A B C D E F G H I J K L M N O P Q R S T U V W X Y Z V/A
T
Tartaros - "The Grand
Psychotic Castle" (Necropolis Records, MCD, 1997)
Have
you seen Emperor's "Emperial Live Cerimony" VHS? If you noticed who
was playing keyboards, then you already know the mentor of this one-man
project... Mr. Charmand Grimloch. He was invited by the almighty Emperor to
handle the keyboards during their tour, due to his skillfulness with such
instrument. And that skillfulness is once again proved (as If anyone still
needed that) in this 5-song MCD, a piece of gloomy and ghostly Black Metal
blended with some orchestrations and effects that remind me of horror movies (I
admit, it really captured me). The keyboards work is supremely executed, it
creates an intense atmosphere and gives the impression of a terryfing presence
that wants to crawl out from the stereo speakers and head towards us. About the
voices, this MCD is filled with somber choirs, chanting and terrifying screams
that give an extra haunting touch to Grimloch's music. The guitar work is
discreet, but quite good (in the beginning this instrument may seem almost
inexistent and useless, but after a couple of listenings wou'll agree with me).
Your blood will freeze to the sound of Tartaros.
Tracklist:
1 - Intro
2 - Dark Red Light Upon The Bomos
3 - Images Of The Mystic Sphere
4 - Tones Towards The Empyrean
5 - The Grand Psychotic Castle
16,5/20 |
Tormentor |
The Haunted - "Made Me
Do It" (Earache Records, CD, 2000)
At
their second album, the band that started when At the Gates ended delivers a
more mature and melodic, without being less brutal, album.
"The haunted made me do it" is sang by Marco Aro, ex-face down, who
replaces Peter Dolving; the drummer is also a new guy, Per Moller Jensen,
instead of Adrian Erlandsson, who went to Cradle of Filth. The new dudes have
proved that they are more than worth the place, for the drums are excellent,
very "thrashy", and the vocals also very aggressive, incorporating
small hardcore influences, something which only makes The Haunted's thrash metal
more original.
As I have said before, this album is more melodic than "the haunted",
incorporating a lot of Swedish stuff, without being extremely technical.
However, it is brutal as hell - not a single track is headbanging-free, all of
them are completely mad exercises of total headbanging, from
"revelations" (the most brutal track of this record) to "human
debris" or "victim iced", just to name a few.
And the vocals, they are not calm either, revolving around serial killers and
their bad habits.
All in all, this is a very good album, not a "reign in blood", but one
of the best thrash releases from these months. Highly recommended if you miss
some serious headbanging to good thrash metal!
Tracklist:
1 - Dark Intentions
2 - Bury Your Dead
3 - Trespass
4 - Leech
5 - Hollow Ground
6 - Revelation
7 - The World Burns
8 - Human Debris
9 - Silencer
10 - Under The Surface
11 - Victime Iced
17/20 |
Zoid |
Thorns
- "Thorns" (Moonfog, CD, 2001)
And let me say that it was worth of the expectations. When listening to this
album, you'll understand that it is completely different from what you have
listened before! It's a completely uncommon album, but I say this in a good
sense, because the strangeness brings a great originality.
About the instrumentalization, Snorre invited Satyr (from Satyricon) and Aldhran
(from Dodheimsgard) to do the vocal works and Hellhammer for the drumming part,
and I'm sure that he invited the right guys to record this album, because the
combination, between Snorre's cold, fast and non-melodic guitar, Hellhammer's
fast and precise drumming and Satyr's/Aldhran's powerful voice, worked
wonderfully, seeming that they have been working together for years.
About the compositions of the songs, very strange guitar lines and rythms,
combined with "industrial" keyboard sounds and with some samples,
making some kind of "disturbing" atmospheres, in a unique way.
Concluding, this is a GREAT ALBUM, I must say it's a breath of fresh air in the
almost stagnated nowadays metal scene.
Traclist:
1 - Existence
2 - World Playground Deceit
3 - Shifting Channels
4 - Stellar Master Elite
5 - Underneath the Universe (Part I)
6 - Underneath the Universe (Part II)
7 - Interface to god
8 - Vortex
19/20 |
Shemahmforash |
Thou Shalt Suffer - "Somnium"
(Candlelight, CD, 2000)
For
those that don't know, thou shalt suffer started in the early 90's, and although
Ihsahn was the leader, there were more guys accompanying him. The band practiced
extreme metal, and even got to release an album, "into the woods of
Belial".
However, there was an evolution in both line-up and sound direction - Ihsahn
became the only member, and referred that the new album would be a synth-only
one. Indeed.
