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Marduk - "Panzer
Division Marduk" (Osmose
Productions, CD, 1999)
Marduk
said that this album would be their most brutal one, and let me tell you, they
were completely right!
From the moment you put the cd into the drive you are completely devastated by
the infernal music coming out from the speakers: from the unholy guitar to the
completely blasphemous lyrics (with song titles like "fistfucking god's
planet" and "baptism by fire" what were you expecting?...) and
the absurdly fast drums, everything is brutal, extreme, just fucking
christrapping black metal!
There is not a single moment of peace in this album. The only time you will not
hear light speed black metal will be at the change of tracks, or when the intros
(this album goes a bit around the concept of war, and to help that there are
songs which start with some kind of sounds of war) are playing.
The production is great, Peter Tagtgren made again an excellent job with his
Abyss studios, contributing to the release of one of the most violent albums
ever. If you want quick, violent, brutal black metal then search no more;
however, if you are a cradle of filth/dimmu borgir synth fan, beware, for this
album is only for the harsh black metal legion.
Tracklist:
1 - Panzer Division Marduk
2 - Baptism by Fire
3 - Christraping Blackmetal
4 - Scorched Earth
5 - Beast of Prey
6 - Blooddawn
7 - 502
8 - Fistfucking god's Planet
17,5/20 |
Zoid |
Marduk - "Infernal
Eternal" (Blooddawn Productions, CD, 2000)
This
is the most brutal and devastating Black metal live recording I've ever listened
to, an anti-christian punch that hits you right in the fucking face, a black
metal raid. With the purpose of comemorating Marduk's 10 years of blasphemous
existence, this was released containing 18 tracks of Sweden's fastest, most
aggressive and extreme black metal, fulfilled with Legion's scratched (almost
ruined) voice. I thought that the first rumours about "Marduk's double live
album" (!) were just a bunch of nonsense, but a quick search on the
Internet was enough for me to believe. As I was listening to a sample of "Sulphur
Souls", immediately I noticed that this release would be way much
better than "Live in Germania", the recording's sound quality was damn
good! The album tracklist was very well chosen, combining old songs ("Still
Fucking Dead, "Slay The Nazarene", "Those of The Unlight")
with recent songs ("Panzer Division Marduk", "Fistfucking God's
Planet" and "Baptism By Fire"). After all this, there was still
time to "Into The Crypts of Rays", a cover from Celtic Frost. Anyway,
something that surprised me here was the inclusion of all the lyrics (I find
this very odd, indeed). By the way, notice that all these tracks were taken from
Marduk's "World Panzer Battle" tour. 10 years have already passed
since the birth of this band and this release came to prove that they're ready
for more 10.
Tracklist:
CD1 1 - Panzer Division Marduk 2 - Burn My Coffin 3 - Baptism by Fire 4 - The Sun Turns Black as Night 5 - Of Hell's Fire 6 - 502 7 - Materialized in Stone 8 - Beast of Prey 9 - Those of the Unlight 10 - Sulphur Souls 11 - Dreams of Blood and Iron 12 - Fistfucking gods planet |
CD2 1 - On Darkened Wings 2 - Into The Crypts of Rays 3 - Still Fucking Dead 4 - Slay the nazarene 5 - Departure from the Mortals 6 - Legion |
16/20 |
Damned |
Mayhem - "Mediolanum
Capta Est" (Avantgarde, CD, 1999)
When
I heard about this album I thought it was going to be just another live one, but
since the moment it entered my stereo it all became different: it is the best
live recording I've heard until now!
It all starts with a percussion introduction, named Silvester Anfang and with no
interruption, the "real songs" start. They combined old songs with new
material, with an excellent result. From the classics "Necrolust" and
"Carnage" to the new songs "Fall of Seraphs" and "I am
Thy Labyrinth" it's all there, except one thing, they could have played
some more songs from "De Mysteriis Dom Sathanas" because they only
played two songs from this album "Freezing Moon" (originally its not
from this album) and "From the Dark Past".
There was going to be another surprise for me, in the song "From the Dark
Past" Attila (the studio vocalist on "De Mysteriis Dom Sathanas")
appears as guest vocals, and I must say that the duet between Attila and Maniac
worked wonderfully, with both of them screaming violently. The show ends with a
very old song "Pure Fucking Armageddon" and the best adjectives to
describe this song are short, fast and brutal!
About the drum part, I think the name Hellhammer is enough to describe its
extreme quality! For me Hellhammer is one of the best (if not the best) drummer
in the metal scene and he showed that in this record. Besides his skills showed
before in other albums and live appearances, maintained and improved in this
album, one thing that I really enjoyed was the drum's sound, it's completely
aggressive with the snare drum sounding like a machine gun.
Maniac in almost every song makes a small introduction such as: "The next
song I dedicate hereby to the pope - Chainsaw Gutsfuck" (hehehehe), which
proves that Mayhem didn't confine only to play the songs, they interact with the
audience, and for me that's one of the most important things in concerts.
But when I listen to this record I feel that something is missing, and that
something that is missing is one very important thing that is irreplaceable -
Dead. (R.I.P.)
