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Satyricon - "Nemesis
Divina" (Moonfog, CD, 1996)
This
is the third album of Satyricon, one of the most important bands within the
Norwegian Blackmetal scene. As all of you know, Satyricon is only formed by two
members, Satyr and Frost, but to record this album, they had the help of
Kveldulv a.k.a. Nocturno Culto in Darkthrone.
Now the album... It is a bit different from the first ones, I think it is more
direct, but at the same time more brutal and more melodic (this seems a
contradiction but if you listen to the album, you'll understand what I'm
saying). The songs are faster and have a lesser folk contribution.
About the instrumentalization, the drums are very good allying precision with
speed, in a way that only Frost can do; the guitars are very good to, playing
very consistent and melodic riffs, sometimes helped by the bass, the vocal part
is the typical Satyr's voice, but in some songs (The Dawn of the new Age for
example) appears a clean voice, what brings a different dimension to the songs.
About the keyboards, this time they make part of the song structure, they don't
appear only in interruptions as it happened on the other albums.
The lyrical part, besides half of the songs are written in Norwegian and sadly I
don't understand Norwegian, is about the Nordic Mythology as it was in the
previous albums.
I think this was the natural evolution of Satyricon previous sound, and this
evolution results in a great album.
Tracklist:
1 - The Dawn of a New Age
2 - Forhekset
3 - Mother North
4 - Du Som Hater Gud
5 - Immortality Passion
6 - Nemesis Divina
7 - Transcendental Requiem of Slaves
17/20 |
Shemahmforash |
Satyricon -
"Rebel Extravaganza" (Moonfog, CD, 1999)
After
the not very well received "Megiddo" EP, Satyricon are back with a
very different album - Rebel Extravaganza. First thing one notices when
listening to this new Satyricon album, is the much more progressive approach.
Besides the progressive approach this album has still very brutal and fast
parts.
The instrumentalization is quite complex: the guitars have a very powerful and
clear sound playing very good and technical riffs, the drums are very fast and
precise as Frost used us too and the voice is the typical Satyr's scratchy
voice. This album is very different from the typical Blackmetal albums, and from
Satyricon's previous releases, being very original, which for me is very good,
because the Blackmetal scene nowadays has a constant lack of ideas - the
majority of the bands are making what some other bands had made in the beginning
of the 90's. So if you like to hear something original being nonetheless metal,
check out this release, because this is VERY GOOD material!
Tracklist:
1 - Tied In Bronze Chains
2 - Filthgrinder
3 - Rhapsody In Filth
4 - Havoc Vulture
5 - Prime Evil Renaissance
6 - Supersonic Journey
7 - End Of Journey
8 - A Moment Of Clarity
9 - Down South, Up North
10 - The Scorn Torrent
Note: This CD was only released by Moonfog in the Scandinavia, in the rest of the world was distributed by Nuclear Blast.
18,5/20 |
Shemahmforash |
Setherial - "Endtime Divine" (Regain Records,
CD, 2003)
"Endtime
Divine" is the fifth album from this Norwegian band that plays a very fast
Blackmetal in the vein of Marduk or Dark Funeral.
Their previous albums are quite akin with the bands referred above, but with
this new album they managed to create a somehow original sound. The slower paced
moments are the main reason for this originality, because they now are present
in all the songs and have a preponderant role in every music, not like in the
past when they were only used a couple of times in an album. With this
innovation their sonority became much more stronger and coherent.
Technically this is a typical Blackmetal album in the nordic vein, with the
guitars playing very simple, but cold and sharp riffs, the bass work almost
unnoticed and only used for rhythm purposes and a scratchy voice screaming words
of blasphemy.
All in all this is clearly a step forward in the career of this band.
