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Flesh + Blood (1985)

Rose and the Sword
Flesh & Blood


Cast:

Rutger "Blind Justice was a great movie." Hauer is Martin
Jennifer Jason Lee is Agnes
Tom Burlinson is Steven
Jack Thompson is Captain Hawkwood
Susan Tyrell is Celine
Brion "I was in Virtual Assassin" James is Karsthans


What the box says:

In the battle between good and evil, only the strong survive! From visionary director Paul Verheven (Basic Instinct) comes this "vivid and muscular" (Variety) epic adventure of medieval bravery and blood lust starring Rutget Hauer and Jennifer Jason Lee! In the chaotic, morally bankrupt Europe of 1510, a cold-hearted warrior named Martin (Hauer) leads his motley crew of mercenaries into battle to reclaim the castle of an ousted nobleman. But when the despot betrays them, Martin and his band of ruffians strike back by kidnapping the innocent young maide (Leigh) bethrothed to the nobleman's son - a fearless Renaissance man who must rick life and limb to rescue the woman he loves!


Plot:

In Western Europe, in 1501, a castle is under siege. A group of mercenaries receive communion before going into battle. Arnolfini wants to reclaim his castle. He will allow the soldiers 24 hours of looting if they succeed.

Martin and his crew get ready for business. The broadswords are ready for some serious slashing.

Steven, Arnolfini’s son, is a true renaissance man. He has developed a bomb, a barrel filled with gunpowder and a long fuse, which should blow the gates. Unfortunately, the fuse is a bit quicker than the barrel roller. The mercenaries swarm the castle and break through the walls.

Broad sword fu ensues.

Captain Hawkwood, in armor, is searching for a sniper. Someone is using a gun at a distance. He finds the room and hacks first and asks questions later. It is a young woman. (Note: I’m not sure is she was supposed to be a nun.)

Hawkwood wants the priest to save the injured girl.

Let the looting begin. Martin talks with Steven as they enter the castle.

Hawkwood and the priest try to save the bucking naked chick. He will have to pay her medical expenses which will be tremendous.

Arnolfini realizes offering the mercenaries free reign of his castle for 24 hours will clean him out. He wants the mercenaries out of his castle. In fact, Hawkwood must betray his troops.

Martin has gotten his loot. Apparently, Celine, one of the mercenary trollops, is about to pop out a baby. Cardinal, the soldiers’ priest, has a sense of impending doom.

Grogging, reveling, and dancing ensues. The mercenaries head to the town square. The streets are blocked off, trapping them like rats. With cannons pointed at them, Hawkwood demands they surrender and return the loot. A couple of cannon blasts, the mercenaries are forced to oblige.

As the mercenaries are escorted out of the city, Steven is disgusted by the treachery of his father. Hawkwood is paid and given a house in the country for him and girl.

As it rains, in some caves, Celine is giving birth.


Snap into a Slim Jim!
The baby is still born. Martin buries his son. While digging the grave, they find a statue of Saint Martin. Martin sees finding his namesake as a sign. The Cardinal eulogizes that Martin will find great riches and share with them. One of mercenaries badmouths the eulogy, and is run through by the Cardinal. Martin vows revenge against those that cheated them.

Steven is researching something. Arnolfini shows him a picture of his future wife, Agnes. She is on her way with an enormous dowry. Steven is upset because he doesn’t know her. His father talks him into going hunting.

Covered wagons that would be right at home on Gunsmoke travel onwards. Agnes is unsure about the marriage and everything to do with men. She is unsure of how to perform. Agnes orders her maid, Kathleen, to get her depths plumbed by her boyfriend. Voyeuristic Jennifer Jason Lee ensues. After seeing how they start, Agnes orders them to stop fornicating and beats the guy with a branch.

Agnes seems to be awfully friendly with her maid awfully close to the Sapphic persuasion. Arnolfini and Steven ride up to the wagon train. Our Renaissance man, Steven, realizes he was set up to meet Agnes. His father convinces the intended to take a ride together.

Steven admits to Agnes that he doesn’t want a wife now to distract him from science and scholarship. We’re getting awfully close to science fiction with Jennifer Jason Lee wanting to marry as close to science geek as 1501 would allow. Anyways, she rides away after hearing his admission. Steven follows her, though.

