Cautious Fuzz

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Notes: This just might be my favorite page in the whole story. There's nothing really tricky going on, but everything here turned out just the way I wanted it to. The texture of both the figures and the background fit perfectly. Like the hand in panel #1 ... it has a feeling of weight and motion that is JUST what I was looking for.
    Let's see ... some of the highlights would be:
    Panel #2: The crosshatching on the "zorch" might seem sort of random, but I wanted to give it the feeling of having been burnt on the side from which Adler is coming ... as though it was more than JUST a sound effect, like it was as solid as the door he'd just lasered.
    Panel #3: Another purposeful breaking of the border. The finger sticks over into the negative space around the sound effect, again enhancing the idea that the door really was there a moment ago. The vertical background feels right, too, especially when mixed with ....
    Panel #4: Where the vertical background shrivels up at the same time Mr. Dían's bravado does. I also like the bulbous quality his eyes have here and how he shrinks his shoulders up. (I told you, it's not the tricky stuff that makes me happiest ... it's getting the little details right.)
    Panel #5: Just talking heads and shoulders, right? Yes. But they ALSO have motion and emotion in them. I like the way they're more spread out by the "ionizing" door, and then bunching together within the room where it's safe. I like that a little head nod one way or another gives the feeling that the character is moving instead of standing still. And I again like the bug-eyed look on Dían's face.
    Panels #6 thru 10: I like how we start with a long shot on Dían and an extreme close-up on Droxine, then have one camera zoom in while the other zooms out. I like that they can both have wide-eyed expressions that communicate very different emotions. I like thatas we zoom closer in on Dían, the background becomes progressively heavier. And where else have you ever seen an aligator-man sweat?
    I suppose it just might be that after 25 pages I was finally hitting my stride ... and that would suggest that I'd really do better to draw regularly so I could keep my edge. Oh well. Guess that's just another lesson I failed to learn at the time.
 
 

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Sketches
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