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Bucket of Blood (1959)


Cast:

Dick "Mr Futterman from Gremlins" Miller is Walter Paisley
Barboura Morris is Carla
Antony Carbone is Leonard de Santis
Julian Burton is Maxwell H. Brock
Ed Nelson is Art Lacroix
Bert "Didn't I host a lot of game shows?" Convy is Lou Raby


What the box says:

Set in the trendy Venice Beach, Walter Paisley (Dick Miller) as a nerd pretends to be an artist in order to impress girls. Paisley accidentally kills a cat after covering it in clay. The work of art is now known to the Venice Beach scene as "Dead Cat". Paisley the art genius is born. He has finally become the artist he wished to be, only one problem. Now they want more so-called art!! Paisley goes out to seek more victims in order to appease the crowd. Who will be next?


Plot:

A dirty bearded beatnik graces a coffeehouse with his eccentric verse. We see Walter Paisley bussing tables.

Leonard, the hipper version of Mel Cooley for the Dick Van Dyke Show, is mocking the extremely shy Walter. He has admitted how much he enjoyed Carla’s work.

Outside, a cowboy hat attired beatnik reports into the police.

The great Maxwell scorns Walter’s praise of his poetry.

The comedic beatniks are approached by a couple of dumpy middle aged squares to find an artist. Walter repeats Maxwell’s verse to the couple. We learn that Walter is working on a project.

Our forlorn geek heads to his tiny apartment. He tries sculpting a pile of clay but is distracted by a cat that is trapped in his wall. A knife shouldn’t be used to cut a cat out of the wall. Accidentally, Walter stabs the cat before getting it out of the wall. Profusely apologizing, he ponders what to do with it.

Walter returns to his sculpting with little success before breaking down. Awakening in the morning, he is reciting part of Maxwell’s poem. With a fury, he returns to the clay.

Later, Walter wants to show Carla his work. It is a statue of a dead cat with a knife in the side.


It doesn't look like a dead cat, more like a bloated wombat.
Carla is very impressed with the work. Leonard offers to display it in the coffeehouse for sale. Walter is ecstatic.

Later, Art, the cowboy beatnik, comes in the coffee shop when Walter mentions his sculpture. Maxwell, the poet, is even impressed with Walter’s work. He announces Walter as a great sculptor.

Everyone congratulates Walter. Leonard talks to Walter and gives him the rest of the night off.

Some beatnik chick apparently got her motor revved by Walter’s work. Yes, Walter has found his first art groupie.


Take me now and show me the artistic genius in your pants.
She gives him a bottle of pills as he leaves. Lou, the undercover cop follows him.

Walter returns to his room. Lou pays a visit and wants to know where he got his heroin. Lou is a cop and is going to arrest Walter. He gets hysterical and afraid that Lou will shoot him. Walter clocks him upside the head with a frying pan.


You could have accepted the pancakes even if they weren't wheat germ.
Obviously, freaked out by it, he hides the body before the landlady checks on him.

Walter is cleaning up the blood and apologizing to Lou, too. As he’s talking to himself, he gets an idea.

Later, Art reports Lou is missing.

The next day, Leonard drops Dead Cat and finds patch of fur.

The police start searching for Lou.

Folk singing about a murderer ensues at the coffee shop. Walter is awfully jumpy. Leonard starts ridiculing him again. Leonard is going to call the cops until being offered $500 for Dead Cat.

Walter invites Leonard and Carla to see his next work: Murdered Man. It is a full body statue with a bashed in head. Carla is impressed. Leonard is disturbed. He doesn’t want to show single pieces. Walter should put together a show. Leonard gives him some money and drags Carla out of the apartment. Walter is ecstatic, now a professional.

At the coffeehouse, the comedic beats and several others are chilling. Walter stops by. Maxwell and the beats suggest that he do a female figure next. Alice, the model, scorns Walter and can’t believe he’s an artist. Walter leaves.

Alice heads to her apartment. Walter follows her. He wants to have her model for him. At his apartment, Alice gets naked. Walter has he wear a scarf and chokes her with it.

At the beat house, Maxwell and the beats are visited by Walter. He has finished another piece. The model is in clay. The beats are impressed. Maxwell wants to have a party to celebrate Walter’s work.