They find a couple of hanged men. She digs for a mandrake root. IF they both eat it, they will fall in love. Suckin’ face ensues. So, our Steven realizes he’s getting Jennifer Jason Lee after all.

A group of monks trudge along the road from the opposite direction of Arnolfini’s group. The monks ask for alms. It is actually Martin and his group. Sword fu ensues. Celine manages to run a sword through Arnolfini. Martin is able to escape with the wagons and a hidden Agnes.

Hawkwood and his chick are farming when Steven rides up. He wants Hawkwood to go after Martin and retrieve Agnes. The chick has some kind of spell.


I love being encased in tinker toys
Arnolfini promises to get her committed to an asylum, one of those ones so bad that make the one in Frankenstein and the Monster from Hell look like Club Med. Hawkwood has no choice but leave retirement and pursue Martin.

That night, the mercenaries are reveling in their new found treasures. Martin discovers Agnes. Surrounded, she admits that Arnolfini is her future father-in-law. They hold her down and are about to rape her. Martin decides to take her first. Agnes apparently enjoys the Hauer. She only wants him. He leaves her to the other men. A mysterious fire distracts the group from Agnes. The statue has moved. It is pointing in a new direction. They go the new way.

Hawkwood and Steven’s group encounter a burial of a plague victim. One of the mourners is wearing Agnes’s dress that has been torn. It was found at an old campsite.

Martin’s group keeps heading onwards waiting for a sign. They stop when the statue moves again. It seems to point to a castle. It is interpreted that is where they’ll live.

Martin and Agnes scale the castle wall and down the chimney. They are chased by guards. Martin is able to open the gate and get his men inside and takes care of the guards. Agnes tries to stop a nun from jumping off a parapet and taking a girl with her. She doesn’t see that the girl is alive.

St. Martin is placed in the castle. Martin’s group feasts. They keep the survivors for servants. Celine can’t stand Agnes, threat to her dominance. Feastin’ ensues. Martin tries to use table manners like Agnes. However, the convent raised Agnes has a good idea of how to play footsie. Martin wants everyone to use table manners.

Summer wants to claim Agnes. Martin lets him go with her. The beating quickly ensues. Summer is tied to the table. Martin has claimed Agnes for himself.

Agnes and Martin are taking a bath. It would probably be in bad taste to make any water sports jokes. They frolic. More Jennifer Jason Lee flesh ensues.

Steven and Hawkwood are still searching. They find a girl. It is the one who was in the castle. They discover she has the plague after Hawkwood touches her.

Back at the castle, the mercenaries spot Agnes and Martin in white and acting all lovey-dovey. For some reason, a sing a long ensues. They see the soldiers approach. Agnes tells Steven she’s ok. Martin’s crew begins the pelting of fruit. Agnes gets a message to Steven she still loves him. The soldiers ride off after Hawkwood falls over.

At camp, Hawkwood has the plague. The priest begins bleeding him. Steven has read from an Arabic text that the swelling should be lanced, instead. The priest won’t believe anything from those heathens. Steven sees a dog lick up Hawkwood’s blood that would be a plot point, my friends.

Steven starts building his siege machine.

That night, Agnes is awakened by the distant hammering. Martin knows she loves Steven. He won’t let her leave him.

Hawkwood staggers out of his tenet and starts to lance the lesions himself. That’s a real man.

The siege machine approaches the castle. Imagine a wooden armored personnel carrier. Flaming arrows won’t stop the machine. The back opens and horses run out. A ladder rises to scale the castle wall. The alder shoots out to impress any fireman on a hook and ladder brigade in the late 20th century. The mercenaries are shocked and amazed as the soldiers scale the ladder with Steven in the lead.

Martin has a gunpowder bomb readied like the one Steven used at the beginning of the movie. He rolls out the barrel not of fun but destruction. It is rolled in to the siege tank. Martin gets back in the castle before it blows. The soldiers fall from the ladder. The mercenaries easily rout the dazed soldiers. Agnes can’t find Steven.

Hawkwood is staggering about and is told that Steven and the others are dead. He’ll take care of them himself.

Hawkwood approaches the castle at night.

