A B C D E F G H I J K L M N O P Q R S T U V W X Y Z V/A
I
Iced Earth - "Horror
Show" (Century Media, CD, 2001)
One
of the most awaited releases of the last months, this new album from one of the
best bands in the Heavy Metal scene, and it was worth the waiting.
At their 6th album, Iced Earth release a really strong work, a conceptual album
based on imaginary monsters. The guitars, mostly work of the ever-present Jon
Schaffer (who also wrote about half of the lyrics) are very fierce and solid,
ranging from the more aggressive ("Jack" or "Damien" for
example) to the more calm, acoustic stuff (beginning of "Dracula" and
"Ghost of freedom", this last one a ballad that kind of remembers me
of "The Fiddler on the Green", from the Demons and Wizards project).
Consistence is some of the first things that leap out of this record - not only
the guitar, but everything here is very solid, and the album maintains a very
consistent obscure aura throughout the whole record...maybe too consistent for
some...
Gary Barlow also has a very inspirated participation, very varied and powerful,
managing to transport some of the feeling carried by the stories themselves to
the listener...difficult to choose my favorite vocalizations...they're all good
and equilibrated...he even gets to sing a duet with a female singer on the epic
"The Phantom Opera Ghost". The drums (Richard Christy) are fierce and
accurate, the lead guitars (Larry Tarnowski) sound good (big iron maiden
influence, like everyone else in the band) and the bass (Steve DiGiorgio, who's
not in the band anymore) is also good...consistence again!
One of the best Heavy Metal albums from these last months, probably one of the
best of the year, not an instant-listening one, but that will keep you going
through it for a lot of time. A special version of this release comes with a
"Transylvania" (from Iron Maiden) cover.
Tracklist:
1 - Wolf
2 - Damien
3 - Jack
4 - Ghost Of Freedom
5 - Im-Ho-Tep (Pharaoh's Curse)
6 - Jeckyl & Hyde
7 - Dragon's Child
8 - Frankenstein
9 - Dracula
10 - Phantom Opera Ghost
11 - Transylvania
18,5/20 |
Zoid |
Immortal - "Battles in
the North" (Osmose
Productions, CD, 1995)
Cold,
raw, epic, light-speed winter metal. This is as accurate as i can classify the
norwegian masters Immortal's latest work.
It is damn fast, is the first thing you notice. There are few slow moments in
this album, for Abbath (both the band's vocalist, bass, drummer and synth
(almost inexistant) player) have decided to totally blast out the skins for this
demonic release. Unfortunately, i guess the guys in the studio weren't with
great patience for the recording, so you can notice some nasty mistakes, and the
drums sometimes sound a little bit repetitive.
The guitar work, provided by Demonaz, is constituted mainly of cold, winter
riffs, not very technical but highly effective, sometimes intercalated with very
cool leads or, in the case of the last song, "blashyrkh (mighty ravendark)",
fantastic epic acustic parts. The bass follows the guitar in most ocasions, but
sometimes also gives an air of its grace (the beggining of "cursed realms
of the winterdemons", for example). Only a slight defect - many songs begin
with the same chord and similar rhythm (so don't listen only to the intros, or
you'll think this release has a utter lack of originality!).
The vocals are done in a very cold, epic, imponent style, with Abbath screaming
out majestic words of power (the lyrics go around ravens, ice mountains,
northern realms...very epic stuff, no pseudo-evil "satan is my boss"
bullshit here!); there are small english errors, though, but most people won't
even notice (although Immortal could do an effort to avoid them in future
releases).
The production work has it's flaws, such as the drum recording mentioned above,
and the not 100% cristaline sound, but is is reasonable nonetheless, much like
most extreme metal recordings of that time (grieghallen, should i say more?...).
Simple, effective, this is Immortal's latest release. Musically similar to black
metal, but should not be considered to belong to such a style (the band preffer
to call it "holocaust metal"), for it is something quite unique. I
agree.
Tracklist:
1- Battles In The North
2- Grim And Frostbitten Kingdoms
3- Descent Into Eminent Silence
4 - Throned by Blackstorms
5- Moonrise Fields of Sorrow
6- Cursed Realms of the Winterdemons
7- At The Stormy Gates of Mist
8- Through The Halls of Eternity
9- Circling Above In Time Before Time
10- Blashyrkh - mighty Ravendark
17,5/20 |
Zoid |
Immortal - "At the
Heart of Winter" (Osmose
Productions, CD, 1999)
Although
Immortal might be considered, in terms of sound, Blackmetal, their lyrics never
integrated the standard "fuck christ" stuff. At their fifth album, the
same happens. This was the first thing I noted when I bought "at the heart
of winter", even before hearing it - the lyrics continue to be about
grimness, winter, always in the style immortal have habituated us to, now more
epic than ever.