Tracklist:
1 - Crimson Manifestation
2 - The Underworld
3 - Subterranean
4 - ...of Suicide
5 - Entity of Night
6 - The Night of All Nights
7 - Endtime Divine
8 - Transformation
9 - Storms
17/20 |
Shemahmforash |
Severe
Torture - ”Misanthropic
Carnage” (Hammerheart Records,
CD,
2002)
Severe
Torture may be considered just one more acceptable band in the brutal
Death/Grind scenario; however, it is clear that they have affirmally improved
technically, since two years and a half ago, as the Nederlands industry remains
untouched.
“Misanthropic Carnage” is the second long lenght of this Dutch band, once more
labeled by The Plague, sub- label of the Hammerheart Records Company and
produced by
Berthus Westerhuys and Robbie Woning,
at Franky's Recording Kitchen.
This album has unmistakeable influences of the goremasters Cannibal Corpse,
Deicide and Suffocation in the constituition of the lyrics and riffs...- which
makes me wonder if they aren't inspired enough or simply doesn't dare to offer
something brighter.
Actually Severe Torture reinforces the Grind/Death Metal scene next to names as
Vile, Disgorge, Deeds of Flesh, and other bands from Holland, such as Pyaemia,
the extinct Centvrian, Inhume e Malignancy. In this album we can assist to
everything that we have expected from S.T. since “Feasting on Blood”. The
growling insanity vocalized by Dennis, guitar distortions and effects, (pitches,
delays and fasers in small measure, well applied), enthusiast rhythms, direct
lyrics and beating drums gathered in a bloodshed technical cult.
In my opinion, Severe Torture is one band that are meant to play live and loud
and not so good to hear in the stereo: the constant rhythms aren't so original
and it may let us fall into boredom or indifference. This album has a
particularity in terms of its production: the bass is really more perceptible
comparing to “Feasting on Blood”. The dragged sound does not appear anymore by
negligence or by mesmerizing “Mortician style”; it is clear and well composed
creating harmony inside disharmony. A fine production and a technical support
for the tracks that are brutal and good but too similar as ever. If the first
album had this production I think that they would not needed to make this one
because the formula is used and ordinary. I hope the band is aware of the path
that they will follow create something different on the next work- although
we'll be cursed to hear movie samples and banal death metal riffs all the time.
Tracklist:
1 - Mutilation of the Flesh
2 - Meant to Suffer
3 - Carnivorous Force
4 - Misanthropic Carnage
5 - Blinded I Slaughter
6 - Impelled to Kill
7 - Castrated
8 - Forever to Burn
9 - Your Blood is Mine
17/20 |
LubnaMagnis |
Sirius - "Aeons
of Magick" (Nocturnal Art Productions, CD,
2000)
After
the so welled received "The Eclipse Demo" released in 1998, it finally
came out the awaited first SiriuS album entitled "Aeons of Magick".
Before the release of this album, Z (drummer) left the band, thus the drums
where recorded by Vukodlack.
Surprisingly, the album was released by Nocturnal Art Productions (owned by
Emperor's Samoth) and recorded in Norway.
Now the album... Sirius have a very characteristic sound mainly based on synths
parts but, in this album, they managed to make very good links between the
fast parts of the songs and the synth atmospheric "interruptions". But
the main thing that one notices when listening to this record is the
reduced guitar contribution, the guitar appears as lead very few times, being
the synth much more prominent.
The lyrical concept is based upon cosmical concepts and let me say
that the lyrics are very well written, but a little bit difficult to understand
specially to someone who is not familiarized with archaic English.
One of the things that really surprised me in this record was the drum part,
Vukodlack showed that besides his well known skills as keyboard player he is an
excellent drummer.
For me this is the Portuguese metal album of the year (2000), they showed that
good Blackmetal isn't played only in the Nordic countries, it can be played all
over the world, all that is required is a big passion for Blackmetal.
