7. Familiar Audiences
 
1. Introduction
2. First Impressions
3. Feelings
4. Making Music
5. Aural Maps
6. Aural Travellers
8. An 'Aural' Curriculum
9. Refining the Repertoire
10. Informing Original Work
11. Performance & Presentation
12. Assessment & Evaluation
Indian Music Theory
Indian Music & Dance
Indian Musical Instruments

Outcomes for Studies of Asia

Outcomes for Essential Learnings

Resources & References

Where the work in the the previous lesson sends and this begins may vary according to the way individual teachers and their classes approach these. The intention of this stage is for your students communicate the music they have studied, learnt and rehearsed to a familiar audience. They might, for example, perform favoured rehearsed works first to another class, or for an assembly of their peers or juniors. Or they might invite another staff member, the principal or another class or classes to be the audience for a dress rehearsal of items practised so far. If the musicality of their presentations is to be refined and enhanced, students ought to be encouraged before, during and after rehearsals and performances to be constructively critical. This should include how they function and present musically as individuals, groups and as a class.
You might like to introduce 'Chamak Raha', explaining that this is a patriotic song from Fiji. Like the text for 'Tu Dayalu' these lyrics have been transcribed from the Hindi alphabet in which its words would normally be represented, into a phonetic equivalent. The idea is that the vowels and consonents are pronounced in a standard phonetic way.

Once they know the rules the students can use these to correctly pronounce all of the words. Sing a line of the words and music and have your students repeat these after you. Sing the song together a number of times until you are satisfied that your students will remember it.

Now, with a possible concert in mind, begin to revise and rehearse musical items learned so far. Discuss the organisation of a concert program. For example you might direct discussion to look at the balance, flow, contrast and expectations of a more junior audience. Also asks students to think about ways they might extend the effectiveness of the songs.

This Festival Song invites us to 'get together and celebrate this happy festival. While we sing and rejoice we remember to forget our differences and work and play together in harmony'.
Shala Geet

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Last revised: June 26, 2002