A Burger King crowned Walter with toilet plunger scepter basks in the glory of the beats on the throne of power. It isn’t a porcelain one. Maxwell composes a poem to Walter. Leonard is very nervous throughout the entire party. Walter is almost to the drunken level of Richard Burton.

Walter staggers home and realizes he needs to do another piece. A construction worker is working late. A poem spouting Walter attacks the guy and pushes into a table saw.

The next day, Walter shows Leonard his new piece. It is a bust of a human head. Leonard heard about a killing where the head was taken. He tries convincing Walter to stop sculpting. When that does work, he offers to help him get an art show of his works together.

Maxwell wasn’t invited to the art show but is going to crash it anyways. Walter stops by to pick up Carla. As they walk to the show, he tries to profess his feelings for her. Apparently, Carla just thinks of him as friend. The distraught Walter offers to make a statue of her.

At the art show, Walter is off by himself, brooding. The comedic beats can’t get in the place. Carla admires the female statue and spots a small spot of flesh uncovered by clay. She tells Walter about a body in the statue.

Carla is suitably disturbed by Walter’s idea about making people immortal through his work. She runs out of the show with Walter chasing her.

This part is a kind of hard to grasp. Suddenly, everyone at the show realizes that people are in the statutes.

Art, Maxwell, and beats are to the rescue.

Carla is hiding from Walter who is still searching for her.

Walter begins hearing the voices of his victims. They tell him to go to home.

Art is after Walter.

Walter is hiding and rushes to his room. He is going to hide grabbing some clay.

Art, the beats, Maxwell storm in the room and find Walter hanging from the ceiling.

Maxwell proclaims it Walter’s greatest work: “Hanging Man”.


What I say:

I've mentioned Roger Corman several times in some of my reviews: Death Race 2000 and Piranha. He is definitely one of the most prolific directors and producers. Most of the movies from the 50s were on the schlocky side. Corman's most renowned work would be in the early and mid 60s saw him do a few adaptations of Edgar Allen Poe's works. The 70s saw Corman get more interested in producing movies. Think of some of the directors he helped start: John Landis, Joe Dante, and James Cameron.

Bucket of Blood couldn't have been done without Dick Miller. This guy makes a non spider-bitten Peter Parker look like Don Juan. Walter Paisley is more than just a movie underdog. This man is more than just a nerd, craving to join some group, any group. People just keep kick sand on this uber-geek. He lives alone and has no friends whatsoever. His boss constantly picks on him. Walter is inspired by artists at the coffeehouse even if he has absolutely no idea of what they're doing. Walter falls in love with the only girl that shows him any kindness. Unfortunately, she admires his art more than him. I always think of Dick Miller as Mr Futterman from Gremlins. Although, he is a a far more prolific character actor than that.

Take Maxwell the poet. I'm not sure why everyone seems to elevate to this guy. He is considered the greatest artist. Well, if compared to anyone else in the coffee shop, I can see why he is considered so talented. No one has any iota of talent. I've heard better poetry coming from Beavis on a cappuccino buzz. For that matter, I think my poem, Silver Plated Chainsaw, is better than the collected works of Maxwell. You don't really expect the leader of the group that mocked Walter to be so enamored with Walter's sculptures. Although, Maxwell claims to be an artist and rage against society. He does mention that money is important. Is he a beatnik or a guy who is looking for a cash cow?

Most of the killer artist genre seem to have the artist strike those who scorned them before becoming popular. Typically, Maxwell and Leonard would be on the top of hit list if those qualifications were used. Alice, the model, was the only one that Walter deliberately searched out. Lou was an accident. On the way to Walter's art show, he tries to profess his love to Carla who shoots him down faster than Bon Jovi could say "Blaze of Glory." That final rejection pushes Walter into complete raving madman status. Carla made a terrible mistake by shooting Walter down. It is hard to see how this woman couldn't see how much Walter idolized her. A lot of guys have asked girls out with the same results. However, most don't chase after the girl and want to make her immortal by encasing her in clay.