Now the music... Immortal has a new line-up, as Demonaz, due to arm problems,
left the band, leaving the composition work to Abbath. I must confess I was kind
of scared of hearing this album, because I thought that maybe Abbath couldn't
handle all the composition work (except for the drums, which are very well taken
care of by Horgh). I was completely wrong!
Immortal managed to reinvent themselves, when they released this masterpiece of
extreme metal. The music has suffered a big evolution, now the songs are way
more complex, featuring an incredibly inspirated and direct guitar work (and I
thought that Abbath could only handle the bass...), now more melodic and
powerful than ever.
The songs are also much more majestic, recovering a bit of the atmospheric
feeling that "diabolical fullmoon mysticism" had; to that thing
contributes the length of each track: a medium running time of about 7 minutes;
Abbath's voice continues to be dark, grim, raw and imponent, completely fitting
the great lyrics (work of Demonaz, who has written all of them for this album).
There will be of course fans, more fond of the more direct immortal sound,
featured for example in "battles in the north" who will disapprove the
direction of the band, but I believe that, by doing this record (which runs for
the title of best album of the year, in my opinion...) immortal have managed to
gain a new strength, and of course, lots of new fans.
Tracklist:
1 - Withstand the Fall of Time
2 - SolarFall
3 - Tragedies Blow at Horizon
4 - Where Dark and Light don´t Differ
5 - At the Heart of Winter
6 - Years of Silent Sorrow
18,5/20 |
Zoid |
Immortal - "Damned in
Black" (Osmose
Productions, CD, 2000)
A
year and so after the release of the mighty "At the Heart of Winter",
the great masters of nebula frost (duh...) are back with a new release,
"Damned in Black".
The band now has included a permanent bass-player, iscariah, who, despite having
not contributed in terms of composition to this album (because when he arrived
at the band the making was almost done), will contribute to the next one.
Don't expect a return to the very raw style featured in the older albums, but
know that this album is way more direct and brutal than the last one,
incorporating several 80's influences.
The songs are no more 7 minute epics, but 3-4 minute war cries. The lyrics, work
of Demonaz again, continue in the same vein, now slightly more direct to adjust
the musical landscape. The instrumentation is also in the same vein, with the
guitars being more in-your-face and the drums being really awesome, aggressive
and groovy (great work Horgh!).
But this isn't the masterpiece "at the heart of winter" was. I mean,
there are great tracks in the album, like for example "triumph" or
"wrath from above", but, when you listen to the album, you sometimes
get the idea that it could be better, maybe Immortal could wait some 3 months
more to get the album better or something...but don't think this is a bad
release, 9 out of 10 Immortal fans will love it, and many who disliked the
band's more epic approach will join the legion once again!
Tracklist:
1 - Triumph
2 - Wrath from above
3 - Against the Tide
4 - My Dimension
5 - The Darkness that Embrace Me
6 - In our Mystic Visions Blest
7 - Damned in Black
16/20 |
Zoid |
Impiety - "Kaos Kommand 696"
(Osmose Productions, CD,2002)
If
by any chance you thought that Impiety's previous album "Skullfucking
Armageddon" was good, then you should really get this one ASAP. These 3 maniacs
from Singapore really know what they're doing, and the proof comes within this
extreme and violent album. Concisely, here we have 8 war anthems of pure
desecration and astonishing aggressiveness showed through killer riffs leading
the angerly spitted vocals by Shaityain, both supported by Fauzzt's frenetic
drumming filled with constant blast beats.
Concerning the album's production, everyone can notice that it's clearly less
muffled than the one featured on its predecessor, which turned out to be a
necessary and quite relevant improvement in order to enhance the band's
intensity; the vocals were also reviewed and therefore they sound more aligned
with the other elements. Anyway, if you want to have a cleaner idea of Impiety
try to imagine the natural evolution of Angelcorpse's sonority if they were
still active: a devastating hurricane punching your face mercilessly!
As for favourite tracks, I must say that despite the homogenity here featured my
choice goes to "ChristfuckingChrist" and "Wardaemonic Overkill", both already
repeated by my stereo speakers 'till exaustion.
"Kaos Kommand 696" can be considered a real breath of fresh air within the
scene, as we impotently assist to its invasion by useless fags [normally from an
abhorrent town called Gothenburg] who proudly deliver "nice-and-harmonic-shit"
appropriate for 12 year-old kids who desperately crave for completely dull
stuff.
