Q & A:
Do picture boxes with
TIFFs have to have a white background?
Is there a way to overprint
with one colour?
Are there guidelines for
embossing and foil-stamping?
How do I create search
buttons in my Web browser?
How do I convert
an RGB or CMYK colour to Pantone?
How do I export
a QuarkXpress file as an image?
Why do my fonts display
bitmapped on screen?
What are creep and shingling?
What is LZW?
Is there an easy way to
set fractions?
Where can I find
Pantone swatch libraries?
What is OPI?
What's the name of
that character?
How to set typographic quotation
marks
What is a RIP?
How to fight SPAM
Things to know when
designing business cards
What are spot colours?
Preparing files for Internet
delivery
What are Multiple Master
fonts?
Bits and bytes explained
|
|
Is there a way to overprint with one colour?
Roy writes:
I do book design and typesetting in Toronto. There is something in
Quark I have always wanted to achieve, and maybe you can help me find
out how.
Imagine you have two boxes, one with a colour of 20% black, the other
with a colour of 40% black, which have an overlapping area. How do you
set your trapping so that the intersecting area of the boxes will output
to 60% black?
I'm not sure if you've seen "1968," the new book by Mark
Kurlansky, but on the chapter openers they've achieved this effect.
I know how to overprint two different colours, but can't seem to achieve
this for tints of the same colour.
That's a good question. From what I know of trapping, I don't think this
is technically possible. Since overprinting requires two or more plates,
technically speaking it's not possible to overprint with just one plate.
To achieve this effect, it's necessary to fake it using software before
printing.
The best way I know of doing that is to use Illustrator. You can do it
two ways.
- Create two objects and set the top object's transparency to something
less than 100%. (You must remember to flatten the transparency before
going to press.)
- Use Pathfinder's "divide" function to separate the objects,
so that the overlapping area becomes a separate object that can be coloured
with its own colour, which in this case would be a darker shade of black.
If you use the first technique, and you flatten the artwork, you basically
get the same effect as the second technique, so I recommend using the
Pathfinder technique. It's a lot more accurate, and you can avoid the
problems inherent with transparency in Illustrator. Here's a screenshot
of before and after using Pathfinder and applying a darker colour to the
overlapping area:

You can also use QuarkXpress's "merge" feature, but it's not
as powerful as Illustrator's Pathfinder. You'll have to use a combination
of "intersection" and "difference" to achieve the
same effect.
|
|
STANDARDS
EDITORIAL
Q & A
TIPS
LINKS
ABOUT THIS SITE
CONTACT
Use British spelling in your searches |
|