Tracklist:
1 - Sidereal Mirror
2 - The Collapsing Spheres of Time
3 - Ethereal Flames of Chaos
4 - The Stargate
5 - Travellers of the Stellar Ocean
6 - Aeons of Magick
7 - Beyond the Scarlet Horizon
17/20 |
Shemahmforash |
Sirius -
"Spectral Transition - Dimension Sirius" (Nocturnal Art Producions,
CD, 2001)
Their
debut album "Aeons of Magick" (reviewed above) created many
expectations, specially in Lusitanian grounds, about this new release. First
thing you notice is the correction of the principal mistake of the previous
album: the guitars now have a dominant role in the sound, the orchestrations
that dominated the first album, at the first listening, seem to be forgotten,
but after you hear the album with more attention, you'll discover that they are
still present but in a different way, this time to make the atmospheres, not the
lead.
About the lyrics, they are still based upon cosmical concepts, and continue with
their inaccessibility to the ones who are not familiarized with archaic English.
The instrumentalization is much more complex now, the guitar work is very
technical and the drumming is very, very good - the best played in Portugal.
Now the bad part, this album was released almost at the same time as Zyklon's
"World ov Worms" and the similarities with that album are evident,
maybe this happened because the two bands recorded the albums in the same
studio, and the producer of this Sirius album was Samoth, who is the mentor of
Zyklon.
This is a very good album, but the resemblances with Zyklon, don't go in their
favor, specially to whom have not listened to their first album...
Tracklist:
1 - Spectral Transition
2 - Spiritual Metamorphosis - Destroy The Earthly
3 - In Astral Plains Of Trance
4 - Abstract Eerie Corridors
5 - Desolate Magnetic Fields
6 - Into Forbidden Dimensions
7 - Axis
8 - Stellar Transcendence
9 - Paradox Timeline
10 - Dimension Quantum
11 - The Majesty Of The Nightsky (Emperor cover)
P.S. Faust participated in the recording of "The Majesty of the Nightsky"
16,5/20 |
Shemahmforash |
Sirius - "...The
Eclipse (The Summons Of The Warriors Of Armageddon)" (Demo-tape, 1999)
At last, after several delays, the demo tape from Sirius is out. I was pleased a
great deal with this recording, mostly due to the fact of their professionalism.
Beneath the pro-printed cover, lies one of the most skilled and effective
material that has emerged in recent times. Consisted of 4 tracks, it presents us
an awfully grand and superior Black Metal structure, close to the likes of
Limbonic Art (especially in the synthesizer slot). “Fiery Strife At The Cosmic
Gates Of Armageddon” was the first song they ever recorded as a promo, but
have placed it next to their new pieces, and it fits perfectly (no one that is
alien to the band at this point will notice the difference, since it was
re-recorded). On “Out Of The Serpent Line”, the vocals and the guitars are
tangled incredibly, with the synthesizers on the background reinforcing the
melodic structure, up to an upper surface of sonic tapestry, and the
drum-machine throbbing like a mallet in the outer space blankness, hence
attaining the pureness of the line. Next we have “The Quest for Dreamlore
Essence”, an instrumental section provided by maestro Vukodlack, that could
possibly fit beside Bal-Sagoth (on their “Starfire...” era); it’s like a
star-stride heading to face the authoritative dragon in the ensuing track,
entitled “Unveil The Path Of Algol, The Riddles Beyond The Stars”. As the
music unfolds, one perceives a resemblance to what Emperor treasured in “In
The Nightside Eclipse” (the strings are evidently akin), nevertheless, the
guitar work is beyond belief, and in unison with the percussion, creates a hell
of an atmosphere! Lord Gornoth’s screeches thrill me a lot, as this fiend
delivers a hoarse eruption of shattering twinge along the “journey”,
occasionally reciting on one or another poetic branch, which are rather
undermined compared to his yelling. The production is quite uneven, since the
guitars get drowned in the maelstrom of disharmony quite easily, and the bass is
roughly useless. Nonetheless, this is clearly an advanced demo tape, which I
haven’t had the joy to listen in a very long time. A Must!