Invasion of the Body Snatchers has had critics argue for decades about the aliens representing communists or anti-communists. George Romero's Night of the Living Dead and Dawn of the Dead have had a critics throw out Vietnam and mass consumerism to avoid really mentioning they are horror movies. Critics seem to get awfully uppity about genre movies and want something profound to justify them having to watch those movies obviously beneath them. Was Corman wanting to show the insanity of beatniks and modern art? I can't see him going out of his way for such a message in his movie. The crazier the art is, the easier it is to see how these goofballs praise Walter's work. "Dead Cat" looks like an unfired ceramic cat with a knife stuck in it. "Murdered Man" has the strange bashed-in face. The statue of the woman was the same. People in the movie praise Walter's knowledge of anatomy: a reference to House of Wax

The movie had a jazzy soundtrack that sounded something like beatniks would love or "dig." It may not be memorable as a great movie soundtrack. The jazz comes across better than what would be expected for such a B-movie. Most movies have a couple of grating songs like Monster A-Go-Go or anything with Arch Hall Jr.

Walter started the sculptures as an accident with the cat. The words of Maxwell were the true inspiration. After, Walter began recieving credit for "Dead Cat". He needed another piece. Yes, he brained undercover cop, Lou, with a frying pan. He was scared to death trying to explain about the drugs the girl gave to him. Lou was completely uninterested in Walter's reasons. The braining was an accident from a guy who was terrified and threatened with jail. However, Walter wasn't going to let a perfectly good template for a sculpture get away from him. Alice, the model, had mocked and laughed at Walter, the artist. She basically was asking for it. Never laugh at a guy with a Zen stick. Drunk and basking in the glory of Maxwell's poem composed especially for him, Walter pondered his next work. He needs to keep making art to keep receiving praise from his new "friends." Walter boozed up to an almost frat level. With everyone wondering about his next work, the poor construction worker didn't stand a chance against a poem-augmented Dick Miller.

This movie is short enough it can't really lag. A lot of the movie is in the coffeehouse. We get one folk rock guy singing about a murderer for several days. The comedic beats did get a bit grating by the end of the movie. I'm sure they were used to just fill in some running time. They don't do anything to advance the plot at all unless making you think Maynard G. Krebs was almost as cool as Fonzie.

How many Tales from the Crypt comics had medical students paying people for grave robbing? Several movies have used people for sculptures. House of Wax and Tourist Trap come to mind. In fact, House of Wax was a major influence on Bucket of Blood. They may be apart storywise but still have similar themes.

This isn't a prototype for splatterstick movies. It does have some black humor but nowhere in the same time zone of Peter Jackson or Sam Raimi. The late 50s weren't really known for horror comedies. A few had came out previously. Bucket of Blood is very dry type of black humor. We've been spoiled by the black humor of 1980s like Evil Dead 2, Bad Taste, and Reanimator. The 70s had several of Vincent Price movies that innovated black humor: Abominable Dr Phibes and Theatre of Blood. Herschell Gordon started making movies in the 60s like Blood Feast. The 1950s had more of the black comedy in comic books like Tales from the Crypt than in movies. It was a lot harder to get enough gore to rival the Cryptkeeper's tales.

Corman has been considered a hack for a lot of his movies. A number of his movies could be considered pretty bad. While no director can always make great movies, Corman has able to make some good movies. For the most part, hack directors have been Coleman Francis. Ed Wood and William "One-Shot" Beaudine could be considered in that camp by some fans. However, I think if their movies aren't tongue in cheek at least they are winking to the audience. It is just hard to imagine that directors who are just grinding out movies for drive-ins are able to occasionally make an entertaining movie. Back to Corman, he has to be a far more widely known director for his b-work than many of the more infamous A-list directors. Give me Bucket of Blood over Interview With the Vampire any day of the year.



3 1/2 NINJAS

Quotable Dialogue

"Repetition is death."
"Be a nose."
"You're a John, Joe, Jim, Jerk."
"You're a real artist go back there and scrub the garbage cans."
"They got wheat-germ bagels, too much."
"Didn't you see me wave my Zen Stick?"


Morals of the Story

Crappy poetry deserves always applause.
Cats undergo rigor mortis in 10 seconds and become stiffer than boards.
Pill bottles are easily hidden in bra straps.
Kings carry toliet plungers as scepters.
Hats are best used as ashtrays.
Murderers hear their human victims but not dead cats.