A shadow puppet theater ensues.


Old cartoons used to really suck.
The mercenaries find Steven in a tree. They get out of the tree. Agnes tries to convince Martin she can’t stand Steven to save his life. Steven is chained like a dog. He is used for a little target practice. Martin gives Agnes a gun to do a little shooting. However, flying bloody organs distract everyone. They are parts of a dog. Steven knows that the dog is infected with the plague.

Martin spies Hawkwood at a catapult launching pieces of Lassie at them.

Steven warns the mercenaries the dog has the plague. The group wants to leave. Martin convinces them to stay. They will just burn their clothes and parts of the dog. As a bonfire ensues, Martin fondles Agnes to taunt Steven. Shadow porn theater ensues. No one notices that Steven has a piece of the dog hidden. Steven warns Agnes about the dog. He drops it in the well. Agnes goes to bed with Martin.

Hawkwood is outside waiting.

The next morning, the mercenaries are getting water from the well. Breakfast with tainted water ensues. Agnes watches everyone drink water. She clumsily knocks Martin’s mug from him. One woman is already sick. They discover the pitcher has a piece of dog in it. Agnes claims it fell in from Hawkwood’s barrage. Martin is starting to act awfully holier than thou.

The mercenaries beat Martin. They throw him in the well. Agnes starts mocking Martin to knock get attacked by the group.

The mercenaries start to see what loot they can carry away.

Martin vows to free with the key to Steven’s chains if he can get him out of the well.

The Cardinal is whipping himself in front of everyone actually with a strap. A boy is coming down with the plague. Everyone is getting ready to leave.

Martin is still in the well. Steven manages to knock the well bucket to him. Martin climbs up the rope. He stalls from unchaining Steven when seeing soldiers approaching.

The mercenaries realize they are trapped. Agnes finds Martin. After she throws herself at him, Martin realizes she only loves him when necessary.

Kar is going to stay with Celine until she dies.

Martin tells the group that Arnolfini is outside. They hand him a sword.

Steven is still chained.

Soldiers use the battering ram on the gate.

Martin tells Arnolfini that Steven is still alive.

Although, he is almost electrocuted in the process, Steven is able to break the chain when lightning strikes it.

Martin learns the Steven has escaped.

As the mercenaries search for him, Steven is using science fu to his advantage. A roman candle shoved into a guy’s eye socket is fairly useful weapon. Steven opens the gate to let his father and the soldiers inside.

The mercenaries are being routed. Kar is still alive and kicking until he gets the 4th or 5th spear through his chest. A couple of suicidal mercenaries ensue.

Martin is after Agnes.

The Cardinal fights Steven.

Martin admits he loves Agnes and starts choking her. I guess you always hurt the one you love.

Steven is still battling the insane cleric until the statue of St Martin falls and impales the Cardinal with its sword.

Steven rushes in and starts choking Martin. A wrestling match ensues. Agnes watches as Martin and Steven drown each other in the bathtub. Agnes gets a vase and breaks it over Martin’s head. He collapses. Agnes and Steven leave unaware that Martin isn’t dead.

Hawkwood finds the two lovers. Martin wanders around the flaming wreckage in the room where he’s trapped.

The priest who believe lancing was unchristian is cutting the swellings of the boy with the plague. The only mercenary survivors are the women who latch on to these soldiers. Hawkwood rides back to his home ignoring Arnolfini.

Steven and Agnes are sucking face.

Martin is on the parapet of the castle. Agnes manages to keep Steven from seeing him rappel down the wall. Everyone leaves.

Martin walks away from the castle.


What I say:

Ever have seen a scene or 2 from a movie years ago and wondered what the name of it was from then on? I have memories of a sci-fi movie that had a scene with a woman that was sliced and diced by a door and various horrible things befell the rest of the crew until one guy remained. It took years and the internet to figure it was Galaxy of Terror. What does this have to do with this movie? As a kid on a vacation, I remember we were switching channels and found a movie with a lot of guys and swords running about. Pretty soon, into the movie, it got to show the female flesh. The movie was turned off at that point. I remember what little I've seen of the movie since then. For some reason, I always thought it was Ladyhawke. Eventually, I discovered that it was in fact a Paul "Robocop" Verheven movie, Flesh + Blood.

