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The Fast and the Furious (1954)


Cast:

John Ireland is Frank Webster
Dorothy Malone is Connie Adair
Bruce Carlisle is Faber
Iris Adrian is Wilma Belding, Waitress
Marshall Bradford is Mr. Hillman, Race Marshal


What the box says:

John Ireland stars as Frank Webster, a man wrongly convicted of murder and recent prison escapee who must take to the streets to avoid the law. When his paths cross with Connie, played by Dorothy Malone, fear turns to exhiliration as the two set out on a fast paced adventure filled with intrigue and the need to clear Frank's name.

The Fast and the Furious was the second film directed by Roger Corman, and is notable for its exceptional stunt driving and dramatic action sequences.


Plot:

A truck crashes and explodes.

Suddenly, roadsters race down the road somewhere else.

Connie pulls up to a quaint greasy spoon diner. Inside, a waitress keeps complaining about an escaped prisoner. Bill seems awfully nervous about the prisoner. Connie is going to enter a race that ends in Mexico. All the truckers will be after this escaped prisoner. A trucker pulls a gun demanding to see “Bill Meyers” identification.

The escaped prisoner Frank Webster knocks the trucker out. He takes the keys to Connie’s car and off they go…

The waitress returns to the room and finds the trucker unconscious. She calls the police.

Webster has Connie shut up. They’re going to head for Mexico. Stopping for gas, he prevents her from escaping.

The police arrive at the diner. The waitress seems to have a slight grasp of truth and reality. She spotted Frank Webster, the escaped prisoner. The cops have an APB out on an old beat up car with a man and woman in it instead of the new jaguar they’re actually driving.

Connie wants her car back. Well, Frank wants out of the country. By the way, she really hates him.

Frank figures a route around the cops when Connie pulls the keys out and throws them away. A motorcycle cop pulls them over to tell them about having a non-working tail light before riding off.

Frank has her search for the ignition key. Starting to hotwire the rig, Connie hands him the spare key for the car.

At the hospital, the police try to question the trucker who is still unable to answer any questions.

Frank and Connie are fighting. Everyone knows a slap is prelude to a kiss.


I knew I took the wrong turn at Albuquerue...

2 biker cops discuss Frank. After a radio update, they take a break.

Frank and Connie are able to coast past the police on a side road.

Farther down the road, they see the police are checking cars. Frank has an idea that manages to get them past the checkpoint.

In the hospital, the trucker stirs. The police are unable to decipher what he is saying at first. They finally realize he was trying to say Jaguar and have been searching for a battered jalopy.

Frank and Connie have to register for the race. The race has decided to exclude women drivers. Frank signs up for his qualifying run.

Connie runs into an old friend, Favre. Sniping between Frank and him ensues.

In the trial run, Connie explains how to race.

The police begin checking race entrants for Frank.

Frank is able to get a fast qualifying time. Unfortunately, the 2nd fastest time is the 2nd to last to start the race.

Franks wants to run off when he learns the cops are checking the race entrants for the escaped prisoner.

Frank and Connie head to an old abandoned house to hide out for temporarily. Connie asks to hear his story. He won’t face a jury. He bought his own truck. However, the owner of a large shipping company tried to force him to sell out. When that didn’t work, they tried murdering him out. A truck tried to run him off the road but crashed, killing the driver. The other truckers claimed Frank did it. Connie claims to be on his side and will get him a lawyer.

An old man tells them the police patrol the old house. Frank assumes that Connie was trying to set him up. These two have a perfect love hate relationship.

Connie runs off. Frank catches up to her. They head back to the race. Connie spots Favre. They head to the antique car race. Model T fu ensues.

Favre questions Frank. He also talks about the escaped prisoner and asks how Connie met him. The rich Favre calls Frank a trucker. Frank and Connie storm away.

Connie and Frank meet Sally. She offers to let them stay at her place. Her father is deputy which kills the deal. Frank is awfully antsy to get away from Sally.

Frank drags Connie away with him. She refuses to go any farther. Frank drags her to a nearby barn. Connie wants Frank to turn himself into the police. Suckin’ face. Frank professes his love for her before returning to suckin’ face.

Connie awakens next to Frank. Suckin’ face. He won’t risk a trial. Heading to the race, he locks Connie in the barn.

At the race, Frank is in the Jaguar and get into position.

Connie calls for help. She decides setting some oily rags on fire would be a better idea.

The race begins as farmer spots a smoldering barn. Connie has him take her to the race.

Racing ensues with a play by play. Frank is near the lead.

Connie calls the police to tell them Frank is driving and to stop him at the border. She borrows a friend’s car and heads for the border.

