She may not be an outlaw in the tradition of Waylon
and Willie, but in the eyes of Nashville, Shania Twain is a renegade
nonetheless. Putting aside her inclination to bare her navel, the Canadian-born
singer can lay claim to the title of most successful crossover artist in
country music history. Not only do her singles regularly invade both the
pop and country charts, but she's among the elite few Nashville artists to
nab a cover on Rolling Stone. Moreover, diehard traditionalists notwithstanding,
Twain's five-year recording career has seen her garner enough country music
awards to fill the stage of the Grand Ole Opry. Even the name
"Shania"the origin of which lies in the language of the Ojibway
Indian tribetranslates roughly into the phrase, "I'm on my
way."
Released in February 1995, Twain's second
album, The Woman in Me, did considerably better than its predecessor,
eventually selling more than 10 million copies to easily surpass sales records
of any previous album by a female country artist. Nonetheless, The Woman
in Me met with predictable backlash. Many country diehards complained
either about its cost, its lyrics, or about the simple fact that Twain
wasn't a product of Nashville .
Perhaps one of the grandest indicators of
Twain's enduring success and acceptance into the singing elite came
in April 1998, when she was invited to perform at VH1's Divas Live concert,
an intimate gathering that featured contemporary music's foremost singers.
Twain held her own alongside the legendary Aretha Franklin, as well
as contemporary divas Celine, Mariah, and Gloria.