category
etc work |
vol. |
Group
Writers |
Akari
Takamine |
poem
|
I'm
medicine of yours. / After meals within 30 minutes. |
1
|
The
world |
2
|
Cactus I / II |
3
|
Invisible
Things |
4
|
A Chocolate
Room |
5
|
|
Daniel Parkes >>see
his website "Our Voyage" |
short
story
|
Missy
|
1
|
UNIMAGINABLE
FEAR |
2
|
poem
|
Lonely Humanity |
3
|
For King and Country |
4
|
The
Wanderer |
5
|
film
review
|
Are dinosaurs getting too old for Hollywood? - Jurassic Park III |
3
|
|
Itsuka Yamasaki |
poem
|
Ancient King Has Said to Me |
1
|
in
my room |
1
|
A
Perfect Day |
1
|
MINED
HATRED |
2
|
A
Night in Spring |
2
|
Granny
Smith |
2
|
Veteran |
3
|
Guitar |
3
|
On the Way Home |
4
|
We 21st Century
Youths |
4
|
The
Giants and the Dwarfs |
5
|
|
|
|
Margaret
(Meg) Grace >>see
her profile |
novel
|
Adonis
Blue
(a serial novel) |
|
1
|
2
|
3
|
5
|
poem
|
Thank
you |
2
|
inner child |
3
|
heart
of darkness |
5
|
essay
|
Identities on the move: society,
borders and me - a ramble in the calm before the storm Megumi
Kanie |
4
|
|
Shyr
tzyy |
essay
|
Overseas
|
1
|
poem
|
Drunk
|
2
|
|
Relay
Writing |
Cafe
Evergreen
|
(1)
by Itsuka Yamasaki |
2
|
(2) by Daniel Parkes |
4
|
(3)
by Meg Grace |
5
|
|
Multilingual Page |
Web-Only
Special
|
Multilingual Page Vol.0 - How do you say it in your language?
|
2
|
Part
I -
Interview with
linguistic experts
|
vol.1 English - with Mr Robbie Petterson |
3
|
vol.2 Chinese - with Ms Xiao Dan Gao |
4
|
vol.3
German: origin of English - with Ms Ute Walker |
5
|
Part
II -
Interview with
SL learners
|
vol.1 English as a second language |
3
|
vol.2 Chinese as a second language |
4
|
|
Guest Writers |
Satoko
Asai |
poem
|
Rain
or shine |
1
|
No
Title |
2
|
|
Aki |
poem
|
Poems
by Aki <1> <2>
<3> |
2
|
|
Emu
Izaki |
short
story
|
Story of Strawberries: Bedtime Story for My Sister |
3
|
|
Richard
Glendinning |
poem
|
Wondering |
5
|
|
Editorials |
|
"Solitaires
Meet Solitaires" |
1
|
"Not 'Art for art's sake'" |
4
|
|
"Following
the great success of the first issue" |
2
|
|
"Guaranteed satisfaction - where did a deep impression disappear?"
|
3
|
|
May
the reader use discernment |
5
|