Lesson
1: The Nature of a Sound Wave
Mechanical Wave
Longitudinal Wave
Pressure Wave
Lesson 2: Sound Properties and
Their Perception
Pitch and Frequency
Intensity/Decibel Scale
The Speed of Sound
The Human Ear
Lesson 3: Behavior of Sound
Waves
Interference and Beats
The Doppler Effect and Shock
Waves
Boundary Behavior
Reflection, Refraction, and
Diffraction
Lesson 4: Resonance and
Standing Waves
Natural Frequency
Forced Vibration
Standing Wave Patterns
Fundamental Frequency and
Harmonics
Lesson 5: Musical
Instruments
Resonance
Guitar Strings
Open-End Air Columns
Closed-End Air Columns
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Lesson 2: Sound Properties
and Their Perception
Intensity and the Decibel
Scale
Sound waves are introduced into a medium by the
vibration of an object. For example, a vibrating guitar
string forces surrounding air molecules to be compressed
and expanded, creating a pressure disturbance consisting
of an alternating pattern of compressions
and rarefactions. The disturbance then travels from
particle to particle through the medium, transporting
energy as it moves. The energy which is carried by the
disturbance was originally imparted to the medium by the
vibrating string. The amount of energy which is
transferred to the medium is dependent upon the amplitude
of vibrations of the guitar string. If the more energy is
put into the plucking of the string (that is, more work is done to
displace the string a greater amount from its rest
position), then the string vibrates with a wider
amplitude. The greater amplitude of vibration of the
guitar string thus imparts more energy to the medium,
causing air particles to be displaced a greater distance
from their rest position. Subsequently, the amplitude of
vibration of the particles of the medium is increased,
corresponding to an increased amount of energy being
carried by the particles. This relationship
between energy and amplitude was discussed in more
detail in a previous unit.
The amount of energy which is
transported past a given area of the medium per unit of
time is known as the
intensity of the
sound wave. The greater the amplitude of vibrations of
the particles of the medium, the greater the rate at
which energy is transported through it, and the more
intense that the sound wave is. Intensity is the
energy/time/area; and since the energy/time ratio is
equivalent to the quantity power,
intensity is simply the power/area.
Typical units for expressing the intensity of a sound
wave are Watts/meter2.
As a sound wave carries its energy
through a two-dimensional or three-dimensional medium,
the intensity of the sound wave decreases with increasing
distance from the source. The
decrease in intensity with increasing distance is
explained by the fact that the wave is spreading out over
a circular (2 dimensions) or spherical (3 dimensions)
surface and thus the energy of the sound wave is being
distributed over a greater surface area. The diagram at
the right shows that the sound wave in a 2-dimensional
medium is spreading out in space over a circular pattern.
Since energy is conserved and the area through which this
energy is transported is increasing, the power (being a
quantity which is measured on a per area basis)
must decrease. The mathematical relationship between
intensity and distance is sometimes referred to as an
inverse square
relationship. As the intensity varies
inversely with the square of the distance from the
source. So if the distance from the source is doubled
(increased by a factor of 2), then the intensity is
quartered (decreased by a factor of 4). Similarly, if the
distance from the source is quadrupled, then the
intensity is decreased by a factor of 16. Applied to the
diagram at the right, the intensity at point B is
one-fourth the intensity as point A and the intensity at
point C is one-sixteenth the intensity at point A. Since
the intensity-distance relationship is an inverse
relationship, an increase in one quantity corresponds to
a decrease in the other quantity. And since the
intensity-distance relationship is an inverse square
relationship, whatever factor by which the distance is
increased, the intensity is decreased by a factor equal
to the square of the "distance change factor." The sample
data in the table below illustrate the inverse square
relationship between power and distance.
Distance
|
Intensity
|
1 m
|
160 units
|
2 m
|
40 units
|
3 m
|
17.8 units
|
4 m
|
10 units
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Humans are equipped with very sensitive
ears capable of detecting sound waves of extremely low
intensity. The faintest sound which the typical human ear
can detect has an intensity of 1*10-12
W/m2. This intensity corresponds to a pressure
wave in which a compression of the particles of the
medium increases the air pressure in that compressional
region by a mere 0.3 billionths of an atmosphere. A sound
with an intensity of 1*10-12 W/m2
corresponds to a sound which will displace particles of
air by a mere one-billionth of a centimeter. The human
ear can detect such a sound. WOW! This faintest sound
which the human ear can detect is known as the
threshold of hearing.
The most intense sound which the ear can safely detect
without suffering any physical damage is more than one
billion times more intense than the threshold of
hearing.
Since the range of intensities which
the human ear can detect is so large, the scale which is
frequently used by physicists to measure intensity is a
scale based on multiples of 10. This type of scale is
sometimes referred to as a logarithmic scale. The scale
for measuring intensity is the
decibel scale. The
threshold of hearing is assigned a sound level of 0
decibels (abbreviated 0 dB); this sound corresponds to an
intensity of 1*10-12 W/m2. A sound
which is 10 times more intense ( 1*10-11
W/m2) is assigned a sound level of 10 dB. A
sound which is 10*10 or 100 times more intense (
1*10-10 W/m2) is assigned a sound
level of 20 db. A sound which is 10*10*10 or 1000 times
more intense ( 1*10-9 W/m2) is
assigned a sound level of 30 db. A sound which is
10*10*10*10 or 10000 times more intense (
1*10-8 W/m2) is assigned a sound
level of 40 db. Observe that this scale is based on
powers or multiples of 10. If one sound is 10x
times more intense than another sound, then it has a
sound level which is 10*x more decibels than the less
intense sound. The table below lists some common sounds
with an estimate of their intensity and decibel
level.
Source
|
Intensity
|
Intensity
Level
|
# of
Times
Greater Than
TOH
|
Threshold of Hearing (TOH)
|
1*10-12
W/m2
|
0 dB
|
100
|
Rustling Leaves
|
1*10-11
W/m2
|
10 dB
|
101
|
Whisper
|
1*10-10
W/m2
|
20 dB
|
102
|
Normal Conversation
|
1*10-6
W/m2
|
60 dB
|
106
|
Busy Street Traffic
|
1*10-5
W/m2
|
70 dB
|
107
|
Vacuum Cleaner
|
1*10-4
W/m2
|
80 dB
|
108
|
Large Orchestra
|
6.3*10-3
W/m2
|
98 dB
|
109.8
|
Walkman at Maximum Level
|
1*10-2
W/m2
|
100 dB
|
1010
|
Front Rows of Rock Concert
|
1*10-1
W/m2
|
110 dB
|
1011
|
Threshold of Pain
|
1*101
W/m2
|
130 dB
|
1013
|
Military Jet Takeoff
|
1*102
W/m2
|
140 dB
|
1014
|
Instant Perforation of Eardrum
|
1*104
W/m2
|
160 dB
|
1016
|
While the intensity of a sound is a
very objective quantity which can be measured with
sensitive instrumentation, the
loudness of a sound
is more of a subjective response which will vary with a
number of factors. The same sound will not be perceived
to have the same loudness to all individuals. Age is one
factor which effects the human ear's response to a sound.
Quite obviously, your grandparents do not hear like they
used to. The same intensity sound would not be perceived
to have the same loudness to them as it would to you.
Furthermore, two sounds with the same intensity but
different frequencies will not be perceived to have the
same loudness. Because of the human ear's tendency to
amplify sounds having frequencies in the range from 1000
Hz to 5000 Hz, sounds with these intensities seem louder
to the human ear. Despite the distinction between
intensity and loudness, it is safe to state that the more
intense sounds will be perceived to be the loudest
sounds.
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