
Takeda
Shingen (1467-1573), warlord of Kai mountains (or Yamanashi
today), was a worthy descendant of the Minamoto
clan (click here for story and pictures).
'Takeda' means 'warrior field', while 'Shingen'
means 'new sword'. There couldn't have been a more appropriate
name to address this man by.
This
is how he looks like when commanding his troops in 1572. He was
50 years old when the long war began; his enemy Oda Nobunaga was
37 and Tokugawa Ieyasu was only 29. That Shingen is the Chief
of chiefs of his clan is signified by the black battle-fan that
he got to hold upright all the time. It serves as a signalling
tool, too.
Around
him are personal guards; the two boys in red armor are Lord Takeda's
valets. In times of war, they, too, must take up arms and go to
the battlefield; their utmost duty is to protect their Lord against
any bodily harm. Because of this fixed arrangement of seats, they
got to form a human shield whenever needed. |
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Takeda
Generals: the venerable Yamagata Masakage, Baba Nobufusa,
etc, part of the legendary '24 Generals'.
Generals
for a great clan are heads of other (usually smaller) clans,
consisting of relatives and conquered ex-enemies.
After
Shingen's death, the Takeda Generals wanted to stay put, halt
expansion, and stop vying for control of the entire Japan, but
the new master of the realm, Katsuyori, had his own opinion.
Here
in 1574 at the fall of the Takatenjin Castle, formerly belonging
to the Tokugawa clan, the Generals merely watched from the rear,
letting him to do as he wishes.
Many
important people in this battle are not even mentioned in the
Kurosawa Akira movie. Click here for pictures of real-life Takeda
Generals & the real-life battle array of Nagashino
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Takeda
Katsuyori (1546-1582), Shingen's son, in a most grotesque
moment of the movie: he doesn't seize the Takatenjin castle --
he burns it to the ground. I think this movie takes on a rather
unfair view of Katsuyori. He was a good warrior and able strategician,
worthy of the clan's name, even if his dad was simply too
great.
Actually
Takeda Katsuyori married Oda Nobunaga's 13 year-old adopted daughter
some years back; but she died after giving birth to their son
and heir, Takeda Takemaru (a.k.a Takeda
Taro, a.k.a Takeda Nobukatsu, 1567-1582).
The kid is one of the major features in this movie, although the
little actor in the role could only give us a very amateurish
and unnatural acting.
Despite
the name that was snatched from the best parts of the kid's grandpa's
(Oda Nobunaga's 'great') and dad's (Takeda Katsuyori's 'victory')
names, so 'Nobukatsu' means 'great victory',
his life was no longer than 15 years -- and he died in the very
last battle of the clan's against the Oda army, by which utter
defeat the Takedas would never, ever, rise again.
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Guards
at the Takeda Castle in Kofu, capital of the province
of Kai, calling up everyone to go to war. Being naturally walled-up
so high in the mountains, Takeda Army can't get the latest warfare
tactics and firearms as easily and as soon, and as much as the outgoing
clans of Oda and Tokugawa. Yet, Takeda warriors are among the very
best of the whole Japan at the time; Obata Nobusada,
Naito Shuri, Oyamada Nobushige,
Anayama Baisetsu, Nishina Nobumori,
and so on, are enough to scare even the Oda soldiers. The genius
of Shingen is that he never fights a battle he can't win. Once he's
gone, this sanest principle in the world crumbles down to pieces. |
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Takeda
Nobukado (1529-1582), Shingen's younger brother, often
acts as kagemusha -- 'shadow warrior', i.e. stuntman, taking
up Shingen's place in the battles where the Lord himself wasn't
present. He's the one who found a new kagemusha who looks
almost exactly like Shingen. The problem is, while Nobukado himself
is a General, this new man is nothing but a petty thief -- so everyone
keeps on worrying whenever the fake Commander-in-Chief must go to
battle. However, since Shingen's principle is so darn simple --
essentially consisting of nothing but "Don't move!" --
the kagemusha can do well enough by barking it out loud
once in a while. |
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Takeda
Generals surveying the outlay of the fateful Nagashino
battle, the last great one for the clan. Still holding on to Sun
Tzu's art of war, even naming divisions as (rapid like) Fire,
(swift as the) Wind, (quiet as a) Forest and (immovable as a)
Mountain, the invincible Takeda Army is now still great in number,
but something has been lost since Shingen's death, and nobody
knows what that is.....
Perhaps
because Takeda Shingen's division was named Mountain -- even Shingen
himself was used to be referred to as 'The Great Mountain', 'O-yama'.
Now The Mountain has gone.
The
Generals just know it that their time has passed and it is useless
to move on with the old dream of unifying Japan and marching to
Kyoto to get the Emperor's blessings as the Supreme Commander
of Japan. Time belongs to the younger clans and lords; everything
is going Oda Nobunaga's way. |
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Nagashino
itself is just one single outlaying fortress that Tokugawa Ieyasu
has just taken from the Takeda, that previously claimed it from
the Imagawa clan. Though seemingly insignificant, Nagashino is
a strategic point for anybody wishing to control the whole Japan.
When
Takeda Katsuyori leads 15,000 men to this place to take it back,
the castle is only defended by 500 men under the command of Okudaira
Sadamasa, a Tokugawa captain. Tokugawa Ieyasu is only
able to assemble 8,000 soldiers (and that is already almost all
that the clan consists of), so he naturally asks for help.