I think it is safe to say that Flesh + Blood lives up to its name especially the full length international version on DVD. Somehow, Wal-Mart can't realize what is actually in the movie. With their policies about in-store books, magazines, and CDs, it seems they forgot to look at the DVDs. The movie has plenty of Jennifer Jason Lee's flesh and the blood of many people.

The movie was set in 1501, less than 10 years after Columbus sailed the ocean blue. Europe had suffered through the Black Death and numerous Crusades over the past few centuries. Gun powder is awfully rare. Most people toiled and struggled in the fields. Nobles had a blank check to do virtually whatever they wanted. The church had an iron grasp on the populace. The Plague hangs over everyone in this movie like a Sword of Damocles.

A lot of movies have the anti-hero vibe like spaghetti westerns. In fact, you empathize with Rutger losing his pay until discovering Jennifer Jason Lee. I listened to part of the commentary track with Paul Verhoeven. It sounded like a load of bull when he was discussing the Agnes rape scene. In fact, she was supposed acting as if she enjoyed Martin's attentions so Rutger's Martin would protect her from the other mercenaries. Actually, she was mouthing the same encouragements and going through the motions exactly like her maid did earlier. Apparently, that was supposed to be a plot point to keep in mind. Even more according to Verhoeven, Martin started the fire that kept her from suffering further indignities.

It is hard to think of who really is the hero. Rutger Hauer seems like a good candidate at first, being a wronged soldier of fortune. However, it is hard to connect him as a hero after the rape of Agnes. Rutger isn't a man of science or religion. He is a practical man who will do whatever it to survive. At first, it seems he believes the signs that the Cardinal sees. Later, it is implied that he is manipulating everyone into following the Cardinal's signs. It doesn't help when there is a scene that has Rutger's Martin almost having a halo like the statue of St. Martin does.

Remember the Rutger Hauer of the 80s. The glory of the 80s if we accept the songs of Tori Amos. The 80s had Rutger in Blade Runner, Hitcher, and Flesh + Blood. He fell on hard times and many low budget movies in the 90s like Split Second. As of 2005, the years haven't been too kind with Rutger as of a couple of his last roles in Sin City and Batman Begins have shown. He has gotten creepier in a Joan Rivers stretched skin way. Remember the people with the stretched faces in Millenium with Kris Kristofferson that is how he has started to look.

Steven seems awfully wimpy at first but is transformed into a courageous leader by the end. How does a Renaissance man go to a sword wielding mercenary killing machine after being shot with an arrow and almost electrocuted? Steven only knows Agnes for an hour or so before she's kidnapped. It seems he isn't really that interested in her much. His father is more determined not to be humiliated by having his potential daughter in law stolen by a guy he cheated. Suddenly, Steven is determined to get her back no matter what. This is a guy who confesses he doesn't want a wife to distract him from his research to becoming a swordmaster and captain of war.

Jennifer Jason Lee has a difficult time in a movie that spends half her time naked. I'm sure the expression burning the candle at both ends is appropriate. She will do whatever necessary to stay alive. Seducing Martin into protecting her, not mentioning that Steven has part of the diseased dog, her ridiculing of whoever is on bottom. Agnes comes across almost like Scarlet O'Hara from Gone With the Wind except a lot more naked. I'm sure thinking of her searching for a bigger and better deal isn't quite right when she's just trying to survive. Near the end, Rutger realizes she has been playing him for a fool the entire time.

Captain Hawkwood sold out his men to save the girl he almost killed. In fact, he isn't portrayed as evil. He made a deal with the devil, Arnolfini. A deal that seems to almost involve selling his soul. In fact, Arnolfini is able to force him into another situation by being blackmailed into helping Steven retrieve Agnes. After recovering from the plague, he attempts the only way to attack the mercenaries without laying siege to the castle. Name any other movie where chunks of dog are catapulted into a castle....

If trying to identify who the hero is difficult, the villain is even harder to find. Well, Arnolfini is definitely evil: threatening to imprison a girl in an asylum, etc. However, all the characters do some villainous things from Martin or the biological weapon that Steven used on the mercenaries. These characters you think of in 21st century morality. The world was entirely different in the 16th century. Mercenaries were paid by looting castles.