Tracklist:
1 - Silvester Anfang
2 - Deathcrush
3 - Fall of Seraphs
4 - Carnage
5 - Necrolust
6 - Ancient Skin
7 - Freezing Moon
8 - Symbols of Bloodswords
9 - From the Dark Past
10 - Chainsaw Gutsfuck
11 - I am Thy Labyrinth
12 - Pure Fucking Armageddon
19/20 |
Shemahmforash |
Melechesh - "Sphynx" (Osmose
Productions, CD, 2003)
This
band was spawned precisely in the heart of the "holy-land" - in Jerusalem, and
they play a very unique sound within the Blackmetal movement.
At their 3rd album, a much more mature band is shown and the sonority achieved
is great. This guys have always focused on mythological aspects of the
middle-east region, but previously these aspects were only shown musically
through intros or interruptions in the songs, but now we have a clear "arabic"
influence present in the structure of the songs, mainly on the guitar lines
which play very dissonant chords that take you right into the "arabic" mood that
the lyrics transmit.
Lyrically, as I stated above, they focus mainly on ancient gods and tales of
that region of the world, but let me tell you that these lyrics are very well
written and create a kind of epic and dark atmosphere.
If you are tired of listening to hundreds of bands sounding just the same and
are looking for something original, look no further, check out this album,
because this is very good material.
Tracklist:
1 - Of Mercury And Mercury
2 - Secrets Of The Ancient Sphynxology
3 - Annunaki's Golden Throne
4 - Apkallu Counsel
5 - Tablets Of Fate
6 - Triangular Tattvic Fire
7 - The Arrival Ritual
8 - Incendium Between Mirage And Time
9 - Purifier Of The Stars
10 - Caravans To Ur
18,5/20 |
Shemahmforash |
Morbid Angel -
"Domination" (Earache Records, CD, 1995)
Fourth
release of the almighty Morbid Angel, following the alphabetical order, as
expected (A for "Altars of Madness", B for "Blessed are The
Sick", C for "Covenant" and so on). The songs complexity is
similiar to "Altars of Madness", the voice appears slightly in the vein of
"Covenant" (a bit less deep and more direct) but - and these are the
good news - the album has its very own style, despite of always sounding like
Morbid Angel. Fucking Excellent! The guitars are lightly raw and they spit good
melodies and solos throughout the album, showing what is Azagthoth made of. Pete
Sandoval's drumming, very clear and technical, is finally rid of the
"break-each-15-seconds", if you know what I mean (it's clear that in
each release he shows a great increase of his skills). Something that I find
very interesting within these 11 tracks is the background riffing during the
solos...maybe you won't see nothing special in it, but who cares anyway. Despite
had been released 6 years ago, "Domination" still stands above 90% of
the actual death metal... because when you turn off the stereo, all the tunes
will keep aggressively hammering your head for a long long time and very hardly
will be forgotten. Along with 1990's "Altars of Madness", this is
Morbid Angel's best release.
Tracklist:
1 - Dominate
2 - Where the Slime Live
3 - Eyes to See, Ears to Hear
4 - Melting
5 - Nothing but Fear
6 - Dawn of the Angry
7 - This Means War
8 - Ceasar's Palace
9 - Dreaming
10 - Inquisition (Burn with me)
11 - Hatework
18,5/20 |
Damned |
Morrigan - "Enter the Sea of
Flames" (Barbarian Wrath, CD, 2002)
The
band that started as Mayhemic Truth, presents here their second album, following
1999's "Plague, Waste and Death", after changing their moniker to Morrigan.
This new release really pleased me, especially because I liked very much their
previous works and they continued in the same vein for this new opus. So you can
count as "epic" Blackmetal as it was supposed to be: without overused keyboards
and female vocals! For those less familiar with this band I tell you that this
guys picked up where Bathory left with "Blood, Fire, Death".
The similarities with "Plague, Waste and Death" are evident, but I think that
this album is more close to the album they released still by the name of
Mayhemic Truth - "In Memoriam". You can note this in the chantings
part, and in the strong guitar lines, for instance.
Technically this is a very coherent album, with the guitars playing very
consistent riffs that are helped by the well achieved presence of the keyboards and
by some clean chantings that helps bringing an epic touch to the songs.
All in all, this is for sure a step forward in the career of this German band,
which is, in my opinion, the best in this kind of sonority.