If you're into bands like Krisiun, Belphegor and so on, erase them from your
memory immediately because when compared to Impiety, they're nothing but
pretty-looking innocent girls playing romantic ballads. This is definitely one
of my favourite releases for 2002, it really struck me with the strenght of
something like a jackhammer.
Tracklist:
1 - christfuckingchrist
2 - Apokalyptic Nuclear BattleBeasts
3 - Wardaemonic Overkill
4 - Atomic Wrath of Azzazzel
5 - Bestial Genocidal Goatvomit
6 - Bloodred Angelshred
7 - Abominate Fornicate Desecrate
8 - Kaos Kommand 696
19/20 |
Damned |
Incantation - "The
Infernal Storm" (Relapse Records, CD, 2000)
Probably
everyone who's reading this review knows at least something about this cult
american Deathmetal band much influenced by Death's first albums. Formed in 1989
by John McEntee and Paul Ledney, they're line-up consists now in John McEntee
(guitar), Rob Yench (bass), Mike Saez (guitars/vox), and Duane Timlin (he's from
Sarcophagus and is the drummer only for touring effects). Well, 2 years have
passed since their last release entitled "Diabolical Conquest" and the
changes in this "Infernal Storm" are almost inexistent (they're one of
the few bands that still remains faithful to its roots). This is fast satanic
death metal; a blending of heavy, really intense passages with fast-paced and
brutal catchy riffs. Concerning the lyrical concept, with track names such as
"Apocalyptic Destroyer of Angels" and "Heaven Departed", I
guess you'll know what to expect from here (unless you're retarded, but that's
not my fault). As for the production, I think the sound is a bit low when
compared with the "Diabolical Conquest" album, but that's not much
relevant. Despite the absence of something new here, this is a very good album,
one more triumph to the true warriors of blasphemy.
Tracklist:
1 - Anoint the Chosen
2 - Extinguishing Salvation
3 - Impetuous Rage
4 - Sempiternal Pandemonium
5 - Lustful Demise
6 - Heaven Departed
7 - Apocalyptic Destroyer of Angels
8 - Nocturnal Kingdom of Demonic Enlightenment
17/20 |
Damned |
Infernüs -
"Ódio Infernal" (Purodium Rekords, Promo-Tape, 2002)
Before
this release reach my hands I heard an instrumental track from this guys,
and I was really impressed, because I never though
I would walk backward to the 80’s
Black Metal, darkness, rawness and terror. This is the debut release from this
Portuguese band from Beira Baixa and they present us two Raw and Cold Black
Metal tracks. This band should have more credit for the balls this guys have to
write the lyrics in Portuguese, not a matter of pride but the bands should write
more lyrics in Portuguese, just an opinion.
This demo sounds raw the way it should be as we can define the bass, the guitar,
the drums and the vocals. This isn’t well played music, this is Black Metal or
in other words, it has more feeling than properly technique. This band has a
great feeling at my point of view; they have the essential for it. The guitar
riffs are very demoniac, specially the first ones of the song “Sacrifício
Maligno” and those riffs on the middle of “Cristo em Chamas” on the slow part,
it is repetitive in a good way, because the songs aren’t very long. In what
concerns the vocalizations, it seems an alcoholic screaming, but he does it with
a great feeling… the drums are well played, Impur handle it well, he performs
mostly fast beat but not the way I can say he’s a cyborg. The bass, well I don’t
know who performed it on this record, probably a guest-member, but it has a bass
line, simple but it is present here. The production is fine, the instruments
sounds raw but we can’t hear any unwanted noises on this release. For the end, I
think this band sound cavernous and rudimentary; they perform a simple Black
Metal but with a lot of feeling and no great techniques… loyal to the 80’s Black
Metal.
Tracklist:
1 - Sacrifício Maligno
2 - Cristo em Chamas
Inner Helvete/Front
Beast - "United
Terror Division" -
(Ordealis Records,7’’EP,
2002)
This
split contains two Black Metal bands, the Portuguese horde Inner Helvete and the
Germans Front Beast. It is composed of two tracks from Inner Helvete, (one of
them is the intro) and one track from Front Beast. This holocaust starts with a
very dark atmosphere; it seems as if we are flying on the void and burning in
the violent flames of hell at the same time. It is strange, we hear the wind and
a melodic guitar riff without distortion… terror arrives, finally, the second
track from Inner Helvete, starts. Distorted guitar with riffs that remind me of
war as it has some noises on it and I think it fits well. The drums can be
better… I think they should program it better. Well, what discounts in some
things counts on others such as originality, on this second track “Allegiance to
Satan (Total Warfare Version)” and last from Inner Helvete on this split, in the
middle of the music, it all stops and we can hear some star wars ambient, like
lasers, which personally I think it is innovator. At the beginning Inner Helvete
didn’t arouse me much, nut I learned to appreciate their sound, and now I see
the infernal feeling they have.