High expectations were being created about this album, many due to the
"opus a satanna" track, featured in "anthems..." and the
Reverence Ep. Forget it, you're not going to get that formal, pompous, classic
style featured in that track.
The songs featured in "Somnium" are different. First of all, Ihsahn
aimed at creating a connecting line between the songs, and tried to make this
album some kind of a soundtrack for your sleep. Thus, expect very ethereal,
strange, abstract melodies, all created with synths (many effects are featured,
and sometimes you may think that you're hearing other instruments, but no). The
songs are all named in Latin, with long names, so I'll just be referring to the
songs by the number (although THE SONGS HAVE NAMES, something that many persons
are always contradicting).
There is indeed some connection between the songs, but there should be more, for
sometimes you just part from one thing to something not so similar. One of the
things that probably contributed to this was the long writing process (from 1991
to 1999/2000), that contributed to the creation of sounds that contained very
different feelings, thus not creating that so desirable guiding line throughout
the album (Ihsahn even admitted that he released the record because he thought
that if he wouldn't do it now, he would never do it).
There is some kind of a trocist feeling around sometimes, very weird, that
really adds a certain psychadelic atmosphere to the songs. Rarely, you can hear
some kind of a whisper, sometimes you even hear chants by Ihsahn's wife, Ihriel,
although not very nice in quality (not the quality of the vocal lines, but the
quality of the singer).
The tracks are very abstract, as I've said before, and feature different
influences. On some there is a more classic feeling, particularly on the last
track, on some a more darkwave/ambient influence, and on most a mix of the both.
The album has its flaws, like every album, but is nonetheless a very good work,
made by a great genius of extreme metal, Ihsahn, from Emperor. And for those
looking for more tripping, abstract stuff, believe me, you'll like this (I do).
Tracklist:
Somnium I
Somnium II
Somnium III
Somnium IV
Somnium V
Somnium VI
Somnium VII
Somnium VIII
Somnium IX
Somnium X
16/20 |
Zoid |
Thunderbolt - "Black Clouds over Dark Majesty" (Ancestral Research, Split CD with Kataxu, 2000)
When I got this release I didn't knew Thunderbolt, so I couldn't throw any expectations towards the band and this (debut) split Cd with the also Slavonic Kataxu. This review will be focused only on Thunderbolt's recording because these Polish guys impressed me in a way I wasn't expecting. After an Intro full of bell chimes, wind samples and female histerical laughings, a feeling of nostalgia carried me back to the old days of Emperor's "In The Nightside Eclipse" as soon as the second track started, mainly due to the fuzzy riffing flowing out perfectly from the distant guitar sound. The general structures of the remaining tracks also remind me of Emperor's early characteristic compositions; when after a sudden stopping a distinct riff is initiated/repeated, inciting the drums to follow it energically throughout a different tempo ("Shadows of The Deepest Night") or even when a catchy melody jumps out from the blurred guitars' duet and overlays the main lead in a slow part (listen to "Moonglare", for example). Regarding the vocal performance, the typical hoarse singing is all there, featuring the necessary range of deepness after being blended with the other instruments. To complete Thunderbolt's creation, I must mention the presence of well-inserted ambient synth and acoustic passages wich help not only to keep up the interest but also to give an extra majestic/epic touch to the music, in the band's attempt to take the listener on a glorious trip to vast unknown landscapes (for instance on "Wilderness of The Eternal Darkness" and "My Dark Imagination"). By the end of the instrumental "Song of Glory" (two smooth and melancholic minutes of keyboard playing supported by the underlying dragged guitar line, sounding like a warrior's farewell), it's more than obvious that Thunderbolt went to drink influences from acts such as Emperor and - far from being clones - were able to shape and deliver them within the right proportions, adding a very personal touch. Recommended..
Tracklist:
1 - Intro (An Invitation)
2 - Shadows of the Deepest Night
3 - My Dark Imagination
4 - Wilderness of the Eternal Darkness
5 - Moonglare
6 - The Song of Glory
17/20 |
Tormentor |
Thy Serpent - "Forests of
Witchery" (Spinefarm Records, CD, 1996)
This
was the debut full-length (containing 6 tracks) of the Finnish Thy Serpent.
Previously they've released 2 demos that luckily assured them a contract with
the also Finnish Spinefarm Records (label of other bands such as December Moon
and Gates of Ishtar). So, during the demos, Thy Serpent was just a one-man
project handled by Sami Tenetz, but I've for the recordings of this album he has
recruited Luopio, Azhemin and Agathon (damn, why can't these guys have normal
names?). Anyhow, their sonority can be "labeled" as atmospheric and
melodic Black Metal, with a few Goth influences. The tracks here are very
lengthy, usually played mid-tempo or even more slowly (I've noticed a couple of
catchy riffs), mixing up acoustic sections with some orchestrations that have
the purpose to create a "smooth", distant melancholic atmosphere. As a
final note, I must say that this is a good album...despite not standind out much
whem compared to the rest of the releases of the genre that have seen daylight.
