11. Performance & Presentation
 
Click on the Lesson here

Aurally India

1. Introduction
2. First Impressions
3. Feelings
4. Making Music
5. Aural Maps
6. Aural Travellers
7. Familiar Audiences
8. An 'Aural' Curriculum
9. Refining the Repertoire
10. Informing Original Work
12. Assessment & Evaluation
Indian Music Theory
Indian Music & Dance
Indian Musical Instruments

Outcomes for Studies of Asia

Outcomes for Essential Learnings

Resources & References

 a personal odyssey
Thursday 3rd January, 2002; Bangalore to Ooti
We set off early on the morning we left for the long journey to Ooti. By 5.15am we had reached a magnificent Hari Krishna temple on the outskirts of Bangalore. Here we stayed to take in the early morning ritual of the Hari Krishna men in the temple which perched high on a hill. This was rather engaging although one younger member of our group thought it a little reminiscent of Indiana Jone's 'Temple of Doom' - interesting how easily we stereotype things - particularly if they are outside our usual range of familiarity!
The ritual itself was compelling as some of the men paced round and round the temple floor in apparently random patterns, chanting the Hari Krishna mantra, while others, apparently in a trance, sat on the floor in various parts of the temple, chanting. We were told that the women attend later when it is lighters, for safety reasons.
Most of those participating engage in these activities for up to and beyond four hours, for the benefits of its spiritual cleansing. as it had been as we ascended earlier, the return walk downhill was equally confusing and we had to wait sometime before everybody returned to the bus, as we made our way to Mysore.
Street scene in Madras
 
    The railway station in Mumbai
 
Red Fort, Agra

The 'Toy Train' station, Ooti
 

Last revised: August 09, 2004