Front Beast crushes his side with one unholy hymn, “Slaughter the Heaven”, which
I think is an excellent track, although it is very in the vein of Burzum which
is preferable than Cradle of Filth clones… It starts with a thunderstorm, then,
an epic riff starts to announce the slaughter of heaven. I must confess this
song impressed me the first time I heard it because the vocals are so sick… it
seems like this guy is begging for something really desperately. The guitars are
epic on the entire track while the bass limits to follow the guitar. The drums
are good. Generally I think this music is well done, mainly the construction of
the track and specially the sequence of the guitar riffs.
For the end I
would like to say that Inner Helvete has a more characteristic sound than Front
Beast, anyway, both bands are very good and have the essence from the
underground... I think the guttural “distorted” vocals on Inner Helvete aren’t
so common on nowadays Black Metal so it distinguishes them from other bands…
Side A: (Inner Helvete) 1 - From the Bottomless Depths 2 - Allegiance to Satan (Total Warfare Version) |
Side B: |
17/20 |
Lord Infaustum |
Insision - "Beneath The
Folds of Flesh" (Earache Records, CD, 2002)
Just
when you think that brutal death metal in Europe has died, another band appears
and the corpse rolls over in it's grave. The last time I heard an album of this
musical style with such attention/curiosity was somewhat in 1998, I really can't
remember. Insision come from Sweden, but one can immediately tell they're not
included among the crappy "melodic-meets-happy" Gothenburg style, wich for me is
obviously a relief. Their debut "Beneath the Folds of Flesh" captured my
attention right since the initial seconds of the opening track "World Impaled"
mainly due to its blasting energy and instrumental accuracy; both elements are
the keystone of a formula (let's call it this way) repeatedly showed through the
remaining tracks. In addition to that, comes a layer of technical/fast riffing
(sometimes reminding me of Suffocation but less downtuned) mixed with a certain
amount of groove much in the vein of Cryptopsy's "None So Vile" (the bass
performs here an important role), along with Thomas Daun's drumming that
couldn't be more appropriate; coherent, fast when required and very precise when
it comes to rhythm changes. As for the vocals, my expectations weren't wrong as
I listen to Birath's constant cavernous growling throughout these nine
neck-snapping tracks. Concerning the lyrics, they feature inspirations from HP
Lovecraft, Satanism and some of Birath's personal reflexions, resulting in a
great song writing. Althought I've heard better releases within the genre,
"Beneath The Folds of Flesh" is an extremely violent album, clearly above the
average; Insision came to prove that good Death Metal can still be made in
Sweden, wich was indeed a bloody surprise for me.
Tracklist:
1 - World Impaled
2 - Trapped Within
3 - Sado God
4 - Temple of Flesh
5 - Rewind Into Chaos
6 - Impamiiz Gra
7 - My Fever
8 - Before My Altar
9 - Ex Oblivion
16,5/20 |
Tormentor |
InThyFlesh - "Ode Nacional"
(Demo-tape, Profanum Records, 2002)
This
is one of the two demos release almost simultaneosly by this young band comming
from the north of Portugal. "Ode Nacional" is a very good piece of cold and raw
Blackmetal as it was done back in the old days. For such a young band they show
already a great amount of coordenation and experience in writing the songs, so I
have to congratulate them for that.
All the instruments are well played and have a strong role in the songs,
for instance, the bass appears sometimes as lead (in the beginning of "Salvé
Portugal!", for instance), but normally it is used as a rythmic base for the
leads played by the guitar. The drum work is also well achieved with fast and
slower paces with the right tempos.
Another thing that I've got to congratulate them is that they had the guts to
write all the songs in Portuguese, which is not very common, but in my opinion
should be.
InThyFlesh with the release of this demo strengthened the Underground Blackmetal
scene in Portugal, that in the last few years has had a very good evolution, so
if you follow intensively Blackmetal support this band (and all the Portuguese
Blackmetal Underground), because they are a very good band and I think that in a
few years they'll become one of the most important bands within the
international Blackmetal scene.
Tracklist:
1 - Terra Pagã
2 - Sangue Luso
3 - Salvé Portugal!
Shemahmforash |