FOREVER SLOWHANDa play in two actsbyRichard Gooch FINAL FIRST DRAFT |
E110-2911 Bayview Avenue North York ON M2K 1E8 ripgch@yahoo.com 07.IX.1999 |
In strict alphabetical order, thus simultaneously avoiding accusations of favouritism and side-stepping the issue of character identification, I acknowledge the following individuals for their support, inspiration and technical assistance. Shawn Allaire, Lance Armstrong, Peter Boyd, Eric Patrick Clapp, Dave Clifton, Vici Debnam, Gabe Ferrazzo and the Cambrian Players of Thunder Bay, David Robert Jones, Ann Linton, Sandra Mullarkey, Steve Proctor, Peter Raffo, Richard Toscan, Jane Trotter, Lawrence Wilson and Robert Allen Zimmerman. Thanks are also due to Training Wheels and HRDC in Thunder Bay for providing the means of translation from brain to paper. Finally, I shall be forever in the debt of the endlessly patient, understanding and indulgent Pat, for it is she who stimulates my creativity. Dedicated to the precious memory of Harold Gooch. Carpe diem. The text which follows reproduces the script as used in the read-through by the Cambrian Players of Thunder Bay, October 3 1999. This constitutes the first public performance of the work-in-progress. Gabe Ferrazzo was both producer and director. Technical support was provided by Richard Gooch. The soundtrack was recorded onto DAT. Cast in order of appearance:
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England. High summer 1978. Bob Dylan is due to headline at an open-air concert at Blackbushe Aerodrome in Surrey. Eric Clapton is second on the bill. 200 000 people are making their way to the venue from all over Europe. In a quiet suburb of Newcastle upon Tyne in the top right-hand corner of the country a loose-knit group of seven friends is assembling in readiness for the overnight, 300 mile journey in a rented minivan.
Act I: A nondescript quiet suburban street in Newcastle upon Tyne, northeastern England. Late evening sounds of starlings bedding down and dogs barking. The usual atmospheric stuff. Act II: Interior of a roadside greasy spoon café somewhere in the middle of England. Fifties-style furnishings; two or three stalls; an old jukebox. Just before dawn as the first watery glow through the windows begins to compete with inadequate fluorescent lighting. |
Act I Scene 1
Act I Scene 2
Act I Scene 3
Act I Scene 4
Act I Scene 5
Act I Scene 6
Act I Scene 7
Act Scene 8
Act II Scene 1
Act II Scene 2
Act II Scene 3
Act II Scene 4
Act II Scene 5
Act II Scene 6
Act II Scene 7 |
Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 Scene 6 Scene 7 Scene 8 |
Scene 1 Scene 2 Scene 3 Scene 4 Scene 5 Scene 6 Scene 7 |
This page last updated June 30 2000 |