 |
The
Story of the Dream Catcher |
 |
With the great interest in Native American
culture in the last few years
and the commercialization of the artwork of the different nations
(tribes), many legends as well as myths of the different tribes are being
lost. These are even being intertwined so one cannot truly know what is
fact
are not. This is truly sad
as, there are many great Native American
tribes on this continent. Of
which each has it’s own history, culture,
myths, and society, all of which was passed from our ancestors.
In this modern age dream catchers are made by many Native American’s
from many Nations, as well as non native American’s. Many people are
under the impression that the Sioux (Lakota, and the Dakota tribes)
according to Sioux Legend is origin of the dream catcher.
Frances
Densmore conducted an extensive study of the material culture of the
Chippewa (Ojibwa) nation in the early 1900's his studies were published
in the book, Chippewa Customs, published by Minnesota Historical
Society Press (St. Paul) in 1979. In which he describes that articles
representing spider webs were usually hung from a child's cradleboard,
and it was believed that 'they catch and hold everything evil as a
spider's
web catches and holds everything that comes into contact with it'. He
also
mentions a similar netted-hoop made by the Pawnee to represent the
Spider-Woman, a spirit who controlled the buffalo.
Due to the popularity
of the dream catcher there has been quite a discussion about the origin
of
the dream catcher.
A look at the long tradition of storytelling, passed down parent to
child,
generation after generation, clears up any confusion about the origin
of
dream catchers
Many
will dispute this….
The
Dream Catcher was originally made by the Chippewa (Ojibwa), from a hoop of
bent willow with a webbing.
In the Native American
culture a lot of symbols evolved around the hoop,
one of these was the Dream Catcher.
Using a hoop of willow bits and
pieces of everyday life, it is believed to have the power to catch all
of a
person's dreams, filtering out the bad ones, letting only the good
dreams
pass through. Many Native American tribes believe that the night air is
filled with dreams both good and bad. The dream catcher when hung in a
place of rest, swinging freely with the air, catches the dreams as
they
flow by. The good dreams can slip through the outer holes and slide
down
the soft feathers so gently that many times the sleeper does not know
that they are dreaming. The bad dreams, get tangled in the web and
perish with the first light of the new day. As does the dew collected
on a
spider web.
It is traditional, to put a feather in the center of the dream catcher,
it
stands for air. Which is essential for all life.
The feather can represent
a couple of things. The
feather of an owl (a woman's feather) is kept for
wisdom. The eagle feather
(a man's feather) is kept for courage.
Native
Americans, in general, are very specific about gender roles and
identity,
(this is changing somewhat today).
This is not to say that the use of a
specific feather is restricted by gender, but to use a specific feather
we
are aware of the gender properties we are invoking.
The use of
stones in the dream catchers of today, were not used in the
past. The use of four stones is to represent the four directions.
In the
past these would have been feathers from the sacred birds, the
eagle
and owl. Governmental
laws have forbidden the sale of these birds
feathers today. As a
result stones are used.
Basic
Chippewa Story
The Clans of the
Chippewa (Ojibwa) Nation of long ago, were all
located
in one general area around the Great Lakes region .
Chippewa’s have
many ancient stories about the dream catcher, how it came to be,
why it
is used, and how it should be made.
Chippewa storytellers tell how the
Asibikaashi (Spider Woman) would build her lodge before dawn. You
should look for her lodge and you will see this miracle of how
she has
captured the sunrise as the light sparkles on the dew that is
gathered on
her web. To fill a
prophecy the Chippewa Nation dispersed to the four
corners of North America. Asibikaashi had a difficult time making her
journey to all the cradleboards.
Asibikaasi took care of the people then
as she continues to do so to this day.
The mothers took up the practice
of weaving the magical webs for their babies using willow hoops
and
sinew. They were
made in the shape of a circle to represent how giizis
(the sun) travels across the sky.

White
Eagle
top
|