ran into the wall.(his voice trails off as he and John
depart. The gang look after them, bewildered.)
OZMODIAR (Muffled, from inside suitcase):
Air! J'ai besoin d'air!
CUT TO:
INT. DAY: HOTEL SUITE
(Ozmodiar is still hopping around inside
the suitcase. Marta unzips the suitcase, and Ozmodiar jumps out,
stumbles around dizzily, then runs into the wall and falls down.
All look at him.)
J.P.:
Umm.anyway, I think the best course of
action would be to call Dr. Dre to tell him you're coming. Do you
know his number?
MARTA:
Do I look like the kind of person who
carries a personal phone book?
KEVIN:
Actually.
MARTA:
Quiet.
J.P.:
Well, OK, that isn't a problem.
Hey Eamon, didn't you once deliver something to Dr. Dre through your courier
service?
EAMON:
Why, yes, yes I did.
J.P.:
I remember because you kept bugging me
about how cool it was that you had accidentally stolen one of his cars.
EAMON:
The keys fell into my pocket accidentally.
It would have been a crime NOT to steal it.
J.P.:
Nevertheless, I'm sure it would have something
in the glove compartment with his phone number in it.
MARTA:
Hmm, it might be worth a try. Where's
the car.
EAMON:
Well, luckily, I didn't take it back to
Kissimmee. I wanted to wait until the heat died down. It's
in a good friend of mine's garage.
J.P.:
Who's your good friend.
EAMON:
Why, Tony Danza of course.
J.P.:
You mean "Who's the Boss?" star Tony Danza
EAMON:
The very same.
KEVIN:
Hey, did they ever find out who the boss
really was?
MARTA:
I believe that it is safe to say that
I was the boss.
KEVIN:
You weren't on "Who's the Boss?"
MARTA:
Wasn't I, Kevin? Wasn't I?
KEVIN:
Uh..no.you weren't. I believe I
was the boss.
J.P.:
Au contrare, Kev, I do believe it was
I who was the boss.
EAMON:
It matters not who was the boss, I only
know that I want Charles in charge of me.
(Eamon looks into the distance oddly as
the last part of the theme song plays under his words from nowhere.
The others look up inquisitively.)
CUT TO:
BLANK SCREEN WITH LETTERS "5 Hours Later"
BACK TO
INT. DAY: HOTEL SUITE
MARTA:
Well, it took several hours to get the
glove compartment open, but we finally got the phone number.
EAMON:
Hey, if you knew how easy it was to steal
that car, you would put your own anti-theft system on it too.
J.P.:
Yeah, but it was just on the glove box.
EAMON:
Your point?
KEVIN:
Marta, why don't you call Dr. Dre now,
huh?
MARTA:
Yes, that is an acceptable suggestion.
(Marta goes to the telephone.)
Yes, hello? Is a Mr. Dr. Dre there?
J.P.:
Mr. Dr.?
MARTA:
He isn't talking to anyone? Well,
he'll talk to me. Put him on immediately.
EAMON:
I think this is one of those situations
where Marta's aggressive tendencies pay off. Don't you think, Ozmodiar?
(Ozmodiar runs onscreen.)
OZMODIAR (comically):
Je ne sais pas!
(Canned laughter ensues.
Ozmodiar runs offscreen.)
INT. DAY-DR. DRE'S OFFICE, HOLLYWOOD
HILLS
ESTABLISHING SHOT: MARTA AND GANG IN
WAITING ROOM
KEVIN:
Wow, I never thought I'd get to meet Dr.
Dre.
CUT TO:
INSIDE DR. DRE'S OFFICE
DR. DRE:
Wow, I never thought I'd get to meet Kevin
Maye
BACK TO: MARTA AND GANG
MARTA:
Yes, but if anyone asks, he met you.
CUT TO: DOOR TO OFFICE
(Door opens, MRS PIERCE walks out)
MRS. PIERCE (THE SECRETARY):
Dr. Dre will see you now.
MARTA:
Thanks, Ms. Faversham.
J.P.:
Wha??
MARTA:
What? I prefer the name Faversham.
MRS. PIERCE
Actually, so do I.
(Marta nods at her approvingly and walks
in. The rest of the gang walks in confused)
CUT TO:
INT. DAY: INSIDE DR. DRE'S OFFICE
(The room is ultra modern. A laptop
is on the desk, and Dr. Dre sits facing away from them in a large leather
chair. Marta walks right up to the desk.)
MARTA:
Dr. Dre, I have arrived.
DR. DRE:
Hello Ms. Terez. Though we have
never talked, I remember you well.
J.P.:
Oh, crap, he remembers her!!
(J.P. screams and dives behind the
desk. The others ignore him.)
KEVIN:
Dr. Dre? Hi, I'm Kevin Maye.