If you like this kind of music, go ahead and check this out...but sincerely it
left me quite indifferent.
Tracklist:
1 - Flowers of Witchery
2 - Of Darkness and Light
3 - A traveller of Unknown Plains
4 - Only Dust Moves...
5 - Like a Funeral Veil of Melancholy
6 - Wine from Tears
13/20 |
Tormentor |
Tormentvm - "Misanthropic Propaganda"(Demo, 2003)
Seems
like the Portuguese Underground is spitting some good acts lately. This new band
composed by Morbius (bass) and Raven Black (vocals), along with the session
members Tóxico (drums) and P.H (guitars) features here their debut demo entitled
"Misanthropic Propaganda". It resumes to three tracks of high-speed black metal
with slighty downtuned guitars and hate-filled raspy vokills. I usually don't
like computerized drummings. but the guy who programmed these knows what he's
doing, showing a clearly advanced sense of rhythm on each blast beat and break;
some of them, despite of very well performed, were excessively used though (in
the end of "In Tormentvm", for example). All the tracks have rather simple but
effective structures and are tightly played, with a special reference to a
couple of mid-paced passages where Raven Black's vocals feature additional echo,
wich add more interest to this demo. Concerning Morbius' performance, it is
quite discreet and reveals a small lack of timing on the middle of "Hate", but
that's not minimally relevant. As for the production, the guitars could be
slightly more tuned up with the other elements, in my opinion the overall
sonority would gain more with that change; but maybe the band's intention was to
keep the 6-strings slightly backgrounded. To end this review, a final note to
the decent artwork/promo packaging, accompained with a small biography of the
band, everything done with the possible profissionalism (btw, the band's logo
was created by the well-known Cristophe Szpajdel). A very positive effort from
these newcomers, from wich I expect to hear something more in a near future.
Tracklist:
1 - Hate
2 - In Tormentvm
2 - Call for Retaliation
Tormentor
Tsjuder - "Kill For
Satan" (Drakkar Productions, CD, 2000)
After
two demos, one EP and one promo album, finally came out the debut album from
this Norwegian band.
This band plays Blackmetal as it is supposed to be: raw, fast, brutal and anti-christian.
About the album itself they managed to join very fast and brutal parts with
other "painful" slow parts, making a great combination not falling in
to the common monotony and repetitivety of some Blackmetal bands. Sometimes,
throughout the album appears samples from movies, which are very well inserted,
this samples allied with the appearence of a back guttural voice brings, also,
something different to the album, besides this, there is an experimental song
named "Unleashed" and surprisingly, being some kind of electronic, it
is quite good. I just have one bad thing to say about this album, the drums'
sound could be better, after listening the album a couple of times, it starts to
be annoying.
Tsjuder say: "We
play raw and brutal Black Metal, and take total distance from most of the “new
wave” melodic, atmospheric, folkloric, trollish, vampiric, etc “Black
Metal”!" - I completely agree.
Tracklist:
1 - The Daemon Gate
2 - Necromancy
3 - Lord of Terror
4 - Raping Christianity
5 - Dying Spirits
6 - Unleashed
7 - Kill for Satan - The Kings Birth
8 - Sodomizing the Lamb - The Kings conquering
9 - Beyond the Grave - The Kings Reign
17/20 |
Shemahmforash |
Tsjuder - "Demonic
Possession" (Drakkar Productions, CD, 2002)
After
several delays the new Tsjuder album finally reached my hands. This new opus is
quite different from its predecessor "Kill for Satan", one can see a clearer
thrash influence in the guitar lines and also the absence of the slow and
painful parts of their debut album, now the songs are much more direct, which
makes them more interesting and less tiring. In my opinion the biggest flaw of
their debut album was very well corrected, for the drum's sound is very well
achieved now.
Technically this isn't a masterpiece, but its a coherent work without any major
flaws, and that's what really matters, at least in my opinion.
With this new album Tsjuder consolidated their position has one of the most
respected Blackmetal bands within the Underground Blackmetal scene, so if you
follow Blackmetal for real look no further, go ahead and by this album, because
this is very good material with all that is required: a great amount of attitude
and the spirit of the early days.
Tracklist:
1 - Eriphion Epistates
2 - Demoner Av Satans Rik
3 - Ancient Hate
4 - Bloodshedding Horror
5 - Deathwish
6 - A Twisted Mind
7 - I-10
8 - Primeval Fear
9 - Outro
18/20 |
Shemahmforash |