Tracklist:
1 - Fiery Strife at the Gates of Armageddon
2 - Out of the Serpent Line
3 - The Quest for Dreamlore Essence
4 - Unveiled the Path of Algol, the Riddles Beyond the Stars
Courtesy of Baron Webb @ The Lodge
Spawn Of Possession
- "Cabinet"
(CD,
Unique Leader Records, 2002)
Spawn
of Possession hail from Sweden but their demolitions have nothing to do with the
typical Swedish arts. Anti common melody, anti keyboards and anti mythological
conceptions, SOP proves that Sweden has more to show in terms of technical death
metal. Signing their debut in Unique Leader opened up for them a singular style
and possibilities to reveal it live
- as
it occurred in
Portugal last March 2003 when they released the sickness in “Violating Europe
Tour” next to Vile, Inhume and Disavowed.
SOP are a surprise for any death metal fan that doesn’t consume ordinary
brutality, in fact they can assume an elaborate composition component, with
diverse rhythms and calculated contretemps
reminding me a lot of the Polish bands precision. The music is clear, with
hybrid sharp guitars, with equilibrated frenzyness and energetic drums and bass
riffs. Dennis Röndum, studio drummer and vocalist marks out his presence with a
strong guttural voice, unstoppable and quick. Their ultra speeded fingerings
seem to urge with growing tension in an unachieved explosion, in dialog duets
between two guitars and a constant not camouflaged bass played by Niklas Dewerud,
that
joined the band in 2000, after the recordings of the first demo cd, “The
Forbidden”. This is the first chapter of a band that will probably shake up the
structural pillars of Swedish metal. Spawn of Possession….
Tracklist:
1 - Lamashtu
2 - Swarm of the Formless
3 - Hidden in Flesh
4 - A Presence Inexplicable
5 - Dirty Priest
6 - Spawn of Possession
7 - Inner Conflict
8 - Cabinet
9 - The Forbidden
10 - Church of Deviance
11 - Uncle Damfee
18/20 |
LubnaMagnis |
Storm Legion - "...Statement"(Demo-tape,
Drakkar Productions, 2002)
This is a
new project featuring some well known musicians of the portuguese Blackmetal
scene, namely Nocturnus Horrendus, Ainvar and Vulturius. What I can say about
this demmo tape is that it is a very grimm piece of Blackmetal limited to 333
hand numbered copies.
Besides having some Corpus Christii's influences, they managed to make a
different sound with this demo. But don't expect nothing very original though,
for this is Blackmetal at its most primitive state and with its most primitive
feelings.
This lack of originality as, for me, two points of view, one is that Blackmetal
is more than overfilled with bands sounding like the same, but the other point
of view, the most important for me, is that today some of the spirit and
attitude of the early nineteens has been lost, and its in bands like this that
we can see the ressurrection of the long lost spirit. So fuck off with the
originality and all hail Blackmetal as it should always be - grimm and necro.
Tracklist:
1 - Statement...
2 - The Wolven Path
Shemahmforash
Storm Legion
"Rebirth of the Flame"
(EP, 2002, Hiberica)
By
the second attack I must say I saw an evolution in Storm Legion’s sonority. Now,
I can call it Storm Legion, only, because now I don’t see absolutely any
influences of the bands where these guys are involved. Their sound became a
little more atmospheric but still with some intense parts. What surprised me in
this EP was that they made a personal style without influences of the other
bands they’re into, I think it’s difficult because there are things we still do
on our way of playing the instruments even if we are in completely different
projects, maybe the band should know it better than me…
Anyway, I like the songs, specially the first one… “Messengers”, it has a nice
feeling and combines calm parts with faster parts and I think it’s an intense
track. The production it’s ok at my point of view, but I just think the voice in
the last track “No Horizonte Uma Torre” should be louder, but that’s nothing
special. This EP made me like a little more this band, I never though they can
do such material, I wasn’t expecting more melodic riffs and different vocals… I
was expecting something in the vein of “Statement…” but sincerely I prefer this
way, Storm Legion way.
Tracklist:
1 - Messengers
2 - Daughters of Misanthropy
3 - No Horizonte uma Torre
16/20 |
Lord Infaustum |