DR. DRE:
Hi, I'm you're biggest fan.
KEVIN:
Thanks, man.
MARCUS:
Hey, if you're a doctor, I've got this
nasty bump on my..
KEVIN:
Marcus!
J.P. (Having gotten up from behind
the desk.)
No good can come from this.
MARCUS:
Kev-in, I've had this bump on my.
KEVIN:
Marcus, firstly, he's not a real doctor.
MARCUS:
But.
KEVIN:
No buts. Secondly, we do not want
to hear about any bumps on your.
MARCUS:
But.
KEVIN:
Marcus, stop.
MARCUS:
Kev-in, I'm trying to tell you that it's
a bump on my butt.
(An odd silence ensues)
MARCUS:
Perhaps you'd prefer if I said buttocks.
MARTA:
Dr. Dre, pardon my friends. I'm
here for a simple reason. That reason escapes me at the moment, but
I just wanted to say.
CUT TO:
FAVOR: KEVIN
CUT TO:
FAVOR: EAMON
CUT TO:
FAVOR: J.P.
CUT TO:
FAVOR: MARCUS LOOKING AT HIS OWN BUTT,
NOT PAYING ATTENTION
CUT TO:
FAVOR: OZMODIAR
CUT TO:
FAVOR: MARTA
MARTA:
..Screw you, homo.
KEVIN:
Marta!!!
DR. DRE:
Marta Terez, I would like to say that
I am surprised. However, I am not. Your unique brand of arrogance
only reminds me of my former legions of fans who turned their backs on
me with the release of my last album, claiming I had finally and fully
turned pop. You, Marta Terez, are an utter anti-disappointment.
Do you know what I said to Ms. Pierce when I heard you were coming.
EAMON:
Who?
DR. DRE (with a sigh):
Ms. Faversham
MARTA AND GANG:
Oh!!! Of course!!! Etc.
DR. DRE:
Well, do you know what I said to her?
I said, "They all think I've turned "pop". And I hate the whole lot
of them."
(Marcus begins crying unexpectedly, and
runs out of the room. All look at Kevin, who shrugs, and gives them
a "Don't look at me, I 'unno" look.)
MARTA:
Now listen here, Dr. Dre, I don't know
who you think you are, but we flew all the way here using the only $1000
bill any of us has ever seen so that I could finally meet you, and..
DR. DRE:
Wait, did you say $1000 bill?
KEVIN:
Yeah, Marcus found it.
DR. DRE:
DASTARDS!! That was my $1000 bill.
I lost it somewhere in Kissimmee a couple days ago. You spent my
$1000 bill to come to L.A. and call me a homo.
MARTA:
True..but..we..also..bought.pancakes at
IHOP.
DR. DRE (Furious):
GET OUT!!!
J.P.:
Oh crap, he's going to explode!!!
(J.P. dives out the door with the
rest of the gang running behind him.)
CUT TO:
INT. DAY-MARTA'S HOTEL SUITE
(The gang walks in the door)
KEVIN:
So, let me get this straight, Marta.
You spent $1000 dollars to come to L.A., dragging us all along for the
ride. You went to Dr. Dre's office, with what had seemed like the
intent to reconcile your differences. Then, unexpectedly, and without
warning, you say to Dr. Dre "Screw you, homo."
MARTA:
Technically, yes.
KEVIN:
Only technically? What about hypothetically?
Realistically? Actually and metaphysically?
MARTA:
In order; no, yes, yes, yes and maybe.
J.P.:
Guys.
EAMON:
Hey, you shouldn't judge Marta.
She was under a lot of pressure to forget her pride and try to reconcile
with a man who humiliated her publicly.
J.P.:
Guys.
KEVIN:
Eamon, that's not the point. She
mouthed off one of the foremost names in rap. The one, the only,
Dr. Dre.
J.P.:
Guys..
EAMON:
Yes, J.P., we're aware you like guys.
J.P.:
What?! No!!! I was attempting
to get your attention.
EAMON:
That's what Andy Dick said.
KEVIN:
Wha?
J.P.:
People, I have a question that you will
find amusing as well as intriguing.
KEVIN:
It isn't one of your stupid trivia questions
like "Who invented the sun?", is it?
J.P.:
No, this one is more amusing and intriguing.
MARTA:
Well, ask it already!!
J.P.:
Where in the sweet merciful lord's creation
is that Marcus?
KEVIN:
Oh, I wouldn't worry about Marcus too
much.
J.P.:
Why? He can take care of himself.
KEVIN:
What? No, I just wouldn't worry
about him too much.
J.P.:
Oh.
MARTA:
It's the truth. He wouldn't.
EAMON:
Maybe Dr. Dre's speech made him feel guilty
and he ran away into the wilderness to become a hermit.