Tracklist:
1 - The Valley of Buried Ships
2 - Beyond the Green Hills
3 - Thy Armageddon
4 - Thy Ravens Lay
5 - Come on Bitch, be my Victim
6 - To Honour the Brave
7 - In Cold Blood
8 - Anam Cara
9 - Enter the Sea of Flames
18/20 |
Shemahmforash |
Mortician - "Hacked Up
For Barbecue" (Relapse Records, CD, 1996)
If
you're into brutal deathmetal and ignore the existence of these guys, please
DIE. Raw and relentless music, that's the deal here, inclusively they have been
called "the most brutal fucking band in the universe!". Previously
under the moniker of Casket, the band was formed in '89 by Will Rahmer
(bass/vocals) and Matt Sicher (drums) and this was their second release,
following 1996's "House by The Cemetery". This album has nothing new,
Mortician continued with their well known and very particular style. Almost all
the tracks have intros/outros from gore and horror movies, the drum machine is
faster than Hell (they use it since '94 cause a proper drummer couldn't be
recruted), Will's vocals are inhumanly cavernous (I think that this guy's voice
comes from the very deep of his entrails or something like that), the bass is
100% distorted and the guitar has a very powerful sound. Concerning the lyrics,
they're very reduced and focus the usual stuff such as death, gore, cannibalism
and so on ("Boring through the skin Eating from within Feasting on the guts
Drinking bile and pus", for instance). Probably you'll find this album
extremely monotonous and stripped from originality...but actually I'm fond of
it, nowadays I'm constantly craving for ruthless brutalities like this!
Tracklist:
1 - Bloodcraving
2 - Embalmed Alive
3 - Cremated
4 - Three On A Meathook
5 - Brutally Mutilated
6 - Deranged Insanity
7 - Cannibal Feast
8 - Blown To Pieces
9 - Fog Of Death
10 - Brutal Disfigurement
11 - Apocalyptic Devastation
12 - Inquisition
13 - Hacked Up For Barbecue
14 - Abolition
15 - Necrocannibal
16 - Ripped In Half
17 - Morbid Butchery
18 - Decapitated
19 - Drilling For Brains
20 - Eaten AliveBy Maggots
21 - Witches Coven
22 - Worms
23 - Annihilation
24 - Mortician
17/20 |
Damned |
Myrkskog - "Deathmachine"
(Candlelight, CD, 1999)
"Deathmachine"
appeared one year after release of their second demo "Apocalyptic
Psychotica - The Murder Tape", which draw attentions to some of the bigger
European labels, among that labels was Candlelight Records, the one with they
signed up. The demo was good, and a little bit different of what was being done
in the black/death metal scene, but by listening to the demo I never guessed
that they would release, one year after, such a good, original and powerful
album!
This album is a perfect combination of Deathmetal and Blackmetal, direct
and very fast, as it should be. About the production, Candlelight offered them
excellent conditions, and they used that to get an excellent sound to the album.
About the lyrical concept, it's about the destruction of humanity by machines in
a futuristic view.
The instrumentalization is very good, with the guitars and the drums sounding
wonderfully, making an excellent combination, about the vocal work, it's not
only the typical Blackmetal scratchy voice, sometimes it appears a guttural
voice, what in my opinion is very well achieved, creating a different dimension
in the music. By the work of the guitars and by the "insane" work of
the drums you can see that this album is much more technical than the typical
Blackmetal albums, this technique allied with the originality and brilliancy of
the combination between Blackmetal and Deathmetal makes this a great album, a
must for all those who are looking for something different.
For me they where the revelation in the more extreme sound in 1999 so I'm
waiting impatiently for their next album, that is being recorded now in the US
with Eric Rutan from Morbid Angel and is scheduled to be released in the end of
this year or in the beginning of 2002.
P.S. I almost forgot, the last song, the remix, was unnecessary.
Tracklist:
1 - Discipline Misanthropy
2 - The Hate Syndicate
3 - A Poignant Scenario of Horror
4 - Sinthetic Lifeworm
5 - Syndrome 9
6 - Morphinemangled Torture
7 - Deathfare to the Devil
8 - Deathmachine
9 - Pilar Deconstruction
18/20 |
Shemahmforash |
Myrkskog - "Superior Massacre" (Candlelight, CD,
2002)
Leaders
of the misantropic onslaught, Candlelight´s Myrkskog are back with a second
threat pointing towards devastation…
With the aid of Erik Rutan´s productions, “Superior Massacre” is better improved
than the ultimate “Death Machine”. It´s perceptible the band´s maturity in terms
of the lyrics and consistency of the music: this album reveals a solid structure
and gathers a conceptual mass genocide line of thinking with strong and
emphatisized rythms.
Brutally conceived in order to succeed the firstborn “Death Machine”, “Superior
Massacre” is improved to be powerful, brief and anti common melody. Less
synthetic and more extreme, Mysrkskog have defined a new level in Blacked Death
Metal modernism. The synths here appear by the hand of Epikktrician on the Intro
and Outro of the album: the mechanical sound and atmospheric samples were
replaced by efficient raw guitars, hellish pulse, frozen riffs in a ragefull
fury and ultra- swift rhythms.
Although the album is well aligned, it has some tracks that are just hollow
replicants of the others- “Indisposable Deaths”, “Bleeding Wrists” ie, which
reforces the summarity
and originality of the band.
Worthy enough to become part of any extreme sound collection as a reference in
Black/Death Metal avant-garde style!
Tracklist:
1 - Intro
2 - Domain of the Superior
3 - Detain the Skin
4 - Trapped in Torment
5 - Indisposable Deaths
6 - Over the Gore
7 - Blood Ejaculation
8 - Utter Human Murder
9 - Bleeding Wrists
10 - Outro
18.5/20 |
LubnaMagnis |