In the race, Frank is tooth and nail for the lead.

Frank and Connie’s driving is intercut.

Roadblock at the border, Frank breaks through it. Favre learns that Frank is the escaped prisoner and decides to go into hot pursuit to apprehend the malefactor.

Ducking and weaving ensues. Favre crashes. Franks stops and drags him out of the flaming wreckage.

Connie catches up to them. Favre is fine.

The cops are approaching.

Frank will turn himself in. He can fight in court to prove his innocence. It is just the beginning…Suckin’ face ensues.


What I say:

Strap into your 50s Jaguar that only takes $4 to fill up the gas tank and ride into adventure...Well, not quite. However, I have to try to come up with an intro that sounds exciting. Have you ever wondered what a remake really means? Most people haven't. Just a movie having the same title as a previous movie does not a remake make. Well, the Corman penned story has absolutely nothing in common with the street racing movie of a couple years ago save the title being bought to be put on the new movie. The title rights were bought but not the story rights. And now you know, and knowing is half the battle...(Cue G.I.Joe cartoon theme..)

The Fast and the Furious is a time capsule from 1950s movies. The run time is only 73 minutes which makes it probably the "B" reel for a double feature at a drive-in. Most current B-movie fans know a lot about Roger Corman and have seen several movies he's directed. Hard to grasp some movies just had him writing the script. This was early in the days of Corman before the Vincent Price movies from the early 60s.

The end is the typical "I'll fight to prove my innocence in a court of law." The typical movie would have the guy trying to show he wasn't responsible for the murder and accomplish that at the end winning his freedom and the girl. Though not a downer ending, it is more of the unaccomplished ending that has so many details that are never explained. The loose ends wouldn't necessarily require a sequel. You get the feeling that if the movie had been 5 minutes longer a lot of the plot can be pulled to far better conclusions.

This is not the type of movie that would have really benefited from an ending with a trial scene where Frank is declared inncent or him walking out of the courthouse flocked by reporters questioning him about the case. A car race movie with such a trial would be really disjointed. Why have all the chase scenes if the end didn't really depended on it?

A low budget movie that was to be the beginning of American International Pictures can't be weighted by psychological issues like Stockholm Syndrome. The idea that Connie falls in love with her kidnapper is extremely distasteful. Sure, he threatens to kill her numerous times. Slaps her around and then kisses her. The idea of some physical abuse and mental torture transfers into love may be something psychologists may examine. In the movie, it just seems sick. Even with all my complaints about mental abuse, this is fairly short movie put never really slows down from the beginning.

Why did I keep thinking about the Chase with Charlie Sheen? An escaped prisoner takes a woman hostage and drives off in her car to get to Mexico. Well, it had more action packed car chases and more sad attempts at comedy. Why else would any movie have to Red Hot Chili Peppers on top of Henry Rollins? That omehow sounds even worse than originally intended...The Fast and the Furious has more of a character driven feel than "lets see what a car can crash into" aura. I never thought character driven story could be used to describe a Roger Corman script.

The back of the box tells us that Frank is innocent. For most of the movie, we don't see any evidence of that. In the diner, he knocks out the guy who pulled a gun on him and then steals a car, kidnaps the owner, and heads to Mexico. Take the Fugitive, Harrison Ford spends most of the movie after escaping try to prove his innocence. Frank claims it was an accident and the witnesses lied and are out to get him. We never see any shred of innocence other than him claiming it. With the carjacking, kidnapping, and assault, it definitely makes Frank a hard guy to root for on an intellectual level.

Nice to see a movie without computer generated effects and stunts. There is something about some good old fashioned stunt driving. It would have been intersting to have found anything about he stunt driving done in this movie. Today, so many effects just keep getting more and more high-tech at the expense of action. I do get a kick out of watching a movie and seeing a dummy thrown off the side of a building and can tell the arms and legs are twisting in ways that indiciate the body has no elbows or knees.

Well, Corman would never be acknowledged as a master scriptwriter. For such a low budget movie, no one would be expecting War and Peace. The story is serviceable. The movie doesn't drag with a 73 minute run time. There is very little fluff to pad the run time and surprisingly little stock footage for his kind of movie.



3 NINJAS

Quotable Dialogue

"That what you run that jalopy on? Pineapple juice..."
"He doesn't seem like the Jag type."
"Money doesn't make a good driver."
"Exercise is good for your figure."
"You're a pretty dangerous figure yourself."


Morals of the Story

All fast cars have numbers on their sides.
Truckers are allowed to card anyone they want.
Police are unable to decipher that Jag is type of car immediately.
USA has no extradition treaties with Mexico.