I've got to mention that Bruno Kirby was in this movie for one reason. I can't ever remember seeing him in any film. He's been in movies I've seen. Some actors are in the invisible though highly recognizable category. "Hey, it's that guy...Abe Vigoda..." etc...However, I have no memory of Bruno whatsoever. He makes Tim Thomerson seem highly visible. Sure, I could search the IMDB or the web. However, that would be cheating.

Nowadays, we have plenty of CG battle scenes. The sight of 2 vast armies clashing is like the ocean against a beach. Flesh + Blood doesn't have any of those battle scenes. In fact, it looks more like just 20 or 30 guys at most fighting at a time. We don't have any stylized fencing or dueling. These guys with large pointy objects clubbing each other. It is almost like a bunch of 16th Century battle re-enactors, going at it for a weekend before a night of heavy grog and mead consumption. To be fair, a few scenes have the men fighting then the mercenary. The women run in later and stab the soldiers.

It is hard to not to mention Conan the Barbarian in regards to Flesh + Blood with them only coming a few years apart. While both feature anti-heroes and quests for revenge, Conan doesn't seem as mean-spirited. Conan may be a thief but don't see him hold anyone hostage or need to force any unwilling girls to ride his little Crom. We all empathized with Conan's quest to avenge his parents. His quest seemed more personal. Martin wanted revenge for being humilated and not being paid. He would do anything to get his revenge against Arnolfini. Throughout the movie, we are to see him slowly become more noble except the siege of the castle washes away the noble facade and brings back a darker and possible insane Martin. The end has him lose virtually everything but manages to get away.

It is hard to consider the movie in the terms it was intended. The people in medieval movies are different than what the late 20th Century are. They're may be some similarities but not like a middle class office worker, etc. Knight's Tale had all the 20th Century references. When you see a guy mouthing the words to Queen's "We Will Rock You" in the opening scene, you know realism isn't very big in the movie. The numberous rock songs and Nike references take away any iota of reality. I happen to think Knight's Tale isn't a bad popcorn braindead movie. Although, I think whatsiname (Knight Guy) would have done better by dropping Wishy-Washy Mutant HairPrincess Chick and trying to get Armor Girl.

Paul Verhoeven has tried taking chances with his movies in the same way as John Carpenter. While, I'm not trying to defend Showgirls or Ghosts of Mars, these directors can come up with some entertaining movies. The circle does not hold, and nothing always stays golden, Ponyboy. At least, some guys are trying to do something different instead of the same braindead insepid tripe filled with blonde bimbos who have the talent of a sweat sock and mammalian protruberances with more silicon than a computer. Got my fingers crossed that the ghost of Vincent Price will hunt down the actresses from new House of Wax.

Flesh + Blood doesn't offer any easy answers for the characters and the plot. Verhoeven may be mocked for his big-budget movies. He may be one of the few directors that actually try to put in messages in his movies. The fascist angle and coed showers in Starship Troopers, the violence by shooting Peter Weller full of holes in Robocop and the freaky mutant slaughter in Total Recall, Sharon Stone's crotch in Basic Instinct, and Elizabeth Berkely's inability to act but be naked in Showgirls . Most directors don't want to offend people. I get the impression Verhoeven really doesn't care one way or the other. I hadn't realized Verhoeven had such profound messages in his movies.



3 1/2 NINJAS

Quotable Dialogue

"Fighting is for fools."
"She's been raised in a convent. You'll be guaranteed a virgin."
"Agnes, don't you think that's just a plain old turnip?"
"Touch you? Nobody's touching you."
"Knives and forks are a part of our lives."
"You've got an innocent face but naughty feet."
"Lancing the swellings is unchristian."


Morals of the Story

Priests don't bother wasting time trying to save nuns.
Eating next to a dead guy is sexy.
Statues are to be obeyed.
Jennifer Jason Lee needs a dowry to get married.
Maids can be ordered to start and stop having sex on command.
Rutger Hauer can wear white after Labor Day.
Dogs love puddles of blood.
A dog is a biological weapon.
Bottle rockets are fatal.
Having a chain around your neck being struck by lighnting is slightly inconvient.