Oda
Nobunaga is expected to send 6,000 men commanded by one of his
Generals.
But,
thinking that the Tokugawan Nagashino is actually the last site
of his own clan's defense system, Oda surprises everyone by leading
30,000 soldiers himself to join the Tokugawa Army at Nagashino. |
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Smaller
in number and far less famous, the Oda cavalry
relies entirely on their Lord's spirit to outdo whatever the legendary
Takeda cavaliers will.
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Takeda
Shingen's funeral in 1575, three years after his death, is the
sign of the twilight of the clan. Katsuyori, in real history,
moved his capital out of Kofu to Nirasaki. He actully managed
to steer his constantly diminishing human resources (even his
relatives deserted the clan) through rough waters for another
few years. Then what remains of the clan, no more than 90 people
-- most of which are Shingen's sons, daughters, and grandchildren
-- all died in Hirayashiki after losing yet another battle against
Oda Nobunaga. The Takeda clan virtually perished in 1579, when
even Takeda Takemaru fought until death. And Oda Nobunaga executed
Takeda Nobukado who escaped from the last battle.
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This
1980 Kurosawa Akira movie Kagemusha
is about a man who, after Takeda Shingen's death in the middle of
a campaign in 1572, is hired to dress as and act like Shingen in
battles and (far trickier, this) at home. Shingen himself wanted
his son and the Generals to keep his death a secret for exactly
3 years, not just from Oda and Tokugawa ninja but also from the
rest of the Takedas themselves, including Shingen's concubines and
grandchildren. Actually this was an unsubstianted suspicion of Takeda's
rivals of 1570's that he used 'stuntmen' and was able to appear
in two places at one time. Actor Nakadai Tatsuya
plays both Takeda Shingen and 'the Double' very well. Ryu
Daisuke gives us a very real Oda Nobunaga, and Yui
Masayuki plays Tokugawa Ieyasu convincingly. Yamazaki
Tsutomu is Takeda Nobukado, Hagiwara Kenichi
plays Takeda Katsuyori, and Otaki Shuji takes up
the role as Yamagata Masakage. The battle scenes are nerve-wrecking,
a far cry from the supposedly smaller-scoped wars in Kurosawa's
newer movie
Ran. It even helplessly gangling
and sagging near the final tracks; the total annihilation of the
Takeda cavalries takes too much time. In depth, Kurosawa's old masterpieces
like Seven
Samurai and Rashomon
are far better. But Nakadai is inimitable, and the rest of the cast
shine, too. That's why it's rather hard to make do without this
movie. |
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& Rap © 1996, 1997, 1998, 1999, 2000, 2001,
2002, 2003, 2004, 2005, 2006 Nina Wilhelmina
Sources
I tapped for this page: Nihon Shakai no Kazoku teki Kosei (Tokyo:
1948); Kono Shozo, Kokumin Dotoku Yoron (Tokyo: 1935); Anesaki
Masaharu, Nichiren, the Buddhist Prophet (Cambridge, Mass.:
Harvard University Press, 1916); Robert Cornell Armstrong, Light
from the East, Studies of Japanese Confucianism (University of
Toronto, Canada, 1914); Sasama Yoshihiko, Nihon kassen zuten
(Yuzankaku, 1997); William Aston, Shinto: The Way of the Gods
(London: Longmans, Green, 1905); Ruth Benedict, The Chrysanthemum
and the Sword (Boston: Houghton Mifflin, 1946); Charles Eliot,
Japanese Buddhism (London, 1935); Futaki Kenichi, Chuusei
buke no saho (Yoshikawa Kobunkan, 1999); Kiyooka Eichii, The
Autobiography of Fukuzawa Yukichi (Tokyo, Hokuseido Press, 1934);
Konno Nobuo, Kamakura bushi monogatari (Kawade shobo shinsha,
1997); Nukariya Kaiten, The Religion of the Samurai (London:
Luzac, 1913); A.L. Sadler, The Beginner's Book of Bushido by Daidoji
Yuzan (Tokyo: Kokusai Bunka Shinkokai, 1941); Satomi Kishio, Nichirenism
and the Japanese National Principles (NY: Dutton, 1924); Suzuki
D.T., Zen Buddhism and Its Influence on Japanese Culture (Kyoto:
The Eastern Buddhist Society, 1938); Henri Van Straelen, Yoshida
Shoin (Leiden: Brill, 1952); Robert Bellah, Tokugawa Religion;
Masaaki Takahashi, Bushi no seiritsu: Bushizo no soshutsu (Tokyo:
Tokyo daigaku, 1999); Paul Akamatsu, Meiji 1868, Revolution and
Counter-Revolution (Allen & Unwin, 1972); Nitobe Inazo, Bushido,
The Soul of Japan (Tokyo: Tuttle, 1970); Paul Varley and Ivan Morris,
The Samurai (Weidenfeld, 1970); Nakane Chie, Japanese Society (Tokyo,
Tuttle, 1973); Inoguchi and Nakajima, The Divine Wind: Japanese
Kamikaze Force in World War II (Hutchinson, 1959), Seki Yukihiko,
Bushi no tanjo (Tokyo: NHK, 2000); Amino Yoshihiko, ed. Edojidai
no mikataga kawaruho (Tokyo: Yosensha, 1998). |