Whatever adjective you wish to apply to
Blink-182 crass, juvenile, obnoxious, scatological no
one can claim the band isn't market savvy. Slashing and burning through trails
first laid out by California punk bands such as Green Day and Pennywise,
the San Diego-based group has managed to forge a musical identity that's
easily packaged and intellectually undemanding. Moreover, the group has elevated
the notion of corporate sponsorship to a near art-form. Defying the long-held
punk ethic that frowns on easy alliances between music and merchandise, the
members of Blink-182 (when they aren't naked) are often walking billboards
for companies that furnish the band with sneakers, sunglasses, and other
apparel.
On the strength of heavy radio play and incessant
touring, Blink-182 soon garnered a stateside following that was comparable
to its popularity Down Under. During 1997, "Dammit (Growing Up)," the first
single from Dude Ranch, became one of the five most-played songs at
key radio stations KROQ (L.A.), KNDD (Seattle), WXRK (New York), KITS (San
Francisco), and WBCN (Boston). Moreover, the band began assuming headline
status on the annual Warped Tours and undertook lengthy stints overseas with
Fellow skate-punkers Unwritten Law and Homegrown (on the "Poo-poo Pee-pee
Tour") and with Less Than Jake (on a tour dubbed "Race Around Uranus").
In January of 1999, Blink-182 returned to
San Diego and began work on the follow-up to Dude Ranch. By that time,
Raynor had left the band (the departure was amicable, according to Hoppus),
to be replaced by former Vandals drummer and Steely Dan acolyte Travis Barker.
Released in July of 1999, Enema of the State solidified the group's
status as punkers to be reckoned with. Evidencing its predilection for silly
puns and juvenile obsessions, the band centered the video for the first single
from the album, "What's My Age Again?" on a naked romp through the streets
of San Diego. Moreover, the group enlisted porn star "Janine" to grace the
album cover in a nurse-bondage get-up.
Meanwhile, upcoming activities for Blink-182
include a fall and winter tour with Silverchair. The group was also recently
chosen to record a version of the Jan and Dean classic "Dead Man's Curve"
for the TV miniseries, The History of Rock 'n' Roll. The band had one of
its songs "Dammit (Growing Up)" featured in the teen flick
Can't Hardly Wait and the trio also made a cameo appearance in the
movie American Pie in which the members essentially portrayed themselves.
So it would seem that future film and TV work is almost a certainty
consider yourselves warned.