Back to "Composition"

Style and Usage

Strunk's original (1918) Principles of Composition included:

Omit needless words; Exercise

Use the active voice; Exercise

Put statements in positive form: Exercise

Keep related words together; Exercise

Express co-ordinate ideas in similar form

Avoid a succession of loose sentences; Exercise

Place the emphatic words of a sentence at the end

A participial phrase at the beginning of a sentence must refer to the grammatical subject; Exercise

In his 1959 and subsequent editions of the book, E.B. White added a Principle of Composition

Use definite, specific, concrete language

and a number of stylistic "reminders":

  1. Place yourself in the background
  2. Write in a way that comes naturally
  3. Work from a suitable design
  4. Write with nouns and verbs
  5. Revise and rewrite
  6. Do not overwrite
  7. Do not overstate
  8. Avoid the use of qualifiers
  9. Do not affect a breezy manner
  10. Use orthodox spelling
  11. Do not explain too much*
  12. Do not construct awkward adverbs
  13. Make sure the reader knows who is speaking
  14. Avoid fancy words
  15. Do not use dialect unless your ear is good
  16. Be clear
  17. Do not inject opinion**
  18. Use figures of speech sparingly
  19. Do not take shortcuts at the cost of clarity
  20. Avoid foreign languages
  21. Prefer the standard to the offbeat

*Not to be confused with 16) Be clear, which is by far the most important of these 21 rules. White is referring to things like "he said consolingly," which actually fall more into the category of "needless words" (Strunk's first Principle of Composition). More generally, where clarity is at stake, I would say that you cannot explain too much, just as you cannot be "too clear." Much more often, the problem is that things are not explained that should be, which is a much worse problem then a few needless words. When in doubt about how much to say about a particular point, it is better to err on the side of clarity, rather than conciseness.

**Don't "inject" it means don't throw it in unnecessarily or irrelevantly. Expressing your opinion in a piece of writing meant to express your opinion is quite a different thing. The advice would still apply, though, since you do not want to include in one essay your opinions on subjects that have nothing to do with that essay. Your thesis is, of course, your opinion, and the whole point of writing the essay is to present it as effectively as possible.

With those two caveats, White's additions are largely self-explanatory. (The revised editions are not available online, as far as I know.)

In addition, modern compositon textbooks warn us (i.e., primarily native speakers) about:

poor word choice or diction: clichés, jargon, pretentious diction, euphemisms, false connotations, inappropriate tone, disturbing sound patterns

poor syntax or sentence structure: fragments (incomplete sentences), choppy sentences, confusing shifts, faulty subordination, mixed constructions, split constructions

poor flow of ideas: unclear pronoun reference, illogical or weak transitions, faulty logic