(Pause.)
.nah.
(All laugh. Ominous music is
heard in background.)
CUT TO:
BLANK SCREEN
(White letters appear that say "4
months later.")
CUT TO:
INT. DAY-MARTA'S APARTMENT
(Marta is sitting eating a sandwich.
Ozmodiar is reading the back page of a newspaper)
CUT TO:
BLANK SCREEN
(While letters appear that say "3
months earlier")
CUT TO:
BLANK SCREEN
(Marta is sitting eating a sandwich.
Ozmodiar is reading the front page of the same newspaper. Kevin,
Eamon, and J.P. are sitting watching TV. A pause ensues until a knock
on the door is heard.)
MARTA: (Looking up)
Ozmodiar.
OZMODIAR:
Oui, oui, je sais. "Ouvries le port,
Ozmodiar".
(Ozmodiar opens the door, and Marcus falls
through it, dirty and in a torn-up version of what he was wearing when
he disappeared. Kevin, Eamon, and J.P. look up from the TV surprised.
Marta runs to Marcus.)
MARTA:
Marcus, there you are! Where have you
been? We've been worried si..in good health.about you.
(Marcus mumbles incoherently. Faintly,
a close listener might hear the word "bacon" mumbled for no apparent reason)
MARTA:
Ozmodiar, where are your manners?
Pull him to a chair!
(Ozmodiar looks at her in disbelief, sighs,
and kicks Marcus' foot. Marta walks over to Kevin, Eamon, and J.P.
and starts talking. During the following, we will see Ozmodiar in
the background trying unsuccessfully to move Marcus with comical results.)
MARTA:
He seems to have lost the power of coherent
speech.
KEVIN:
Good.
J.P.:
Kevin!
KEVIN:
Well, you don't have to live with him,
do you?
J.P.:
No, but even still, we have to re-educate
him.
EAMON:
No we don't. He's amusing like he
is.
J.P.:
While I'm sure that's true, in his current
state, he also cannot feed himself.
KEVIN:
OK, well, what are we waiting for?
Let's re-educate this puppy.
(A musical sequence ensues where Jackson
5's "ABC" is played in the background. The gang helps Marcus get
back to his old self. It includes Marta teaching Marcus math. Marta
has "2+2=____" and "2+3=____" on a board. Marcus answers the first
one "4". Marta claps, and Marcus claps happily. He goes onto
the next problem and answers it with a "4" as well, with looks of disbelief
from Marta. Meanwhile, Eamon teaches Marcus the ways of society and
tries to keep Marcus from buying girl's clothes, to no avail. A clip
ensues of Marcus trying on purses and girls' hats. Kevin teaches
Marcus how to avoid shin-kicking through practice. Ozmodiar teaches
Marcus how to open doors, which Marcus shows he is now deathly afraid of.
J.P. attempts to teach the planets of the solar system to Marcus through
the "My Very Excellent Mother Just Served Us Nine Pizzas" acronym, but
only results in making Marcus hungry. This sequence includes Kevin, Eamon,
Marta, and J.P. standing around a water-cooler shaking their heads in frustration.
(Ozmodiar is sitting on top of the water cooler). The sequence ends
with the gang plopping down on the couch, exhausted. The music ends.)
MARTA:
Well, sirs, I believe we've finally done
it.
KEVIN:
Created a dilemma of massive proportions..literally.
J.P.:
I never thought it was possible to completely
re-educate a grown man, and apparently I was right.
(Marcus walks in and sits on the
arm of the couch.)
KEVIN:
Well, Marcus, what have you got to say
for yourself?
MARCUS: (after a pause)
Nothing.
(All look surprised.)
KEVIN:
Marcus, you can talk.
MARCUS:
Yes.
KEVIN:
Damnit!!
J.P.:
Well, he's up to one word sentences.
That's good, I guess.
MARCUS:
Guess?
KEVIN:
Fat man, shut up.
EAMON:
Well, what have we learned from this experience.
(All pause and ponder.)
MARCUS:
Nothing?
EAMON:
Yeah, I guess.
KEVIN:
No, we have learned something. We've
learned never to say "Screw you, homo" to a famous rap mogul.
MARTA:
Yeah, and Marcus learned that 2 plus 3
equals 4.
MARCUS: (proud of himself, holding
up 4 fingers)
Four.
J.P.:
And I learned the speed of light is not
the speed limit of the universe.
(All look at him.)
Well, it isn't!
MARCUS:
Four.
(All laugh comically in a sitcom-like
fashion. The screen freezes.)
CUT TO:
CREDITS
(During the credits, Kevin reads Marcus
his bedtime story from his favorite book "Pop! Goes the Hamster.And Other
Funny Microwave Games".)
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