9. Refining the Repertoire
 
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Aurally India

1. Introduction
2. First Impressions
3. Feelings
4. Making Music
5. Aural Maps
6. Aural Travellers
7. Familiar Audiences
8. An 'Aural' Curriculum
10. Informing Original Work
11. Performance & Presentation
12. Assessment & Evaluation
Indian Music Theory
Indian Music & Dance
Indian Musical Instruments

Outcomes for Studies of Asia

Outcomes for Essential Learnings

Resources & References

a personal odyssey
Popular and folk music in India
There are similarities in many societies regarding the relationship between their 'Art' and their Folk and Popular Musics. Many of the perceived 'complexities' of the Art Music are 'simplified' to make the music more 'palatable' to popular taste. In Indian music this just as true. However the general characteristics of the music remain to give it, the the voice production, the melodic slides and its other qualities, a distinctly 'Indian' feel. Nowadays, with the general acculturation to an 'International' music, violins, synthesizers and all of the other musical trappings of the West have found their way into the popular music of India. Nevertheless the music which is evolving remains Indian.
There is an enormous variety and repertoire of Folk Music throughout the many regions of India and in many places the traditions are still intact. The music is almost invariably inseparable from the dancing it accompanies. Styles of Folk Music are usually specific to regions and the subject is too complex to examine in any detail here. In every international city there are usually people who can illustrate an aspect of Indian Folk Music or Dance and it is worth looking at their performance as an option in learning about Indian Folk Music.

Encourage students to visit these websites and collect information from them: Perhaps, from these, they can resolve some significant differences between performing arts in the south and in the north of India.

 

Last revised: August 09, 2004